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  1. Published

    Between re-production and re-presentation: The implementation of photographic art reproduction in the documentation of museum collections online

    Kreiseler, S., 10.09.2018, In: Open Library of Humanities. 4, 2, p. 1-35 35 p., 10.

    Research output: Journal contributions › Journal articles › Research › peer-review

  2. Published

    Immer wieder Thérèse. Balthus' Mädchenbilder.

    Söntgen, B. E., 2018, Balthus. Bouvier, R. (ed.). 1 ed. Berlin: Hatje Cantz Verlag, p. 131-141 10 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  3. Published

    Die Heilige Sippe und die Mediengeschichte des Triptychons: Familie und Bildrhetorik in Quentin Massys’ Annenaltar

    Kuhn, H., 2018, 1 ed. Emsdetten/Berlin: Edition Imorde. 158 p. (imorde.instants; vol. 2)

    Research output: Books and anthologies › Monographs › Research

  4. Published

    Koinzidenz und Kontingenz: Realitätseffekte in Malerei und Fotografie

    Kemp, W. K., 2013, Lob der Illusion : Symposionsbeiträge. Steiner, R. & Weissert, C. (eds.). München: Scaneg Verlag, p. 127-140 13 p. (Schriftenreihe des Kunsthistorischen Instituts der Universität Stuttgart ; vol. 2).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  5. Published

    [Rezension von:] Gert Schiff : von Füssli zu Picasso ; Biographie einer Kunsthistoriker-Generation / Jörg Deuter. Mit einer Einl. von Werner Hofmann und einer Bibliogr. der Veröffentlichungen Gert Schiffs. - Weimar : VDG, 2013. - 316 S. : Ill. . - ISBN: 978-3-89739-770-5

    Kemp, W. K., 2014, In: Kunstform . 15, 7

    Research output: Journal contributions › Critical reviews › Transfer

  6. Published

    Die handelnde Menge: Jacques-Louis-Davids "Der Schwur im Ballhaus" als Revolution des Historienbildes

    Kemp, W. K., 2014, Bilder machen Geschichte: Historische Ereignisse im Gedächtnis der Kunst. Fleckner, U. (ed.). Berlin: Walter de Gruyter GmbH, p. 201-210 10 p. (Studien aus dem Warburg-Haus ; vol. 13).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  7. Published

    Das Bild, die Bilder und das Hyperimage: Schluss mit der Beliebigkeit der Bilderflut

    Kemp, W. K., 2014, In: Kunstchronik. 67, 11, p. 558-563 5 p.

    Research output: Journal contributions › Journal articles › Transfer › peer-review

  8. Published

    Der explizite Betrachter: zur Rezeption zeitgenössischer Kunst

    Kemp, W. K., 2015, Konstanz : Konstanz University Press. 242 p.

    Research output: Books and anthologies › Monographs › Education › peer-review

  9. Published

    Albert Renger-Patzsch und sein Bildband Das Münster in Essen: der Meister des Einzelbildes widmet sich einem architektonischen Komplex

    Kemp, W. K., 2016, Architektur Fotografie : Darstellung - Verwendung - Gestaltung . Locher, H. & Sachsse, R. (eds.). Berlin: Deutscher Kunstverlag, Vol. 3. p. 56-71 15 p. (Transformationen des Visuellen ; vol. 3).

    Research output: Contributions to collected editions/works › Article in conference proceedings › Research › peer-review

  10. Published

    Kunstgeschichte "vom weltgeschichtlichen Gesichtspunkte aus": Fritz Burgers ’Einführung in die moderne Kunst’

    Kemp, W. K., 2016, Fritz Burger (1877-1916): "eine neue Kunstgeschichte". Pfisterer, U. (ed.). Passau: Dietmar Klinger Verlag, p. 241-270 30 p. (Veröffentlichungen des Zentralinstituts für Kunstgeschichte in München; vol. 43).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Education

  11. Published

    Lasst den Vorhang herunter! Die Kunst beginnt... zu gemalten Bildervorhängen bei Rembrandt und seinen Schülern.

