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Kritik des Ästhetischen - Ästhetik der Kritik: Festschrift für Karl Prümm zum 65. Geburtstag
Kirchner, A. (ed.), Pohl, A. (ed.) & Riedel, P. (ed.), 2010, Marburg: Schüren Verlag. 368 p.
Research output: Books and anthologies › Collected editions and anthologies › Research
Abschied vom Zelluloid? Beiträge zur Geschichte und Poetik des Videobildes
Kirchner, A. (ed.), Prümm, K. (ed.) & Richling, M. (ed.), 10.2007, Marburg: Schüren Verlag. 200 p.
Research output: Books and anthologies › Collected editions and anthologies › Research
Ein Architekt der Sinnlichkeit: Die Farbwelten des Kameramanns Slawomir Idziak
Kirchner, A. (ed.), Neubauer, M. (ed.), Prümm, K. (ed.) & Riedel, P. (ed.), 2007, Marburg: Schüren Verlag. 208 p. (Marburger Kameragespräche; vol. 4, no. 4)
Research output: Books and anthologies › Collected editions and anthologies › Research
Published
DOGMAlen nach Zahlen: Kristina M. Schulte-Eversum versucht mit Zahlen zu belegen, wie Dogma 95-Filme durch den Bruch filmischer Konventionen die Grenzen zwischen Dokumentation und Fiktion überwinden und eine eigene Hybridform herausbilden
Kirchner, A., 2009, In: literaturkritik.de. 9
Research output: Journal contributions › Critical reviews › Research
Martin Scholz, Ute Helmbold (Hg.): Bildsampling. Wie viele Bilder brauchen wir?
Kirchner, A., 2007, In: MEDIENwissenschaft. Rezensionen. Reviews.. 3, p. 300-301 2 p.
Research output: Journal contributions › Critical reviews › Research
Stille Filme sind tief: Roman Mauer liefert mit „Jim Jarmusch – Filme zum anderen Amerika“ eine eindringliche Werkschau des amerikanischen Independent-Regisseurs
Kirchner, A., 29.08.2007
Research output: other publications › Articles in scientific forums or blogs › Research
Achim Geisenhanslüke, Christian Steltz (Hg.): Unfinished Business. Quentin Tarantinos "Kill Bill" und die offenen Rechnungen der Kulturwissenschaften
Kirchner, A., 2007, In: MEDIENwissenschaft. Rezensionen. Reviews.. 1, p. 78-80 3 p.
Research output: Journal contributions › Critical reviews › Research
Vibeke Reuter: Alfred Hitchcocks Handschrift: Vom literarischen zum filmischen Text
Kirchner, A., 2006, In: MEDIENwissenschaft. Rezensionen. Reviews.. 4, p. 458-460 3 p.
Research output: Journal contributions › Critical reviews › Research
Jochen Werner: Aki Kaurismäki
Kirchner, A., 2006, In: MEDIENwissenschaft. Rezensionen. Reviews.. 3, p. 349-352 4 p.
Research output: Journal contributions › Critical reviews › Research
Patricia Feise: Science - Sex - Gender in der Fernsehserie Akte X: Analyse eines popkulturellen Paradigmenwechsels
Kirchner, A., 2006, In: MEDIENwissenschaft. Rezensionen. Reviews.. 1, p. 99-102 4 p.
Research output: Journal contributions › Critical reviews › Research
Published
Nostalgic Masculinity and Imperialist Fantasies in Parade's End
Picarelli, E., 2014, Bringing History to Life Through Film: The Art of Cinematic Storytelling. Morey, K. (ed.). Lanham: Rowman & Littlefield Publishers, p. 219-236 18 p. (Film and History).
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
Published
Il corto digitale nell’economia televisiva del ‘momento’
Picarelli, E., 2013, Media Mutations: Gli ecosistemi narrativi nello scenario mediale contemporaneo. Spazi, modelli, usi sociali . Bisoni, C. & Innocenti, V. (eds.). Stem Mucchi Editore, p. 263-272 10 p.
Research output: Contributions to collected editions/works › Article in conference proceedings › Research
Published
On the Problematic Productivity of Hype: FlashForward’s Promotional Campaign
Picarelli, E., 01.01.2015, Besides the screen: Moving Images Through Distribution, Promotion and Curation. Crisp, V. & Menotti, G. (eds.). London: Open Books Press, p. 125-144 20 p.
Research output: Contributions to collected editions/works › Chapter › peer-review
Published
When Matter Becomes an Active Agent: The Incorporeal Monstrosity of Threat in Lost
Picarelli, E., 18.07.2013, Monster Culture in the 21st Century: A Reader . Levina, M. & Bui, D-M. T. (eds.). London: Bloomsbury Academic, p. 273-286
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
Published
Frontierism and Dystopian Representations of Home in F. Pohl and C. M. Kombluth's The Space Merchants
Picarelli, E., 10.2012, Critical Insights: Dystopia. Booker, M. K. (ed.). Pasadena: Salem Press, Vol. 1. p. 175-191 17 p.
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
Published
The Folding of the American Working Class in Mad Men
Picarelli, E., 2012, Blue-Collar Pop Culture: From Nascar to Jersey Shore. Booker, M. K. (ed.). Santa Barbara, Denver, Oxford: Praeger Publishers, Vol. Volume 2: Television and the Culture of Everyday Life. p. 191-209 19 p.
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
Published
Aspirational paratexts: The case of “quality openers” in TV promotion
Picarelli, E., 2013, In: Frames Cinema Journal. 3, 25 p.
Research output: Journal contributions › Journal articles › Research › peer-review
Published
Be fearful: The X-Files' post-9/11 legacy
Picarelli, E. & Gomez-Galisteo, M. C., 02.2013, In: The Journal of Science Fiction Film and Television. 6, 1, p. 71-85 15 p.
Research output: Journal contributions › Journal articles › Research › peer-review
Published
Sensory Regimes in TV Marketing: Boardwalk Empire’s Chromatic Enhancement and Digital Aesthetics
Picarelli, E., 2012, In: Transformations - Journal of Media & Culture. 22, 16 p.
Research output: Journal contributions › Journal articles › Research › peer-review
L’avventura della percezione tra rappresentazione e affetto
Picarelli, E., 05.09.2012, In: Observatorio (OBS*). 6, 3, p. 49-65 17 p.
Research output: Journal contributions › Scientific review articles › Research

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