Browse by research area

  1. Published

    Conceptual Dimensions of Embodiment

    Förster, Y., 2015, In: METABODY - Journal of Metacultural Critique. 1, p. 32-33 2 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  2. Published

    Conflicting Evidence

    Leeb, S., 2017, Evidentiary Realism: Investigative, Forensic, And Documentary Art. Ciro, P. (ed.). 1. Auflage ed. Berlin: NOME, p. 113-120 8 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  3. Published

    Connections, Seilschaften und Verbindungen: Zur Relevanz des Netzwerkbegriffs im Kunstfeld - ein Gespräch von Pascal Jurt mit Ulf Wuggenig

    Wuggenig, U. & Jurt, P., 2011, In: Springerin : Hefte für Gegenwartskunst. 17, 4, p. 40 - 44 5 p.

    Research output: Journal contributionsOther (editorial matter etc.)Transfer

  4. Published

    Constructing Audiences, Defining Art: Public Art and Social Research

    Buchholz, L. & Wuggenig, U., 2002, In: transversal / EIPCP multilingual webjournal. 2002, 1, 8 p.

    Research output: Journal contributionsJournal articlesResearch

  5. Published

    Constructing Audiences, Defining Art: The Field Experiment of the Open Public Library

    Buchholz, L. & Wuggenig, U., 2016, In: Journal of Visual Art Practise. 12, p. 12-21 10 p.

    Research output: Journal contributionsJournal articlesTransfer

  6. Published

    Container und Algorithmen: Zur Mobilität von Waren und Menschen

    Altenried, M., 2018, Holen und Bringen: Werkleitz Festival 2018. Renner, K. & Schickedanz, J. (eds.). Wien: Verlag für Moderne Kunst, p. 12 -25 14 p.

    Research output: Contributions to collected editions/worksArticle in conference proceedingsResearch

  7. Published

    Contessa di Castiglione: Die Femme fatale des Second Empire

    Berents-Kemp, C., 06.2023, München: Schirmer/Mosel Verlag. 120 p.

    Research output: Books and anthologiesMonographsResearchpeer-review

  8. Published

    Corporate Difference: Formate der Kunstvermittlung

    Maset, P. (ed.), Reuter, R. (ed.) & Steffel, H. (ed.), 2006, Norderstedt: Books on Demand GmbH. 167 p.

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  9. Courbets Zweifel an der Verlässlichkeit des Sehsinns

    Marchal, S., 2010, In: Kunsttexte.de : kritische Texte und Bilder zur Geschichte der Kunst. 4, p. 1-15 15 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  10. Published

    Creative Work, Self-Organizing, and Autonomist Potentiality: Snapshots taken from Amsterdam's art factories

    Cnossen, B., 01.04.2021, In: European Journal of Cultural Studies. 24, 2, p. 394-410 17 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  11. Published

    'Creativity and Innovation' in the Nineteenth Century: Harrison C. White and the Impressionist Revolution Reconsidered

    Wuggenig, U., 2011, Critique of Creativity: Precarity, Subjectivity and Resistance in the `Creative Industries´. Raunig, G., Ray, G. & Wuggenig, U. (eds.). London: MayflyBooks, p. 57-75 19 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  12. Published

    Crisis - Unrest - Commons Sense: Melanie Gilligan, Critique and the Cultural Logic of Environmentalization

    Kuhn, H., 2021, Critique and the Digital. Hörl, E., Pinkrah, N. Y. & Warnholdt, C. L. (eds.). Zürich/Berlin: Diaphanes Verlag, p. 147-184 38 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  13. Published

    Critical Stances: An Introduction to The Stakes of Form.

    Khatib, S., Kuhn, H., Lochner, O., Mehl, I. & Söntgen, B., 23.06.2020, Critique: The Stakes of Form. Khatib, S., Kuhn, H., Lochner, O., Mehl, I. & Söntgen, B. (eds.). Zürich/Berlin: Diaphanes Verlag, p. 7-36 30 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  14. Published

    Critique: The Stakes of Form

    Kuhn, H. (ed.), Mehl, I. (ed.), Khatib, S. (ed.), Söntgen, B. (ed.) & Lochner, O. (ed.), 28.07.2020, Zürich/Berlin: Diaphanes Verlag. 352 p.