    Kemp, W. K., 2016, Hinter dem Vorhang : Verhüllung und Enthüllung seit der Renaissance - von Tizian bis Christo . Blümle, C. & Wismer, B. (eds.). München: Hirmer, p. 56-64 8 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Education › peer-review

  12. Published

    Creative Work, Self-Organizing, and Autonomist Potentiality: Snapshots taken from Amsterdam's art factories

    Cnossen, B., 01.04.2021, In: European Journal of Cultural Studies. 24, 2, p. 394-410 17 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  13. Published

    Against Metaphor – Against Interpretation: Widerständige Sprachfiguren der Verkörperung

    Steierwald, U. R., 2018, Literatur in der Medienkonkurrenz: Medientranspositionen 1800 -1900 - 2000. Dörr, V. & Goebel, R. J. (eds.). Bielefeld: Aisthesis Verlag, p. 199-219 21 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  14. Published

    Wenn aus Unternehmen politische Akteure werden

    Trittin, H., 2018, Rimini Protokoll: Staat 1–4 : Phänomene der Postdemokratie. Schipper, I. (ed.). Berlin: Verlag Theater der Zeit, p. 184-189 6 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer

  15. Published

    Comedy of Deviation: Tamar Getter's Hēliotropion Cycle

    Leeb, S., 2018, Tamar Getter. Hēliotropion: Catalogue for the exhibition held at the Mishkan Museum of Art, Ein Harod, January 6-March 3, 2018. 1. Auflage ed. En Harod: Mishkan Museum of Art, p. 157-164 7 p.

    Research output: Contributions to collected editions/works › Contribution of Exihibition catalogues › Research

  16. Published

    Holding the Blanks in Place: Knowledge and Its Loss in the Works of Lizza May David

    Lochner, O., 2016, Liza May David: The canvas and the monkey: Ausstellungskatalog mit Texts von Oona Lochner, Ma. Victoria T. Herrera, Anna-Lena Wenzel . Berlin: Kerber Verlag

    Research output: Contributions to collected editions/works › Other › Transfer

  17. Published

    ‘Raising the temperature’: the arts in a warming planet

    Galafassi, D., Kagan, S., Milkoreit, M., Heras, M., Bilodeau, C., Juarez Bourke, S., Merrie, A., Guerrero, L., Pétursdóttir, G. & Tàbara, J. D., 04.2018, In: Current Opinion in Environmental Sustainability. 31, April 2018, p. 71-79 9 p.

    Research output: Journal contributions › Scientific review articles › Research

  18. Published

    Palaces, Stars and Abeceda. The Body as Indexical Reader in Post-Socialist Art by CORO Collective, Cooltūristės and Paulina Olowska

    Gerhardt, U., 01.08.2018, Moving Images, Mobile Bodies : The Poetics and Practice of Corporeality in Visual and Performing Arts. Avram, H. (ed.). Newcastle: Cambridge Scholars Publishing, p. 161-180 20 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  19. Breuer’s New Women

    Troeller, J., 01.01.2019, Bauhaus Bodies: Gender, Sexuality, and Body Culture in Modernism's Legandary Art School. Otto, E. & Rössler, P. (eds.). Bloomsbury Academic, p. 311–332 22 p. (Visual cultures and German contexts ).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

  20. Capitalism with a Transhuman Face: The Afterlife of Fascism and the Digital Frontier

    Pinto, A. T., 04.05.2019, In: Third Text. 33, 3, p. 315-336 22 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  21. Published

    Burkina Faso - A history of power, protest, and revolution

    Wienkoop, N-K., 04.03.2019, In: Social Movement Studies. 18, 2, p. 263-264 2 p.

    Research output: Journal contributions › Critical reviews › Research

  22. Published

    Coexistence: Entretien avec Mathilde ter Heijne

    Leeb, S., 2019, In: Les Cahiers du Musée national d'art moderne. 2019, 147, p. 106-111 6 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  23. From the editors

    Benezra, K., 01.10.2019, In: ARTMargins. 8, 3, p. 3-6 4 p.

