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  1. "Bausteine" für die Museen nach 1945: Die Sammlungen Haubrich - Sprengel - Reemtsma

    Severin, I. L., 1993, Sammler, Stifter und Museen: Kunstförderung in Deutschland im 19. und 20. Jahrhundert. Severin, I., Mai, E. & Paret, P. (eds.). Köln: Böhlau Verlag GmbH, p. 265-294 30 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  2. Published

    Becoming-Environmental: Toward a Critique of Environmentality as Power-Form, World-Form, and Capital-Form

    Hörl, E., 2020, Hybrid Ecologies. Witzgall, S., Kesting, M., Muhle, M. & Nachtigall, J. (eds.). Zürich: Diaphanes Verlag, p. 197-208 12 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  3. Published

    Be fearful: The X-Files' post-9/11 legacy

    Picarelli, E. & Gomez-Galisteo, M. C., 02.2013, In: The Journal of Science Fiction Film and Television. 6, 1, p. 71-85 15 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  4. Begehrt und entbehrlich: Die Staatlichen Museen zu Berlin und ihre Erwerbungen von der Dresdner Bank 1935 am Beispiel Lemhény

    Rother, L., 2013, Zwischen Politik und Kunst : Die Staatlichen Museen zu Berlin in der Zeit des Nationalsozialismus. Grabowski, J. & Winter, P. (eds.). 1. ed. Köln: Böhlau Verlag GmbH, p. 97-112 16 p. (Schriften zur Geschichte der Berliner Museen; vol. 2).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  5. Published

    Bei sich sein: Szenen des Privaten in den Fotografien von Richard Billingham und Nan Goldin

    Söntgen, B., 2012, Hold it !: Zur Pose zwischen Bild und Performance. Brandl-Risi, B., Brandstetter, G. & Diekmann, S. (eds.). Berlin: Verlag Theater der Zeit, p. 96-111 16 p. (Theater der Zeit, Recherchen; no. 89).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  6. Bending gender, Deconstructing Binaries? Transformationen in der Popularmusikforschung anhand der Beispiele Lady Gaga und Annie Lennox

    Schoop, M. E., 2013, Gender in Bewegung: aktuelle Spannungsfelder der Gender und Queer Studies. Kleinau, E., schulz, D. & Völker, S. (eds.). Bielefeld: transcript Verlag, p. 229-239 11 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

  7. Bertrand Lavier: Produktion, Zirkulation und Konsumtion

    Schneider, T., 2016, Bertrand Lavier. Malsch, F. (ed.). Heidelberg: Kehrer Verlag Heidelberg, p. 137-147 11 p.

    Research output: Contributions to collected editions/works › Other › Transfer

  8. Published

    Between Allegory and Seduction: Perceptual Modulation in Battlestar Galactica

    Picarelli, E., 02.2012, In: Scope: An Online Journal of Film and Television Studies. 22, p. 1-20 20 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  9. Published

    Between Art and Promotion: Digital Self-Representation on Artists’ Instagram Profiles

    Fölsche, L. & Jürgens, A., 2017, 6th Annual International Conference on Journalism & Mass Communications. Allen, L. (ed.). Singapur: Global Science and Technology Forum, p. 146-150 5 p. (Annual International Conference on Journalism & Mass Communications; vol. 6).

    Research output: Contributions to collected editions/works › Article in conference proceedings › Research › peer-review

  10. Published

    Between re-production and re-presentation: The implementation of photographic art reproduction in the documentation of museum collections online

    Kreiseler, S., 10.09.2018, In: Open Library of Humanities. 4, 2, p. 1-35 35 p., 10.

    Research output: Journal contributions › Journal articles › Research › peer-review

  11. Published

    BETWEEN SPECIFITY AND CONTEXT. SOCIAL ART HISTORY REVISITED: INTRODUCTION

    Leeb, S. A., 2011, In: Texte zur Kunst. 81, p. 73-75 3 p.

    Research output: Journal contributions › Other (editorial matter etc.) › Research

  12. Published

    Big Drama - Small Spaces: Keren Cytters Theater

    Söntgen, B., 2015, Sowohl als auch dazwischen: Erfahrungsräume der Kunst. Schafaff, J. & Wihstutz, B. (eds.). 1 ed. Wilhelm Fink Verlag, p. 183 - 194 12 p.

