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161 - 170 out of 412Page size: 10
  1. Published

    Beating Time: Futuristische Geschichten und vergangene Zukünfte der Drum-Machine

    Pelleter, M., 2017, Good Vibrations: Eine Geschichte der elektronischen Musikinstrumente. Restle, C., Brillmaier, B. & Hardjowirogo, S.-I. (eds.). Berlin: Deutscher Kunstverlag, p. 41-45 5 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  2. Published

    Die postmigrantische Gesellschaft als Normalität? Herausforderungen im Wechselspiel von Kulturpolitik, Popularmusikvermittlung und jugendlichen Identitätskonstruktionen

    Gaupp, L., 2017, In: Musikforum. 15, 2, p. 46-47 2 p.

    Research output: Journal contributions › Journal articles › Transfer › peer-review

  3. Following the red line: Chris Potter's solo on "Pop Tune #1"

    Zaddach, W.-G., 2017, Inside the Jazzomat : new perspectives for jazz research. Pfleiderer, M., Frieler, K., Abeßer, J., Zaddach, W.-G. & Burkhart, B. (eds.). Mainz: Schott Music, p. 291-302 12 p. (Schott Campus).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  4. Heayy Metal in Germany

    Zaddach, W.-G., 2017, Europe. Prato, P. & Horn, D. (eds.). New York: Bloomsbury Academic, p. 357-361 5 p. ( Bloomsbury encyclopedia of popular music of the world; vol. 11)(Bloomsbury encyclopedia of popular music of the world; vol. Pt. 3, Genres).

    Research output: Contributions to collected editions/works › Articles for encyclopedia › Research

  5. Michael Brecker's "I mean you"

    Zaddach, W.-G., 2017, Inside the Jazzomat : new perspectives for jazz research. Pfleiderer, M., Frieler, K., Abeßer, J., Zaddach, W.-G. & Burkhart, B. (eds.). Mainz: Schott Music, p. 211-225 15 p. (Schott Campus).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  6. Published

    Musical Instruments in the 21st Century: Identities, Configurations, Practices

    Bovermann, T. (Editor), de Campo, A. (Editor), Egermann, H. (Editor), Hardjowirogo, S.-I. (Editor) & Weinzierl, S. (Editor), 2017, Singapore: Springer Science+Business Media. 412 p.

    Research output: Books and anthologies › Collected editions and anthologies › Research

  7. Right into the heart. Branford Marsalis and the blues "Housed from Edward"

    Zaddach, W.-G., 2017, Inside the Jazzomat: new perspectives for jazz research. Pfleiderer, M., Frieler, K., Abeßer, J., W.-G. Z. & Burkhart, B. (eds.). Mainz: Schott Music, p. 227-242 16 p. (Schott Campus).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  8. Published

    A fragile kaleidoscope: Institutions, methodologies and outlooks on German popular music (studies)

    Ahlers, M. & Jacke, C., 01.12.2016, Perspectives on German Popular Music. 1 ed. Routledge Taylor & Francis Group, p. 3-15 13 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  9. Published

    Music and sustainability: organizational cultures towards creative resilience – A review

    Kagan, S. & Kirchberg, V., 01.11.2016, In: Journal of Cleaner Production. 135, p. 1487–1502 16 p.

    Research output: Journal contributions › Scientific review articles › Research

  10. Published

    Human

    Zuther, D., 20.10.2016, In: Praxis des Musikunterrichts. 128, p. 4-15 11 p.

    Research output: Journal contributions › Journal articles › Transfer

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