    Research output: Journal contributions › Other (editorial matter etc.) › Research

  24. Published

    Thesaurieren: Bildrelationen im Beziehungssystem der Sprache

    Steierwald, U. R., 2019, In: Figurationen. Gender, Literatur, Kultur. 20, 2/2019, p. 7-24 15 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  25. Published

    Aesthetics of the Earth. Reframing Relational Aesthetics Considering Critical Ecologies

    Brunner, C. & Kleesattel, I., 2019, In: Proceedings of the European Society for Aesthetics. 11, p. 106-125 20 p.

    Research output: Journal contributions › Conference article in journal › Research › peer-review

  26. Published

    Ian White – Cinema as a Live Art / Becoming Object

    Breimaier, A. (ed.), 03.2019, Berlin: Edition Living Archive. 63 p.

    Research output: Books and anthologies › Exhibition catalogues › Transfer

  27. Published

    Καλλιτέχνιδες, φίλες, αδερφές, νοικοκυρές, ερωμένες, εργαζόμενες ... Ο απόηχος της φεμινιστικής καλλιτεχνικής πρωτοπορίας

    Bempeza, S., 2019, In: Feministiqa. 2019, 2, p. 253-265 13 p.

    Research output: Journal contributions › Journal articles › Transfer › peer-review

  28. Published

    Feministische Streikpraktiken: Die Verweigerung im Kunstfeld und das Unbehagen der Kreativität

    Bempeza, S., 2019, In: Genderstudies. 35, p. 12-14 3 p.

    Research output: Journal contributions › Journal articles › Transfer

  29. Published

    Geschichte(n) des Kunststreiks

    Bempeza, S., 2019, Wien: Transversal Texts. 194 p.

    Research output: Books and anthologies › Monographs › Research › peer-review

  30. Published

    Polyphone Ästhetik. Eine kritische Situierung.

    Bempeza, S., Brunner, C., Hausladen, K., Kleesattel, I. & Sonderegger, R., 16.12.2019, Wien: Transversal Texts. 178 p.

    Research output: Books and anthologies › Monographs › Research › peer-review

  31. Then and Now: The 20th Anniversary of the Washington Conference on Holocaust-Era Assets: Provenance Research in Museums

    Rother, L., 2019, In: IFAR Journal. 19, 4, p. 47-54 8 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  32. Zu groß für Einen: Zum An- und Verkauf großer Sammlungen durch Konsortien am Beispiel Figdor

    Rother, L., 02.08.2012, Kunst sammeln, Kunst handeln: Beiträge des Internationalen Symposiums in Wien . Blimlinger, E. & Mayer, M. (eds.). 1. ed. Wien/Weimar: Böhlau Verlag GmbH, p. 303-315 13 p. (Schriftenreihe der Kommission für Provenienzforschung; vol. 3).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  33. Begehrt und entbehrlich: Die Staatlichen Museen zu Berlin und ihre Erwerbungen von der Dresdner Bank 1935 am Beispiel Lemhény

    Rother, L., 2013, Zwischen Politik und Kunst : Die Staatlichen Museen zu Berlin in der Zeit des Nationalsozialismus. Grabowski, J. & Winter, P. (eds.). 1. ed. Köln: Böhlau Verlag GmbH, p. 97-112 16 p. (Schriften zur Geschichte der Berliner Museen; vol. 2).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  34. Die Dresdner Bank als »marchand-amateur«? Zur Rolle der Banken im Kunstmarkt während des Nationalsozialismus

    Rother, L., 2017, Markt und Macht : Der Kunsthandel im »Dritten Reich«. Fleckner, U., Gaehtgens, T. W. & Huemer, C. (eds.). 1. ed. Berlin/Boston: Walter de Gruyter GmbH, p. 67-92 26 p. (Schriften der Forschungsstelle »Entartete Kunst« ; vol. 12).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  35. Katalogbeiträge zu Paul Cézanne. Still Life with Apples; Ernst Ludwig Kirchner. Street, Berlin; Pablo Picasso. Boy Leading a Horse; Giorgio de Chirico. Gare Montparnasse (The Melancholy of Departure)

    Rother, L., 2017, Being Modern: Building the Collection of The Museum of Modern Art. Bajac, Q., Pagé, S. & Michelon, O. (eds.). 1 ed. New York: Museum of Modern Art, 4 p.