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  15. Published

    Critique. Enlightenment. Parrhesia. Michel Foucault’s Questioning of The Concepts of Person and Humanity in Kant’s Works

    Rainsborough, M., 23.10.2023, The Kantian Subject: New Interpretative Essays. Silva, F. M. F. & Caranti, L. (eds.). Taylor and Francis Inc., p. 132-142 11 p.

    Research output: Contributions to collected editions/worksChapterpeer-review

  16. Published

    Critique of Creativity: Precarity, Subjectivity and Resistance in the 'Creative Industries´

    Raunig, G. (ed.), Ray, G. (ed.) & Wuggenig, U. (ed.), 2011, London: MayflyBooks. 216 p.

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  17. Crossroads of cloth: Textile arts and aesthetics in and beyond the medieval islamic world

    Schulz, V. S., 30.06.2016, In: Perspective (France). 2016, 1, p. 93-108 16 p.

    Research output: Journal contributionsScientific review articlesResearch

  18. Published

    Cultural Globalization between Myth and Reality: The Case of the Contemporary Visual Arts

    Buchholz, L. & Wuggenig, U., 2005, In: ART-e-FACT : Strategies of Resistance. 04, 14 p.

    Research output: Journal contributionsJournal articlesResearch

  19. Published

    Culture and Capital: Claire Bishop: Place in Plunderland: Claire Bishop on the Shed

    Kipke, A., 2022, Why Art Criticism? : A Reader. Söntgen, B. & Voss, J. (eds.). 1. Auflage ed. Berlin: Hatje Cantz Verlag, p. 428-437 10 p. (Zeitgenössische Kunst).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  20. Published

    Cutting Across Lines: Lil Picard and the Reorienting Effects of Collage

    Lochner, O., 06.2022, Compressed Utterances : Collage in a Germanic Context after 1912. Collins, C. (ed.). Oxford, Bern, Berlin ua.: Peter Lang Verlag, p. 221-252 (German Visual Culture; vol. 12).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesTransferpeer-review

  21. Cybersyn: Designing a New Style of Management.

    Benezra, K., 11.07.2018, Latin American Modernisms and Technology. Fernández, M. (ed.). Africa World Press Inc., p. 195-220 26 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  22. Published

    Dada Data: Contemporary Art in the Era of Post-Truth Politics

    Hegenbart, S. (ed.) & Kölmel, M-J. (ed.), 23.02.2023, Bloomsbury Academic. 304 p.

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  23. Published

    Dadadatadada: From Dada to Data and Back Again

    Kölmel, M-J., 09.03.2023, Dada Data: Contemporary Art Practice in the Era of Post-Truth Politics. Hegenbart, S. & Kölmel, M-J. (eds.). Bloomsbury Publishing Plc., p. 23-40 18 p.

    Research output: Contributions to collected editions/worksChapterpeer-review

  24. Published

    Dada postkolonial: Die Wi(e)der-Aufführung als kuratorische Praxis

    Felicitas Sabel, L., 2022, The Return of DADA / Die Wiederkehr von DADA / Le Retour de DADA: DADA Exhibitions / DADA-Ausstellungen / Expositions DADA. Mareuge, A. & Sandro, Z. (eds.). Dijon: Les Presses du Réel, Vol. 2. p. 63-78 16 p.

    Research output: Contributions to collected editions/worksArticle in conference proceedingsResearchpeer-review

  25. Published

    Dancing the digital: European and Amercian Visions of a digital Space

    Leeker, M., 2005, Space in America: Theory, History, Culture. Benesch, K. (ed.). Amsterdam: Rodopi, p. 451-468 18 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  26. Published
  27. Published

    Das Bild, die Bilder und das Hyperimage: Schluss mit der Beliebigkeit der Bilderflut

    Kemp, W. K., 2014, In: Kunstchronik. 67, 11, p. 558-563 5 p.