    Research output: Contributions to collected editions/works › Article in conference proceedings › Research › peer-review

  13. Bild, Ding, Material: Nimben und Goldgründe italienischer Tafelmalerei in transkultureller Perspektive

    Schulz, V. S., 30.12.2016, In: Zeitschrift fur Kunstgeschichte. 79, 4, p. 508-541 34 p.

    Research output: Journal contributions › Scientific review articles › Research

  14. Bilder im Fluge: Julius Neubronners Brieftaubenfotografie

    Brons, F., 2006, In: Fotogeschichte: Beiträge zur Geschichte und Ästhetik der Fotografie. 26, 100, p. 17-36 20 p.

    Research output: Journal contributions › Journal articles › Research

  15. Published

    Bilder ohne Worte

    Leeb, S. A., 2001, In: Texte zur Kunst. 11, 42, p. 107-108 2 p.

    Research output: Journal contributions › Critical reviews › Research

  16. Bilder von der Seite: Zeitschriften als Quellen fotohistorischer Forschung

    Brons, F., 2012, In: Fotogeschichte: Beiträge zur Geschichte und Ästhetik der Fotografie. 32, 124, p. 50-55 6 p.

    Research output: Journal contributions › Journal articles › Research

  17. Published

    Bildkompetenz: Kunstvermittlung im Spannungsfeld analoger und digitaler Bilder

    Schaper, F., 01.11.2012, Bielefeld: transcript Verlag. 166 p. (Image; vol. 43)

    Research output: Books and anthologies › Book

  18. Bildstörung

    Brons, F., 31.12.2008, Das Technische Bild: Kompendium zu einer Stilgeschichte wissenschaftlicher Bilder. Bredekamp, H., Schneider, B. & Dünkel, V. (eds.). Berlin: Akademie Verlag GmbH, p. 164-167 4 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

  19. Bild und Bühne: Das Interieur als Rahmen wahrer Darstellung

    Söntgen, B., 2010, Räume des Subjekts um 1800: Zur imaginativen Selbstverortung zwischen Selbstaufklärung und Romantik. Steigerwald, J. & Behrens, R. (eds.). Wiesbaden: Harrassowitz Verlag, p. 53-72 19 p. (Culturae - Intermedialiät und historische anthropologie; no. 2).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

  20. Published

    Biografie

    Vietmeier, M., 2009, Jean Dubuffet. Künstlerbücher: [Katalog zur Ausstellung Jean Dubuffet "... das Papier beleben", München 2009]. Franzke, A. (ed.). Köln: Verlag der Buchhandlung Walther König, p. 109 - 123 15 p.

    Research output: Contributions to collected editions/works › Contribution of Exihibition catalogues › Transfer

  21. Published

    Black Box History

    Birkenstock, E. & Loichinger, H., 2009, Chanting down Babylon. Gal, D. & Birkenstock, E. (eds.). Berlin: Argobooks, p. 5-p 3 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

  22. Published

    Blättern, wenden, wiegen, zahlen: Mediale Konvertierungen und Konversionen in der Malerei um 1500

    Kuhn, H., 2015, Medien des Heiligen. Balke, F., Siegert, B. & Vogl, J. (eds.). Paderborn: Wilhelm Fink Verlag, p. 97-109 13 p. (Archiv für Mediengeschichte; vol. 15).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

  23. Published

    Bodenlos

    Leeb, S. A., 2000, In: Texte zur Kunst. 10, 37, p. 70-74 5 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  24. Published

    Books on World Art from the 1920s: On the Ambivalence of a Discursive Awakening

    Leeb, S., 2019, Bauhaus Imaginista: Die globale Rezeption bis heute. von Osten, M. & Watson, G. (eds.). Zürich: Scheidegger & Spiess, p. 106-111 6 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  25. Published

    Border plants: globalisation as shown to us by the women living at its leading edge

    Kuhn, E., 25.01.2024, Coercion and Wage Labour: Exploring Work Relations through History and Art. Batista, A., Müller, V. F. & Peres, C. (eds.). London: UCL Press, p. 225-245 21 p. 10. (Work around the world: studies in global labour history).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  26. Published

    Border: The Videographic Traces by Laura Waddington as a Cinematographic Memorial

    Kuhn, E., 2010, Images of Illegalized Immigration: Towards a Critical Iconology of Politics. Bischoff, C., Falk, F. & Kafehsy, S. (eds.). Bielefeld: transcript Verlag, p. 129-141 13 p. (Image; vol. 9).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  27. Published

    Borzik, Rolf

    Mordhorst, S., 2016, Das große Tanz Lexikon: Tanzkulturen, Epochen, Personen, Werke. Hartmann, A. & Woitas, M. (eds.). Laaber: Laaber Verlag, p. 113 1 p.