    Research output: Contributions to collected editions/works › Contribution of Exihibition catalogues › Transfer

  36. Die Kunstförderung der Deutschen Bank. Mittel zum Zweck? Das Konzept »Kunst am Arbeitsplatz« am Beispiel der Frankfurter Konzernzentrale

    Rother, L., 01.10.2009, In: Zeitschrift für Unternehmensgeschichte : ZUG = Journal of business history. 54, 2, p. 158-178 21 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  37. Kunst durch Kredit: Die Berliner Museen und ihre Erwerbungen von der Dresdner Bank 1935

    Rother, L., 2017, 1. ed. Berlin/Boston: Walter de Gruyter GmbH. 490 p.

    Research output: Books and anthologies › Monographs › Research › peer-review

  38. Published

    "ultraleichte Geste für…" ("ultra-light Gesture for…"): Ernst Caramelle's Art of Deception

    Söntgen, B. E., 2018, Ernst Caramelle: A Résumé. Folie, S. (ed.). 1. Auflage ed. Köln: Verlag der Buchhandlung Walther König, p. 128-136 9 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review

  39. Published

    Die Mutter: Pieter de Hooch

    Söntgen, B. E., 2019, In: Diaphanes. 6/7, p. 112-126 14 p.

    Research output: Journal contributions › Journal articles › Transfer › peer-review

  40. Published

    Alex Adriaansens: 1953–2018

    Broeckmann, A., 01.06.2019, In: Leonardo. 52, 3, p. 320-320 1 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  41. "Trockene Einfalt". Zur Gegenüberstellung der Evangelien mit Miltons Paradise Lost in Lessings Laokoon

    Woisnitza, M., 2012, Das Buch in den Büchern : Wechselwirkungen von Bibel und Literatur. Polaschegg, A. & Weidner, D. (eds.). 1 ed. Paderborn: Wilhelm Fink Verlag, p. 169-182 14 p. (Trajekte).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  42. Published

    Im Gespräch bleiben. Notizen zur Kunstkritik

    Söntgen, B. E., 2018, In: Regards Croisés. 8, p. 98-108 11 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  43. Published

    Herausforderung der Kulturellen Bildung im Digitalzeitalter

    Damberger, T., 2019, Bundesakademie für Kulturelle Bildung Wolfenbüttel e.V.

    Research output: other publications › Articles in scientific forums or blogs › Transfer

  44. Published

    I Am Not A Hacker

    Bialski, P., 02.2017, Hacks, Leaks, and Breaches. Coleman, E. G. & Kelty, C. M. (eds.). CreateSpace Independent Publishing, Vol. 8. p. 102-106 5 p. (Limn; vol. 8).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  45. Published

    Is Code Law? Kritik in Zeiten algorithmischer Gouvernementalität

    Mattutat, L., Stubenrauch, H. & Warnsholdt, C. L., 2023, Kritik postdigital. Hille, L. & Wentz, D. (eds.). Lüneburg: meson press, p. 21-42 22 p. (Digital Cultures Series).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

  46. Published

    Der Skandal der Öffentlichkeit: Die “City of Change” als Kunst des Urbanen

    Beyes, T., 2013, Die Enthüllung des Realen: Milo Rau und das International Institute of Political Murder. Bossart, R. (ed.). Berlin: Theater der Zeit, p. 132-143 12 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

  47. Published

    Inkorporationskunst: Krise und Kuratoriat

    Beyes, T., 2013, What’s Next?: Kunst nach der Krise: Ein Reader. Hedinger, J. M. & Meyer, T. (eds.). Berlin: Kulturverlag Kadmos , p. 63-67 5 p. 014

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

  48. Published

    On the Difficulty of Forgetting: Recollections of the Basel Symposium on Chantal Akerman

    Kuhn, E. & Holl, U., 01.05.2019, In: Camera Obscura. 34, 1, p. 163-183 21 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  49. Umělecké výměny napříč afrikou, evropou: A asií globální záliba v kovových předmětěch z mamlúcké sýrie a Egypta v Itálii, západní Africe a Číně ve čtrnáctém a patnáctém století

    Schulz, V. S., 01.11.2020, In: Convivium (Czech Republic). 7, 2, p. 133-157 25 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  50. Published

    Decorating Charleston Farmhouse: Bloomsbury's Experiments in Forms of Life, Work, and Art

    Söntgen, B., 2020, Critique: The Stakes of Form. Khatib, S., Kuhn, H., Lochner, O., Mehl, I. & Söntgen, B. (eds.). Zürich: Diaphanes Verlag, p. 139-176 38 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  51. Published

    On the Question of the Restoration of Wall Paintings

    Koss, M. & Riegl, A., 01.09.2020, In: West 86th. 27, 2, p. 250-269 20 p.

