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  1. Post-Cinematic Distribution Flows: Alternative Content, Sports Films and the (In)stability of the Multiplex Market.

    Hoof, F., 2016, The State of Post-Cinema. Tracing the Moving Image in the Age of Digital Dissemination. Hagner, M., Hediger, V. & Strohmaier, A. (eds.). London: Palgrave Macmillan, p. 149-163 15 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  2. Published

    Das relationale Apriori Wiens / Das städtische Apriori des Relationalismus: Stadt, Raum und Text in Robert Musils „Der Mann ohne Eigenschaften“

    Schnödl, G., 15.12.2016, In: Le Foucaldien. 2, 1, 14 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  3. Le container et l’algorithme: la logistique dans le capitalisme global

    Altenried, M., 2016

    Research output: other publications › Articles in scientific forums or blogs › Research

  4. Published

    (Review) The Shape of Spectatorship. Art, Science, and Early Cinema in Germany by Scott Curtis. New York: Columbia University Press, 2015.

    Wellmann, J., 11.2016, In: Modernism/Modernity. 23, 4, p. 918-920 3 p.

    Research output: Journal contributions › Critical reviews › Research

  5. Published

    The “Fragment on Machines” as Science Fiction; Or, Reading the Grundrisse Politically

    Trott, B., 14.07.2018, In: Cambridge Journal of Economics. 42, 4, p. 1107-1122 16 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  6. Published

    Frühe Tode: Verräumlichungen der Trauer um Ungeborene

    Böcker, J., 2016, Die Zukunft des Todes: Heterotopien des Lebensendes. Benkel, T. (ed.). Bielefeld: transcript Verlag, p. 317-338 22 p. (Kulturen der Gesellschaft; vol. 15).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

  7. Published

    Gespielte Medien und die Anfänge 'phonographischer Arbeit'

    Großmann, R., 2016, Spiel (mit) der Maschine: Musikalische Medienpraxis in der Frühzeit von Phonographie, Selbstspielklavier, Film und Radio. Saxer, M. (ed.). Bielefeld: transcript Verlag, p. 381-398 18 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  8. Published

    Performing (the) digital: Positions of critique in digital cultures

    Leeker, M., 11.2016, Performing the Digital: Performance Studies and Performances in Digital Cultures. Beyes, T., Schipper, I. & Leeker, M. (eds.). 1 ed. Bielefeld: transcript Verlag, Vol. 11. p. 21-63 43 p. (Digitale Gesellschaft).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  9. Published

    Sound as Musical Material

    Großmann, R. & Hanacek, M., 03.2016, Sound as popular culture: a research companion. Papenburg, J. G. & Schulze, H. (eds.). Cambridge: The MIT Press, p. 53-64 12 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  10. Published

    Phonographic work: Reading and writing sound

    Großmann, R., 03.2016, Sound as popular culture: a research companion. Papenburg, J. G. & Schulze, H. (eds.). Cambridge: The MIT Press, p. 355-366 12 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

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