    Research output: Contributions to collected editions/works › Articles for encyclopedia › Research

  28. Published

    Branding the campus: Kunst, Architektur, Design, Identitätspolitik

    Müller, C. P., Bismarck, B. (ed.), Stoller, D. (ed.), Wege, A. (ed.) & Wuggenig, U. (ed.), 2001, Düsseldorf: Richter Verlag. 144 p.

    Research output: Books and anthologies › Conference proceedings › Research

  29. Breuer’s New Women

    Troeller, J., 01.01.2019, Bauhaus Bodies: Gender, Sexuality, and Body Culture in Modernism's Legandary Art School. Otto, E. & Rössler, P. (eds.). Bloomsbury Academic, p. 311–332 22 p. (Visual cultures and German contexts ).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

  30. Published

    Buchbesprechung: Eva Kernbauer, Der Platz des Publikums. Modelle für Kunstöffentlichkeit im 18. Jahrhundert, Köln/Weimar/Wien: Böhlau, 2011, 338 S., ISBN 978-3-412-20555-3

    Söntgen, B., 2014, In: Zeitschrift für Kunstgeschichte. 77, 2, p. 283-286 4 p.

    Research output: Journal contributions › Critical reviews › Research

  31. Bühnen des Inneren: Die entkleideten Interieurs von Teresa Hubbard und Alexander Birchler

    Söntgen, B., 2007, Carte Blanche: Mediale Formate in der Kunst der Moderne. Walther, S. (ed.). Berlin: Kulturverlag Kadmos , p. 201-212 12 p. (Kaleidogramme; vol. 17).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

  32. Published

    Burkina Faso - A history of power, protest, and revolution

    Wienkoop, N-K., 04.03.2019, In: Social Movement Studies. 18, 2, p. 263-264 2 p.

    Research output: Journal contributions › Critical reviews › Research

  33. Published

    #BWPWAP

    Andersen, C. U., Bazzichelli, T., Beverungen, A., Cox, G. & Gansing, K., 31.01.2013, In: A Peer-reviewed Journal About --. 2, 1, p. 4-5 2 p.

    Research output: Journal contributions › Other (editorial matter etc.) › Research

  34. Published

    Cadavre Exquisit

    Lampalzer, G., 1996, die thede. Bau, C., Hemmleb, M., Huckeriede, J., Kistner, D., Metzlaff, B., Oppermann, M., Ramcke, J., Rippel, N. & Stockhaus, P. (eds.). Hamburg: Schwarze Kunst, p. 94-100 4 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

  35. Published

    Can Art Save The Ethnological Museum?

    Leeb, S. A., 2013, The Challenge of the Object: 33rd congress of the International Committee of the History of Art, Nuremberg, 15th - 20th July 2012; Congress Proceedings. Großmann, G. U. (ed.). Verlag des Germanischen Nationalmuseums, Vol. 2. p. 556-560 5 p. (Wissenschaftlicher Beiband zum Anzeiger des Germanischen Nationalmuseums; no. 32,2).

    Research output: Contributions to collected editions/works › Article in conference proceedings › Research › peer-review

  36. Published

    Cancan

    Mordhorst, S., 2016, Das große Tanz Lexikon: Tanzkulturen, Epochen, Personen, Werke. Hartmann, A. & Woitas, M. (eds.). 1 ed. Laaber: Laaber Verlag, p. 132-133 2 p.