    Research output: Journal contributions › Journal articles › Research

  52. Periodizing Latin American art since the 1960s

    Benezra, K., 01.01.2020, Contemporary Art and Capitalist Modernization: A Transregional Perspective. Esanu, O. (ed.). New York: Taylor and Francis Inc., p. 41-56 16 p.

    Research output: Contributions to collected editions/works › Chapter › peer-review

  53. Neoliberalism in Crisis

    Benezra, K., 02.07.2020, In: Journal of Latin American Cultural Studies. 29, 3, p. 461-467 7 p.

    Research output: Journal contributions › Critical reviews › Research

  54. Published

    Provenance Research in Museums: The Long Run

    Rother, L. & Schmeisser, I., 2020, Provenance Research Today: Principles, Practice, Problems. Tompkins, A. (ed.). London: Lund Humphries, p. 106-116 10 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

  55. Published

    Archaeologies of Contemporary Art: Negativity, Inoperativity, Désœuvrement

    Rauch, M. F., 12.2020, In: Journal of Italian Philosophy. 3, p. 191–215 24 p.

    Research output: Journal contributions › Journal articles › Research

  56. Published

    Scenes of Indifference: The Addressee of the Adventure

    Lagaay, A. & Rauch, M. F., 2020, In: Ethics and Politics. 22, 3, p. 87–108 21 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  57. Published

    Relating to water, spaces, and other agents. On the journey behind Juliane Tübke’s project Weathering

    John, R., 01.11.2020, Sirene – Goldrausch 2020. Dell, K. & Kruse, H. (eds.). Berlin: Goldrausch Frauennetzwerk Berlin e.V.

    Research output: Contributions to collected editions/works › Other › Transfer

  58. Published

    Giving a voice to gaps and cracks. Archival critique in Jumana Manna's A Magical Substance Flows Into Me

    John, R., 15.07.2020, In: Roots Routes. 33

    Research output: Journal contributions › Journal articles › Research

  59. Published

    Hollis Frampton: Photographs

    Breimaier, A., 26.11.2020, 12 p. London : The Burlington Magazine Publication Ltd.

    Research output: other publications › Articles in scientific forums or blogs › Transfer

  60. Published

    Végétal Cristalline

    Bösenberg, E. S., 10.07.2017, (Mit) Pflanzen kartographieren. Loreck, H., A. K. & Lindeborg, S. (eds.). Hamburg: Materialverlag-HFBK Hamburg, p. 148-151 4 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  61. Published

    Feedback Systems: Artwriting as Critique?

    Mehl, I., 28.07.2020, Critique: The Stakes of Form. Khatib, S., Kuhn, H., Lochner, O., Mehl, I. & Söntgen, B. (eds.). Zürich: Diaphanes Verlag, p. 175-184 10 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

  62. Published

    Decorating Charleston Farm house: Bloomsbury's Experiments in Forms of Life, Work, and Art

    Söntgen, B., 28.07.2020, Critique: The Stakes of Form. Khatib, S., Kuhn, H., Lochner, O., Mehl, I. & Söntgen, B. (eds.). Zürich: Diaphanes Verlag, p. 139-176 36 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

  63. Published

    "To Arlene on Wings of Love": Shared Forms of Life, Art, and Writing

    Lochner, O., 28.07.2020, Critique: The Stakes of Form. Khatib, S., Kuhn, H., Lochner, O., Mehl, I. & Söntgen, B. (eds.). Zürich: Diaphanes Verlag, p. 117-138 22 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

  64. Published

    Ausgrenzung und Inklusion: Geschlechterrepräsentationen im internationalen Kunstfeld