    Research output: Journal contributionsJournal articlesTransferpeer-review

  28. Published

    Das Delirium des Symbolischen hat eine neue Phase gefunden

    Leistert, O., 2014, Julia Oschatz: [anlässlich der Ausstellung "grueBel" im Kupferstichkabinett vom 21.11.2014 bis 22.2.2015]. Berlin: Distanz Verlag, p. 108-121 14 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  29. Published
  30. Published

    Das Interieur als psychische Installation: Zur Einrichtung des Innenraums bei Teresa Hubbard/Alexander Birchler und Eija-Liisa Ahtila

    Söntgen, B., 2012, Kinematographische Räume: Installationsästhetik in Film und Kunst. Frohne, U. & Haberer, L. (eds.). München: Wilhelm Fink Verlag, p. 419-446 28 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  31. Das Itinerar der Dinge – Objekte und ihre Ordnung

    Neugärtner, S., 2021, In: Österreichische Zeitschrift für Geschichtswissenschaften. 32, 3, p. 304–308 5 p.

    Research output: Journal contributionsCritical reviewsResearch

  32. Published

    Das Kunstfeld: Eine Studie über Akteure und Institutionen der zeitgenössischen Kunst am Beispiel von Zürich, Wien, Hamburg und Paris

    Munder, H. (ed.) & Wuggenig, U. (ed.), 11.2012, Zürich: JRP Ringier Verlag. 460 p.

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  33. Published

    Das Kunstfeld: Akteure, Institutionen und Zentrum-Peripherie-Struktur

    Kastelan, C., Tarnai, C. & Wuggenig, U., 2012, Das Kunstfeld: Eine Studie über Akteure und Institutionen der zeitgenössischen Kunst am Beispiel von Zürich, Wien, Hamburg und Paris. Munder, H. & Wuggenig, U. (eds.). 1 ed. Zürich: JRP Ringier Verlag, p. 87-106 20 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  34. Published

    Das Kunstfeld von Zürich - ein Zentrum des Buddhismus?

    Wuggenig, U., 2012, Das Kunstfeld: Eine Studie über Akteure und Institutionen der zeitgenössischen Kunst am Beispiel von Zürich, Wien, Hamburg und Paris. Munder, H. & Wuggenig, U. (eds.). Zürich: JRP Ringier Verlag, p. 53-62 10 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  35. Published

    Das Kunstwerk im Zeitalter des general intellect

    Nigro, R., 06.2017, In: Paragrana. 26, 1, p. 75 - 85 11 p.

    Research output: Journal contributionsJournal articlesTransferpeer-review

  36. Das Kunstwerk ist nicht a priori gegeben. Der Benutzer bringt es hervor

    Schneider, T., 2013, Franz Erhard Walther - Perpetuum mobile: Lager · Sockel · Handlung. Wappler, F. (ed.). Düsseldorf: Richter Verlag, p. 80-83 4 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesTransfer

  37. Published

    Das optische Unbewusste

    Krauss, R. E., Harbort, H. H. & Stuhlmann, A., 2011, Hamburg: Philo Fine Arts. 537 p. (Fundus; vol. 194)

    Research output: Books and anthologiesMonographsResearch

  38. Published

    Das Theater des Herrn Diderot findet im Innenraum statt: Zum Rahmen wahrer Darstellung im späten 18. Jahrhundert

    Söntgen, B., 2012, Theaterfeindlichkeit. Diekmann, S., Wild, C. & Brandstetter, G. (eds.). München: Wilhelm Fink Verlag, p. 127-146 20 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesTransferpeer-review

  39. Das Unsichtbare sichtbar machen

    Jung, S., 2017, In: Prolog. Zeitschrift für Text und Zeichnung. Festschrift, X7, p. 7-9 3 p.