    Research output: Contributions to collected editions/works › Articles for encyclopedia › Research

  37. Capitalism with a Transhuman Face: The Afterlife of Fascism and the Digital Frontier

    Pinto, A. T., 04.05.2019, In: Third Text. 33, 3, p. 315-336 22 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  38. Published

    Chardin: Inwardness - Emotion - Communication

    Söntgen, B., 2014, Rethinking Emotion: Interiority and Exteriority in Premodern, Modern, and Contemporary Thought. Rüdiger, C. & Julia, W. (eds.). Berlin / Boston: Walter de Gruyter GmbH, p. 101 -133 33 p. 6. (Interdisciplinary German Cultural Studies; vol. 15).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  39. Published

    Charismatische Disposition und Intellektualisierung

    Prinz, S. & Wuggenig, U., 2012, Das Kunstfeld: Eine Studie über Akteure und Institutionen der zeitgenössischen Kunst am Beispiel von Zürich, Wien, Hamburg und Paris. Munder, H. & Wuggenig, U. (eds.). 1 ed. Zürich: JRP Ringier Verlag, p. 205-228 24 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

  40. Published

    Charlotte Moth: Bleckede 2009 – Rochechouart 2011

    Knoll, V. (ed.) & Loichinger, H. C. (ed.), 2011, Berlin: Sternberg Press. 112 p.

    Research output: Books and anthologies › Collected editions and anthologies › Research

  41. Published

    Christliche Kunst: ihre Anfänge, ihre Strukturen

    Kemp, W., 1994, München: Schirmer/Mosel Verlag. 307 p.

    Research output: Books and anthologies › Monographs › Research

  42. Published

    Clouds and Balloons: James Glaisher's Vertical Voyages

    Zindel, H., 03.2020, Silver Linings: Clouds in Art and Science. Jørgensen, D. & Jørgensen, F. A. (eds.). Trondheim: Museumsforlaget, p. 27–37 11 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

  43. Published

    Coexistence: Entretien avec Mathilde ter Heijne

    Leeb, S., 2019, In: Les Cahiers du Musée national d'art moderne. 2019, 147, p. 106-111 6 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  44. Published

    Cologne: Inside Out: Eine Gesprächsrunde über Mythos und Realität der Kunststadt Köln

    Loichinger, H. C., 2013, In: frieze d/e. 8, p. 48-59 12 p.

    Research output: Journal contributions › Other (editorial matter etc.) › Transfer

  45. Colonial modern. Aesthetics of the past, rebellions for the future

    Avermaete, T. (ed.), Karakayali, S. (ed.) & von Osten, M. (ed.), 2010, London: Blackdog Publishing. 314 p.

    Research output: Books and anthologies › Collected editions and anthologies › Research

  46. Published

    Colorear por números: La tecnología digital y el arte de vivir

    Förster, Y., 26.08.2021, In: Arbor. 197, 800, 12 p., a602.

    Research output: Journal contributions › Journal articles › Research › peer-review

  47. Published

    Comedy of Deviation: Tamar Getter's Hēliotropion Cycle

    Leeb, S., 2018, Tamar Getter. Hēliotropion: Catalogue for the exhibition held at the Mishkan Museum of Art, Ein Harod, January 6-March 3, 2018. 1. Auflage ed. En Harod: Mishkan Museum of Art, p. 157-164 7 p.

    Research output: Contributions to collected editions/works › Contribution of Exihibition catalogues › Research

  48. Published

    Comments on Chan and Goldthorpe: Pitfalls in testing Bourdieu's homology assumptions using mainstream social science methodology - Social stratification and cultural consumption - The visual arts in England

    Wuggenig, U., 01.08.2007, In: Poetics. 35, 4-5, p. 306-316 11 p.

    Research output: Journal contributions › Comments / Debate / Reports › Research

  49. Published

    Complexity as experience: The contribution of aesthetics to cultures of sustainability

    Kagan, S., 2015, An introduction to sustainability and aesthetics: the arts and design for the environment. Crouch, C., Kaye, N. & Crouch, J. (eds.). Boca Raton, Florida: BrownWalker Press, p. 25-32 8 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

  50. Published

    Conceptual Dimensions of Embodiment

    Förster, Y., 2015, In: METABODY - Journal of Metacultural Critique. 1, p. 32-33 2 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  51. Published

    Conflicting Evidence

    Leeb, S., 2017, Evidentiary Realism: Investigative, Forensic, And Documentary Art. Ciro, P. (ed.). 1. Auflage ed. Berlin: NOME, p. 113-120 8 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  52. Published

    Connections, Seilschaften und Verbindungen: Zur Relevanz des Netzwerkbegriffs im Kunstfeld - ein Gespräch von Pascal Jurt mit Ulf Wuggenig

    Wuggenig, U. & Jurt, P., 2011, In: Springerin : Hefte für Gegenwartskunst. 17, 4, p. 40 - 44 5 p.