    Hassler, K., 09.2021, Kunst an den Rändern: wie aus Bildern und Objekten Kunst werden kann. Kruse, C. & Frye, A. (eds.). Berlin: Walter de Gruyter GmbH, p. 138-161 24 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  65. Published

    How to Do Materialistic Dialectics with Words? Adorno and the Resistance of Presentation

    Stubenrauch, H., 28.07.2020, Critique: The Stakes of Form. Khatib, S., Kuhn, H., Lochner, O., Mehl, I. & Söntgen, B. (eds.). Zürich: Diaphanes Verlag, p. 37 - 52 16 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

  66. Published

    What's legit? Introduction

    Mattutat, L., Nigro, R., Schiel, N. & Stubenrauch, H., 28.07.2020, What's legit? : Critiques of Law and Strategies of Rights. Mattutat, L., Nigro, R., Schiel, N. & Stubenrauch, H. (eds.). Zürich: Diaphanes Verlag, p. 7-20 14 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

  67. Published

    What's legit? Critiques of Law and Strategies of Rights

    Mattutat, L. (ed.), Nigro, R. (ed.), Schiel, N. (ed.) & Stubenrauch, H. (ed.), 28.07.2020, Zürich: Diaphanes Verlag. 304 p. (Critical Stances)

    Research output: Books and anthologies › Collected editions and anthologies › Research

  68. Published

    RE/viewing Jerusalem: Political Art Interventions in Occupied East Jerusalem

    Friedman, E. R. & Rayyan, A., 07.2018, Urban Art: Creating the Urban with Art: Proceedings of the International Conference at Humboldt-Universität zu Berlin, 15-16 July, 2016. Blanché, U. & Hoppe, I. (eds.). Lisbon: Pedro Soares Neves, p. 92-100 9 p.

    Research output: Contributions to collected editions/works › Article in conference proceedings › Research › peer-review

  69. Published

    Die nachträgliche Entdeckung der Tiefenzeit während eines Bootsausflugs an der schottischen Ostküste: Über eine Urszene der modernen Geologie

    Stoffel, P., 2020, Ästhetische Eigenzeiten der Wissenschaften. Gamper, M. (ed.). Hannover: Wehrhahn Verlag, p. 267-282 16 p. (Ästhetische Eigenzeiten; vol. 17).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

  70. Immer wieder Kunst: Die Galerie im Körnerpark

    Jordan, U., 01.01.2016, Der Körnerpark: Ein Kulturort in Neukölln. Berlin: Bezirksamt Neukölln - Berlin, p. 60-73 8 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review

  71. ...Malen als Gefecht und Malen als Geschenk...

    Berents-Kemp, C., 06.1991, In: Art Position. 3, 14/15

    Research output: Journal contributions › Critical reviews › Research

  72. Rezension zu "Sonia Delaunay - Mode und Design"

    Berents-Kemp, C., 03.1992, In: Art Position. 4, 18

    Research output: Journal contributions › Critical reviews › Research

  73. Rezension zu "The Lonesome Painter"

    Berents-Kemp, C., 1992, In: Art Position. 4, 19/20

    Research output: Journal contributions › Critical reviews › Research

  74. Georg Himmelheber, Cast-Iron Furniture and All Other Forms of Iron Furniture

    Berents-Kemp, C., 01.10.1998, In: Studies in the Decorative Arts. 6, 1, p. 114-116 3 p.

    Research output: Journal contributions › Critical reviews › Research

  75. Marta Hegemann: Befreiungsikonographie gegen eine konservative Frauenrolle

    Berents-Kemp, C., 1990, Marta Hegemann (1894 – 1970) : Leben und Werk. Euler-Schmidt, M. (ed.). Köln: Köln Stadtmuseum, p. 49-70 22 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  76. Marta Hegemann: Elemente einer Befreiungsikonographie

    Berents-Kemp, C., 1990, In: Kritische Berichte. 18, 1, p. 39-55 17 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  77. Historismen in der Epoche der Moderne (1918 – 1933): Zwei Möglichkeiten, vom Königsweg der Architekturge­schichte abzukommen