    Research output: Journal contributionsOther (editorial matter etc.)Transfer

  40. Published

    Das unternehmerische Selbst? zur Realpolitik der Humankapitalproduktion

    Prinz, S. & Wuggenig, U., 2007, Michel Foucaults "Geschichte der Gouvernementalität" in den Sozialwissenschaften. Krasmann, S. & Volkmer, M. (eds.). Bielefeld: transcript Verlag, p. 239-265 27 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  41. Das Versprechen der Retina: Zur Mikrofotografie Robert Kochs

    Brons, F., 2004, Instrumente des Sehens. Fischer, A. (ed.). Berlin: Akademie Verlag GmbH, p. 19-28 10 p. (Bildwelten des Wissens: Kunsthistorisches Jahrbuch für Bildkritik; vol. 2,2).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  42. Published

    Das Wahre im Künstlichen: Edgar Degas‘ Die Orchestermusiker

    Mordhorst, S., 2015, Monet und die Geburt des Impressionismus. Krämer, F. (ed.). München, London, New York: Prestel Verlag, p. 169-182 14 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  43. Published

    Das Weltbild der Physiker: Ein Selbstporträt?

    Mißfeldt, D. (Translator) & Holtsmark, T., 2012, Torger Holtsmark: Colour and Images: Phenomenology of Visual Experience. Grebe-Ellis, J. & Schön, L-H. (eds.). Berlin: Logos Verlag, Vol. 8. p. 85-107 23 p. (Phänomenologie in der Naturwissenschaft; vol. 8).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  44. Published

    Das Wesen der Dinge: Hammershøi in den Augen Rainer Maria Rilkes

    Hemkendreis, A., 2012, Hammershøi und Europa: Ein dänischer Künstler um 1900. Monrad, K. (ed.). München, London, New York: Prestel Verlag, p. 165-180 16 p.

    Research output: Contributions to collected editions/worksOtherResearch

  45. Published

    Death of an Art Critic

    Bender, A., Knoll, V. (ed.) & Loichinger, H. C. (ed.), 2017, Berlin: Sternberg Press. 46 p.

    Research output: Books and anthologiesMonographsTransfer

  46. Death Valley ‘69, Nymphomania, Rat Trap, Baby Doll, Submit To Me Now, Simonland, Horoscope, Go to Hell, The Bogus Man (Einträge zu ausgestellten Filmen)

    Breimaier, A., 2012, You Killed Me First. The Cinema of Transgression : (Ausst.-Kat. KW Institute for Contemporary Art, Berlin, August - September 2012) . Pfeffer, S. (ed.). Berlin, Köln: Verlag der Buchhandlung Walther König, p. S. 45, 57, 67, 94, 100, 106, 112, 137, 145.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesTransfer

  47. Published

    Decorating Charleston Farm house: Bloomsbury's Experiments in Forms of Life, Work, and Art

    Söntgen, B., 28.07.2020, Critique: The Stakes of Form. Khatib, S., Kuhn, H., Lochner, O., Mehl, I. & Söntgen, B. (eds.). Zürich: Diaphanes Verlag, p. 139-176 36 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  48. Published

    Decorating Charleston Farmhouse: Bloomsbury's Experiments in Forms of Life, Work, and Art

    Söntgen, B., 2020, Critique: The Stakes of Form. Khatib, S., Kuhn, H., Lochner, O., Mehl, I. & Söntgen, B. (eds.). Zürich: Diaphanes Verlag, p. 139-176 38 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  49. Dematerialization: Art and Design in Latin America

    Benezra, K., 04.2020, Oakland: University of California Press. 256 p.

    Research output: Books and anthologiesMonographsResearchpeer-review

  50. Published

    Denken in Bildern: Bilder als Konzepte organischer und geistiger Synergien

    Bisanz, E., 2007, Ausdruck, Ausstrahlung, Aura: Synästhesien der Beseelung im Medienzeitalter. Clausberg, C. & Bisanz, E. (eds.). Bad Honnef: Hippocampus Verlag, p. 12-13 2 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

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