    Research output: Journal contributions › Other (editorial matter etc.) › Transfer

  53. Published

    Constructing Audiences, Defining Art: Public Art and Social Research

    Buchholz, L. & Wuggenig, U., 2002, In: transversal / EIPCP multilingual webjournal. 2002, 1, 8 p.

    Research output: Journal contributions › Journal articles › Research

  54. Published

    Constructing Audiences, Defining Art: The Field Experiment of the Open Public Library

    Buchholz, L. & Wuggenig, U., 2016, In: Journal of Visual Art Practise. 12, p. 12-21 10 p.

    Research output: Journal contributions › Journal articles › Transfer

  55. Published

    Container und Algorithmen: Zur Mobilität von Waren und Menschen

    Altenried, M., 2018, Holen und Bringen: Werkleitz Festival 2018. Renner, K. & Schickedanz, J. (eds.). Wien: Verlag für Moderne Kunst, p. 12 -25 14 p.

    Research output: Contributions to collected editions/works › Article in conference proceedings › Research

  56. Published

    Contessa di Castiglione: Die Femme fatale des Second Empire

    Berents-Kemp, C., 06.2023, München: Schirmer/Mosel Verlag. 120 p.

    Research output: Books and anthologies › Monographs › Research › peer-review

  57. Published

    Corporate Difference: Formate der Kunstvermittlung

    Maset, P. (ed.), Reuter, R. (ed.) & Steffel, H. (ed.), 2006, Norderstedt: Books on Demand GmbH. 167 p.

    Research output: Books and anthologies › Collected editions and anthologies › Research

  58. Courbets Zweifel an der Verlässlichkeit des Sehsinns

    Marchal, S., 2010, In: Kunsttexte.de : kritische Texte und Bilder zur Geschichte der Kunst. 4, p. 1-15 15 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  59. Published

    Creative Work, Self-Organizing, and Autonomist Potentiality: Snapshots taken from Amsterdam's art factories

    Cnossen, B., 01.04.2021, In: European Journal of Cultural Studies. 24, 2, p. 394-410 17 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  60. Published

    'Creativity and Innovation' in the Nineteenth Century: Harrison C. White and the Impressionist Revolution Reconsidered

    Wuggenig, U., 2011, Critique of Creativity: Precarity, Subjectivity and Resistance in the `Creative Industries´. Raunig, G., Ray, G. & Wuggenig, U. (eds.). London: MayflyBooks, p. 57-75 19 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

  61. Published

    Crisis - Unrest - Commons Sense: Melanie Gilligan, Critique and the Cultural Logic of Environmentalization

    Kuhn, H., 2021, Critique and the Digital. Hörl, E., Pinkrah, N. Y. & Warnholdt, C. L. (eds.). Zürich/Berlin: Diaphanes Verlag, p. 147-184 38 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  62. Published

    Critical Stances: An Introduction to The Stakes of Form.

    Khatib, S., Kuhn, H., Lochner, O., Mehl, I. & Söntgen, B., 23.06.2020, Critique: The Stakes of Form. Khatib, S., Kuhn, H., Lochner, O., Mehl, I. & Söntgen, B. (eds.). Zürich/Berlin: Diaphanes Verlag, p. 7-36 30 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  63. Published

    Critique: The Stakes of Form

    Kuhn, H. (ed.), Mehl, I. (ed.), Khatib, S. (ed.), Söntgen, B. (ed.) & Lochner, O. (ed.), 28.07.2020, Zürich/Berlin: Diaphanes Verlag. 352 p.

    Research output: Books and anthologies › Collected editions and anthologies › Research

  64. Published

    Critique. Enlightenment. Parrhesia. Michel Foucault’s Questioning of The Concepts of Person and Humanity in Kant’s Works

    Rainsborough, M., 23.10.2023, The Kantian Subject: New Interpretative Essays. Silva, F. M. F. & Caranti, L. (eds.). Taylor and Francis Inc., p. 132-142 11 p.