    Berents-Kemp, C., 1996, Historismus und Moderne. Tausch, H. (ed.). Würzburg: Ergon-Verlag, p. 211-223 13 p. (Literatura : wissenschaftliche Beiträge zur Moderne und ihrer Geschichte; vol. 1).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  78. Kurven des Lebens - Formen der Moderne: Zur Ästhetik von Bugholzmöbeln

    Berents-Kemp, C., 1996, Thonet: Biegen oder Brechen. Löber, U. (ed.). Koblenz: Landesmuseum Koblenz, p. 50-61 12 p. (Veröffentlichungen des Landesmuseums Koblenz, Staatliche Sammlung Technischer Kulturdenkmäler, Reihe B, Einzelveröffentlichungen; vol. 54).

    Research output: Contributions to collected editions/works › Other › Research

  79. Die Erfindung der Lithographie in technikgeschichtlicher Hinsicht

    Berents-Kemp, C., 2001, Dank an Ulrich Löber. Bardua, R. & Fischer, P. (eds.). Koblenz: Verlag R. Badua, p. 85-92 7 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  80. Von den Altertümern Roms zu den Altertümern der Elbmarschen: Der Altphilologe Sönnich Detlef-Friedrich Detlefsen gründet ein Museum

    Berents-Kemp, C., 20.08.2014, Detlefsen zum 100. Todestag: Ein Colloquium der Detlefsen-Gesellschaft Glückstadt ; 24. September 2011. Christian, B. & Lorenzen-Schmidt, K-J. (eds.). Norderstedt: Books on Demand GmbH, p. 9-30 22 p.

    Research output: Contributions to collected editions/works › Article in conference proceedings › Research › peer-review

  81. Published

    Art Déco in Deutschland: Zwischen Bauhaus und Historismus

    Berents-Kemp, C., 2019, ART DÉCO: Kunst des Historismus?. Juranek, C., Feldhahn, U. & Jonas, M. (eds.). Wettin-Löbejün: Verlag Janos Stekovics, p. 31-53 23 p. (Edition Schloß Wernigerode; vol. 22).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  82. Elbe – Venedig – Elbe: Stationen im Werk Karl Leipolds

    Berents-Kemp, C., 2007, Glückstadt: Detlefsen-Museum im Brockdorff-Palais .

    Research output: Books and anthologies › Exhibition catalogues › Transfer

  83. Uwe Paduck - Landschaften

    Berents-Kemp, C., 2008, Glückstadt: Detlefsen-Museum im Brockdorff-Palais . 68 p.

    Research output: Books and anthologies › Exhibition catalogues › Transfer

  84. 8 Tage Fließgeschwindigkeit: Die Elbe von Dresden bis Glückstadt – Industrie und Landschaft

    Berents-Kemp, C. (ed.), 2010, Glückstadt: Detlefsen-Museum im Brockdorff-Palais .

    Research output: Books and anthologies › Exhibition catalogues › Transfer

  85. Eine Reise um die Welt: Die Expedition des Glückstädter Zoologen Rudolf von Willemoes-Suhm mit dem Forschungsschiff Challenger 1872-1875

    Berents-Kemp, C., 2013, Glückstadt: Detlefsen-Museum im Brockdorff-Palais . 46 p. (Glückstädter Museumsheft; no. 15)

    Research output: Books and anthologies › Exhibition catalogues › Transfer

  86. Karl Leipold - Heimat und Ferne: Zum 150. Geburtstag des Künstlers von Störort

    Berents-Kemp, C. (ed.), 2014, Glückstadt: Detlefsen-Museum im Brockdorff-Palais . 40 p. (Glückstädter Museumsheft; no. 16)

    Research output: Books and anthologies › Exhibition catalogues › Research

  87. Published

    Die Steine von Venedig: Neu komponiert von Catharina Berents und Wolfgang Kemp

    Berents-Kemp, C. (ed.) & Kemp, W. K. (ed.), 2016, Wiesbaden: Corso Verlag. 296 p. (Corso; vol. 52)

    Research output: Books and anthologies › Book

  88. Kleine Geschichte des Design: Von Gottfried Semper bis Philippe Starck

    Berents-Kemp, C., 22.09.2011, München: C.H. Beck Verlag. 232 p. (Beck'sche Reihe; vol. 1993)

