Performing (the) digital: Positions of critique in digital cultures
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
Authors
Digital cultures1 are performative cultures. This assumption is illustrated by the
ubiquitous and invisible infrastructures that constitute them, which are interstratified
by so-called ‘smart things’ (Engemann/Sprenger 2015; Günel/Halpern
2016), creating a socio-technical environment, in which performances of the
technological come about. While human users may not be able to comprehend
the entire technological performance, they are without a doubt intertwined with
it. The digital performs, the human reacts to the agency the technologies suggest,
and vice versa: “Performing (the) Digital”.
ubiquitous and invisible infrastructures that constitute them, which are interstratified
by so-called ‘smart things’ (Engemann/Sprenger 2015; Günel/Halpern
2016), creating a socio-technical environment, in which performances of the
technological come about. While human users may not be able to comprehend
the entire technological performance, they are without a doubt intertwined with
it. The digital performs, the human reacts to the agency the technologies suggest,
and vice versa: “Performing (the) Digital”.
| Original language | English |
|---|---|
| Title of host publication | Performing the Digital : Performance Studies and Performances in Digital Cultures |
| Editors | Timon Beyes, Imanuel Schipper, Martina Leeker |
| Number of pages | 43 |
| Volume | 11 |
| Place of Publication | Bielefeld |
| Publisher | transcript Verlag |
| Publication date | 11.2016 |
| Edition | 1 |
| Pages | 21-63 |
| ISBN (Print) | 978-3-8376-3355-9 |
| ISBN (Electronic) | 978-3-8394-3355-3 |
| DOIs | |
| Publication status | Published - 11.2016 |
- Digital media - Media Theory, Media, Technology, Culture, Performing Arts, Digital Media, Cultural Theory, Media Studies, Body
- Cultural studies