    Research output: Contributions to collected editions/works › Chapter › peer-review

  65. Published

    Critique of Creativity: Precarity, Subjectivity and Resistance in the 'Creative Industries´

    Raunig, G. (ed.), Ray, G. (ed.) & Wuggenig, U. (ed.), 2011, London: MayflyBooks. 216 p.

    Research output: Books and anthologies › Collected editions and anthologies › Research

  66. Crossroads of cloth: Textile arts and aesthetics in and beyond the medieval islamic world

    Schulz, V. S., 30.06.2016, In: Perspective (France). 2016, 1, p. 93-108 16 p.

    Research output: Journal contributions › Scientific review articles › Research

  67. Published

    Cultural Globalization between Myth and Reality: The Case of the Contemporary Visual Arts

    Buchholz, L. & Wuggenig, U., 2005, In: ART-e-FACT : Strategies of Resistance. 04, 14 p.

    Research output: Journal contributions › Journal articles › Research

  68. Published

    Culture and Capital: Claire Bishop: Place in Plunderland: Claire Bishop on the Shed

    Kipke, A., 2022, Why Art Criticism? : A Reader. Söntgen, B. & Voss, J. (eds.). 1. Auflage ed. Berlin: Hatje Cantz Verlag, p. 428-437 10 p. (Zeitgenössische Kunst).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

  69. Published

    Cutting Across Lines: Lil Picard and the Reorienting Effects of Collage

    Lochner, O., 06.2022, Compressed Utterances : Collage in a Germanic Context after 1912. Collins, C. (ed.). Oxford, Bern, Berlin ua.: Peter Lang Verlag, p. 221-252 (German Visual Culture; vol. 12).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review

  70. Cybersyn: Designing a New Style of Management.

    Benezra, K., 11.07.2018, Latin American Modernisms and Technology. Fernández, M. (ed.). Africa World Press Inc., p. 195-220 26 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

  71. Published

    Dada Data: Contemporary Art in the Era of Post-Truth Politics

    Hegenbart, S. (ed.) & Kölmel, M-J. (ed.), 23.02.2023, Bloomsbury Academic. 304 p.

    Research output: Books and anthologies › Collected editions and anthologies › Research

  72. Published

    Dadadatadada: From Dada to Data and Back Again

    Kölmel, M-J., 09.03.2023, Dada Data: Contemporary Art Practice in the Era of Post-Truth Politics. Hegenbart, S. & Kölmel, M-J. (eds.). Bloomsbury Publishing Plc., p. 23-40 18 p.

    Research output: Contributions to collected editions/works › Chapter › peer-review

  73. Published

    Dada postkolonial: Die Wi(e)der-Aufführung als kuratorische Praxis

    Felicitas Sabel, L., 2022, The Return of DADA / Die Wiederkehr von DADA / Le Retour de DADA: DADA Exhibitions / DADA-Ausstellungen / Expositions DADA. Mareuge, A. & Sandro, Z. (eds.). Dijon: Les Presses du Réel, Vol. 2. p. 63-78 16 p.

    Research output: Contributions to collected editions/works › Article in conference proceedings › Research › peer-review

  74. Published

    Dancing the digital: European and Amercian Visions of a digital Space

    Leeker, M., 2005, Space in America: Theory, History, Culture. Benesch, K. (ed.). Amsterdam: Rodopi, p. 451-468 18 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

  75. Published

    Dani Gal – Chanting down Babylon: Recorded Accounts of El Al Flight 1862, Amsterdam, October 4, 1992 ; a project ; ...publ. on the occasion of the exhibition "Chanting down Babylon " by Dani Gal at Halle für Kunst Lüneburg e.V., March 29 - May 5, 2009

    Birkenstock, E. (ed.) & Loichinger, H. C. (ed.), 2009, Berlin: Argobooks. 175 p.

    Research output: Books and anthologies › Collected editions and anthologies › Research

  76. Published

    Das Bild, die Bilder und das Hyperimage: Schluss mit der Beliebigkeit der Bilderflut

    Kemp, W. K., 2014, In: Kunstchronik. 67, 11, p. 558-563 5 p.