    Research output: Books and anthologies › Monographs › Research › peer-review

  89. Art Déco in Deutschland: Das moderne Ornament

    Berents-Kemp, C., 1998, Frankfurt: Anabas. 208 p. (Schriftenreihe des Werkbundarchivs; vol. 27)

    Research output: Books and anthologies › Book

  90. Gefischtes: Gedichte, die auf der Zunge zergehen. ; .. in Portwein gegart und in Bildern neu erzählt

    Berents-Kemp, C. (ed.), 21.10.2013, Grethem-Büchten: Schwarze Kunst. 51 p. (Werk der Edition "Die Holzschnittbücher; vol. 10)

    Research output: Books and anthologies › Collected editions and anthologies › Transfer

  91. Published

    Kritik, partiale Perspektive und kapitalistische Totalität: Fredric Jameson - Donna Haraway

    Kuhn, H., 2020, Weiterschreiben.: Anschlüsse an Rebecca Ardners »Affirmation und Negation als Figuren der Kritik«. Hanft, M., Sieber, J. & Warnsholdt, L. (eds.). Hamburg: Katzenberg Verlag, p. 235-250 16 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  92. Published

    Critical Stances: An Introduction to The Stakes of Form.

    Khatib, S., Kuhn, H., Lochner, O., Mehl, I. & Söntgen, B., 23.06.2020, Critique: The Stakes of Form. Khatib, S., Kuhn, H., Lochner, O., Mehl, I. & Söntgen, B. (eds.). Zürich/Berlin: Diaphanes Verlag, p. 7-36 30 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  93. Published

    Crisis - Unrest - Commons Sense: Melanie Gilligan, Critique and the Cultural Logic of Environmentalization

    Kuhn, H., 2021, Critique and the Digital. Hörl, E., Pinkrah, N. Y. & Warnholdt, C. L. (eds.). Zürich/Berlin: Diaphanes Verlag, p. 147-184 38 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  94. Die Institution Kunst zur Disposition stellen

    Jordan, U., 2011, Kritische Masse: Zeitgenössische Kunst zu aktuellen Fragen der Gesellschaft. Reuter, J. (ed.). Berlin: The Green Box, p. 40 1 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  95. Sprache

    Jordan, U., 12.2013, Terms of Exhibiting (from A to Z). Reichensperger, P. (ed.). Berlin: Sternberg Press, p. 272-273 2 p.

    Research output: Contributions to collected editions/works › Articles for encyclopedia › Research

  96. Artist Placement Group

    Jordan, U. & Henning, N., 2016, Öffentliche Gestaltungsberatung: Public Design Support 2011–2016 . Fezer, J. (ed.). Berlin: Sternberg Press, p. 384-388 5 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  97. How To (…) Things That Don’t Exist: An Introduction

    Jordan, U., Cervetto, R. & Stellin, G., 01.2017, I Can’t Work Like This: A Reader on Recent Boycotts and Contemporary Art. Warsza, J. (ed.). Berlin: Sternberg Press, p. 327-336 10 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  98. Rethinking art's relation to its social context: the example of the Artist Placement Group

    Jordan, U. & Hennig, N., 2017, Nidos meno kolonija: Apie naujumą. Bučinskaitė, J. (ed.). Vilnius: Vilniaus Dailės Akademijos Leidykla, p. 175-177 3 p. (žurnalas – log; no. 8).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  99. Published

    Critique: The Stakes of Form

    Kuhn, H. (ed.), Mehl, I. (ed.), Khatib, S. (ed.), Söntgen, B. (ed.) & Lochner, O. (ed.), 28.07.2020, Zürich/Berlin: Diaphanes Verlag. 352 p.

    Research output: Books and anthologies › Collected editions and anthologies › Research

  100. Monument for a Forgotten Future: von Olaf Nicolai und Douglas Gordon

    Schneider, T., 01.10.2012, Public Art Ruhr. Smerling, W. & Ullrich, F. (eds.). Köln: Wienand Verlag, p. 130-131 2 p.

    Research output: Contributions to collected editions/works › Other › Transfer

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