Institute of Culture and Aesthetics of Digital Media

Organisational unit: Institute

Organisation profile

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.

Main research areas

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation. 

The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana. 

  1. Published

    Informationsströme in digitalen Kulturen: Theoriebildung, Geschichte und logistischer Kapitalismus

    Denecke, M., 02.01.2023, Bielefeld: transcript Verlag. 291 p. (Digitale Gesellschaft; vol. 57)

    Research output: Books and anthologiesMonographsResearch

  2. Published

    Where there is no World and no Epoch: Bernard Stieglerüs Thinking of the Entropocene

    Hörl, E., 25.01.2024, Bernard Stiegler: Memories of the Future. Buseyne, B., Tsagdis, G. & Willemarck, P. (eds.). Bloomsbury Publishing Plc., p. 107-123 17 p.

    Research output: Contributions to collected editions/worksChapterpeer-review

  3. Published

    Protokoll 28: Quatschmaschine macht Quatsch. Oder auch nicht

    Müggenburg, J., Warnke, M. & Tollmann, V., 09.2023, ChatGPT und andere »Quatschmaschinen« : Gespräche mit Künstlicher Intelligenz. Tuschling, A., Sudmann, A. & Dotzler, B. J. (eds.). transcript Verlag, p. 246-254 9 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  4. Published

    Eye Contact with the Machine: Gaze Correction in Video Conferencing

    Rapoport, R. & Tollmann, V., 11.2023, Video Conferencing: Infrastructures, Practices, Aesthetics. Volmar, A., Moskatova, O. & Distelmeyer, J. (eds.). Bielefeld: transcript Verlag, p. 209-231 23 p. (Digitale Gesellschaft; vol. 53).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  5. Published

    Skin in the Game: Ästhetik der Dis/Korrelation: Über Shane Densons "Post-Cinematic Bodies“

    Tollmann, V., 09.2023, In: CARGO Film/Medien/Kultur. 15, 59, p. 71-73 3 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  6. Published

    Krisen und Diskurse - das Kunstjahr 2023 aus Berliner Sicht

    Tollmann, V., 08.2024, In: POP. Kultur und Kritik. 13, 1, p. 46-57 12 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  7. Published

    Übung im Denken: Der Moment des »Dazwischen« in Manon de Boers An Experiment in Leisure

    Gräfe, A., 05.2024, Denken des Medialen: Zur Bedeutung des »Dazwischen«. Schürmann, E. & Sternagel, J. (eds.). Bielefeld: transcript Verlag, p. 137-152 16 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  8. Published

    Introduction: On the use of place

    Schneider, N. & Palmusaari, J., 31.10.2024, Possibilities of Place in Continental Thought: Critique, Politics, Philosophy. Palmusaari, J. & Schneider, N. (eds.). 1. ed. London: Bloomsbury Publishing Plc., p. 1-17 17 p.

    Research output: Contributions to collected editions/worksChapter

  9. Published

    Diskordanz der Zeiten

    Schneider, N. (Translator) & Schürmann, R., 2024, Diaphanes Verlag. 210 p.

    Research output: Books and anthologiesBook

  10. Published

    Zur Spaltung des Verstandes: Das Prinzip der Anarchie und die Kritik epochaler Ökonomien

    Schneider, N., 31.01.2024, Reiner Schürmann, Diskordanz der Zeiten. Schneider, N. (ed.). 1. ed. Zürich: Diaphanes Verlag, p. 195-206 12 p. (TransPositionen).

    Research output: Contributions to collected editions/worksChapter

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