    Research output: Journal contributions › Journal articles › Transfer › peer-review

  77. Published

    Das Delirium des Symbolischen hat eine neue Phase gefunden

    Leistert, O., 2014, Julia Oschatz: [anlässlich der Ausstellung "grueBel" im Kupferstichkabinett vom 21.11.2014 bis 22.2.2015]. Berlin: Distanz Verlag, p. 108-121 14 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

  78. Published

    Das Empire, der Nordwesten und der Rest der Welt: die "internationale zeitgenössische Kunst" im Zeitalter der Globalisierung

    Wuggenig, U., 2002, In: transversal / EIPCP multilingual webjournal. 2002, 9, 10 p.

    Research output: Journal contributions › Journal articles › Research

  79. Published

    Das Interieur als psychische Installation: Zur Einrichtung des Innenraums bei Teresa Hubbard/Alexander Birchler und Eija-Liisa Ahtila

    Söntgen, B., 2012, Kinematographische Räume: Installationsästhetik in Film und Kunst. Frohne, U. & Haberer, L. (eds.). München: Wilhelm Fink Verlag, p. 419-446 28 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  80. Das Itinerar der Dinge – Objekte und ihre Ordnung

    Neugärtner, S., 2021, In: Österreichische Zeitschrift für Geschichtswissenschaften. 32, 3, p. 304–308 5 p.

    Research output: Journal contributions › Critical reviews › Research

  81. Published

    Das Kunstfeld: Eine Studie über Akteure und Institutionen der zeitgenössischen Kunst am Beispiel von Zürich, Wien, Hamburg und Paris

    Munder, H. (ed.) & Wuggenig, U. (ed.), 11.2012, Zürich: JRP Ringier Verlag. 460 p.

    Research output: Books and anthologies › Collected editions and anthologies › Research

  82. Published

    Das Kunstfeld: Akteure, Institutionen und Zentrum-Peripherie-Struktur

    Kastelan, C., Tarnai, C. & Wuggenig, U., 2012, Das Kunstfeld: Eine Studie über Akteure und Institutionen der zeitgenössischen Kunst am Beispiel von Zürich, Wien, Hamburg und Paris. Munder, H. & Wuggenig, U. (eds.). 1 ed. Zürich: JRP Ringier Verlag, p. 87-106 20 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

  83. Published

    Das Kunstfeld von Zürich - ein Zentrum des Buddhismus?

    Wuggenig, U., 2012, Das Kunstfeld: Eine Studie über Akteure und Institutionen der zeitgenössischen Kunst am Beispiel von Zürich, Wien, Hamburg und Paris. Munder, H. & Wuggenig, U. (eds.). Zürich: JRP Ringier Verlag, p. 53-62 10 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

  84. Published

    Das Kunstwerk im Zeitalter des general intellect

    Nigro, R., 06.2017, In: Paragrana. 26, 1, p. 75 - 85 11 p.

    Research output: Journal contributions › Journal articles › Transfer › peer-review

  85. Das Kunstwerk ist nicht a priori gegeben. Der Benutzer bringt es hervor

    Schneider, T., 2013, Franz Erhard Walther - Perpetuum mobile: Lager · Sockel · Handlung. Wappler, F. (ed.). Düsseldorf: Richter Verlag, p. 80-83 4 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer

  86. Published

    Das optische Unbewusste

    Krauss, R. E., Harbort, H. H. & Stuhlmann, A., 2011, Hamburg: Philo Fine Arts. 537 p. (Fundus; vol. 194)

    Research output: Books and anthologies › Monographs › Research

  87. Published

    Das Theater des Herrn Diderot findet im Innenraum statt: Zum Rahmen wahrer Darstellung im späten 18. Jahrhundert

    Söntgen, B., 2012, Theaterfeindlichkeit. Diekmann, S., Wild, C. & Brandstetter, G. (eds.). München: Wilhelm Fink Verlag, p. 127-146 20 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review

  88. Das Unsichtbare sichtbar machen

    Jung, S., 2017, In: Prolog. Zeitschrift für Text und Zeichnung. Festschrift, X7, p. 7-9 3 p.

    Research output: Journal contributions › Other (editorial matter etc.) › Transfer

  89. Published

    Das unternehmerische Selbst? zur Realpolitik der Humankapitalproduktion

    Prinz, S. & Wuggenig, U., 2007, Michel Foucaults "Geschichte der Gouvernementalität" in den Sozialwissenschaften. Krasmann, S. & Volkmer, M. (eds.). Bielefeld: transcript Verlag, p. 239-265 27 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

  90. Das Versprechen der Retina: Zur Mikrofotografie Robert Kochs

    Brons, F., 2004, Instrumente des Sehens. Fischer, A. (ed.). Berlin: Akademie Verlag GmbH, p. 19-28 10 p. (Bildwelten des Wissens: Kunsthistorisches Jahrbuch für Bildkritik; vol. 2,2).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

  91. Published

    Das Wahre im Künstlichen: Edgar Degas‘ Die Orchestermusiker

    Mordhorst, S., 2015, Monet und die Geburt des Impressionismus. Krämer, F. (ed.). München, London, New York: Prestel Verlag, p. 169-182 14 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

  92. Published

    Das Weltbild der Physiker: Ein Selbstporträt?

    Mißfeldt, D. (Translator) & Holtsmark, T., 2012, Torger Holtsmark: Colour and Images: Phenomenology of Visual Experience. Grebe-Ellis, J. & Schön, L-H. (eds.). Berlin: Logos Verlag, Vol. 8. p. 85-107 23 p. (Phänomenologie in der Naturwissenschaft; vol. 8).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  93. Published

    Das Wesen der Dinge: Hammershøi in den Augen Rainer Maria Rilkes

    Hemkendreis, A., 2012, Hammershøi und Europa: Ein dänischer Künstler um 1900. Monrad, K. (ed.). München, London, New York: Prestel Verlag, p. 165-180 16 p.

    Research output: Contributions to collected editions/works › Other › Research

  94. Published

    Death of an Art Critic

    Bender, A., Knoll, V. (ed.) & Loichinger, H. C. (ed.), 2017, Berlin: Sternberg Press. 46 p.

    Research output: Books and anthologies › Monographs › Transfer

  95. Death Valley ‘69, Nymphomania, Rat Trap, Baby Doll, Submit To Me Now, Simonland, Horoscope, Go to Hell, The Bogus Man (Einträge zu ausgestellten Filmen)

    Breimaier, A., 2012, You Killed Me First. The Cinema of Transgression : (Ausst.-Kat. KW Institute for Contemporary Art, Berlin, August - September 2012) . Pfeffer, S. (ed.). Berlin, Köln: Verlag der Buchhandlung Walther König, p. S. 45, 57, 67, 94, 100, 106, 112, 137, 145.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer

  96. Published

    Decorating Charleston Farm house: Bloomsbury's Experiments in Forms of Life, Work, and Art

    Söntgen, B., 28.07.2020, Critique: The Stakes of Form. Khatib, S., Kuhn, H., Lochner, O., Mehl, I. & Söntgen, B. (eds.). Zürich: Diaphanes Verlag, p. 139-176 36 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

  97. Published

    Decorating Charleston Farmhouse: Bloomsbury's Experiments in Forms of Life, Work, and Art

    Söntgen, B., 2020, Critique: The Stakes of Form. Khatib, S., Kuhn, H., Lochner, O., Mehl, I. & Söntgen, B. (eds.). Zürich: Diaphanes Verlag, p. 139-176 38 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  98. Dematerialization: Art and Design in Latin America

    Benezra, K., 04.2020, Oakland: University of California Press. 256 p.

    Research output: Books and anthologies › Monographs › Research › peer-review

  99. Published

    Denken in Bildern: Bilder als Konzepte organischer und geistiger Synergien

    Bisanz, E., 2007, Ausdruck, Ausstrahlung, Aura: Synästhesien der Beseelung im Medienzeitalter. Clausberg, C. & Bisanz, E. (eds.). Bad Honnef: Hippocampus Verlag, p. 12-13 2 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

  100. Den Mythos zum Mythos machen: Überlegungen zu Mischa Kuballs Interventionen

    Kuhn, H., 2004, Mischa Kuball: Utopie/Black Square 2001ff.: Katalog zur Ausstellung in den Kunstsammlungen der Ruhr-Universität Bochum; Eröffnung am 18. Juni 2003. Steinhauser, M. & Hemken, K-U. (eds.). Frankfurt a. M.: Revolver, Archiv für aktuelle Kunst, p. 24-30 7 p.

    Research output: Contributions to collected editions/works › Contribution of Exihibition catalogues › Research

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