Browse by research area

  1. Published

    Meta-Image und die Prinzipien des Digitalen im Mnemosyne-Atlas Aby Warburgs

    Dieckmann, L. & Warnke, M., 2018, Computing Art Reader: Einführung in die digitale Kunstgeschichte. Kuroczyński, P., Bell, P. & Dieckmann, L. (eds.). Heidelberg: arthistoricum.net, p. 78-93 16 p. (Computing in Art and Architecture; vol. 1).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  2. Published

    Mobility, Media, and the Experiences of Airbnb’s Aesthetic Regime

    Bialski, P., 19.12.2017, Experiencing Networked Urban Mobilities: Practices, Flows, Methods. Freundendal-Pedersen, M., Hartmann-Petersen, K. & Perez Fjalland, E. L. (eds.). 1 ed. New York: Routledge Taylor & Francis Group, 5 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  3. Published

    Mobilizing Memes: The Contagious Socio-Aesthetics of Participation

    Simons, S., 2016, ReClaiming Participation: Technology – Mediation – Collectivity. Mathias, D., Anne, G., Otto, I. & Stock, R. (eds.). Bielefeld: transcript Verlag, p. 231–245 15 p. (Media Studies).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  4. Published

    Mockular

    Kaldrack, I. & Schmitt, T., 18.11.2013, Das Medium meiner Träume: Hartmut Winkler zum 60. Geburtstag. Adelmann, R. & Bergermann, U. (eds.). Berlin: Verbrecher Verlag, p. 283-303 21 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  5. Published

    Motion Capture

    Kaldrack, I., 2014, Wörterbuch kinematografischer Objekte. Göttel, D., Horstmann, F., Müller, J. P., Pantenburg, V., Waack, L., Wuzella, R. & Böttcher, M. (eds.). 1 ed. Berlin: August Verlag, p. 98-100 3 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  6. Published

    Mouseology – Ludic Interfaces – Zero Interfaces

    Fuchs, M., 2011, Coded Cultures: Creative Practices out of Diversity. Russegger, G., Tarasiewicz, M. & Wlodkowski, M. (eds.). Wien: Springer-Verlag Wien, p. 242-261 20 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  7. Published

    Multimodal Crowd Sensing

    Vehlken, S., 2016, ReClaiming Participation: Technology - Mediation - Collectivity. Denecke, M., Ganzert, A., Otto, I. & Stock, R. (eds.). Bielefeld: transcript Verlag, p. 51–66 16 p. (Edition Medienwissenschaft; vol. 15).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  8. Published

    Musik und Medium: Kommentar zu: K. Blaukopf (1996), Die Mediamorphose der Musik als globales Phänomen; K. Blaukopf (1996), Mutation durch technische Medien

    Großmann, R., 2011, Systematische Musikwissenschaft: Ziele - Methoden - Geschichte. Auhagen, W., Busch, V. & Hemming, J. (eds.). Laaber: Laaber Verlag, p. 131-140 10 p. (Kompendien Musik; vol. 9, no. 1).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  9. Published

    Nómades que imaginan

    Chun, W., 2011, Nomadismos Tecnológicos. Beiguelman, J. L. F. Y. G. (ed.). Buenos Aires: Fundación Telefónica, p. 49-60 12 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  10. Nothing but air: Der Mythos vom Verschwinden des Künstlers

    Severin, I. L., 1997, LogIcons: Bilder zwischen Theorie und Anschauung. Severin, I. L., Hoffmann, U. & Joerges, B. (eds.). Berlin: WZB - Wissenschaftszentrum Berlin für Sozialforschung , p. 129-154 26 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  11. Ökonomische Zoologie

    Conrad, L., 2014, Ökonomie - Narration - Kontingenz: Kulturelle Dimensionen des Marktes. Amann, W., Bloch, N. & Mein, G. (eds.). 1 ed. München: Wilhelm Fink Verlag, p. 281-292 12 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  12. Published

    On Knowing Too Much: Technologists´Discourses Around Online Anonymity

    Bialski, P., 2018, Non-Knowledge and Digital Cultures . Bernard, A., Koch, M. & Leeker, M. (eds.). Lüneburg: meson press, p. 143-157 15 p. (Digital Culture Series ).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  13. Published

    Online to offline social networking: contextualising sociality today through Couchsurfing.org

    Bialski, P., 2013, Couchsurfing cosmopolitanisms: Can tourism make a better world?. Picard, D. & Buchberger, S. (eds.). Bielefeld: transcript Verlag, p. 161-172 11 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  14. Published

    Organizing Media: Security and Entertainment

    Beyes, T., 10.2019, Organize. Beyes, T., Conrad, L. & Martin, R. (eds.). Minneapolis: University of Minnesota Press, p. 29-62 34 p. (In Search of Media).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  15. Orienting Orientalism, or How to Map Cyberspace

    Chun, W., 09.05.2003, Asian American.net: Ethnicity Nationalism and Cyberspace. Lee, R. C. & Cynthia Wong, S. (eds.). New York: Routledge Taylor & Francis Group, p. 3-36 34 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  16. Othering Space

    Chun, W., 2003, The Visual Culture Reader. Mirzoeff, N. (ed.). New York: Routledge Taylor & Francis Group, p. 243-254 12 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  17. Published

    Paradigmen und Konzepte zum Einsatz digitaler Medien im Musikunterricht

    Ahlers, M., 01.12.2017, Digitale Medien im Musikunterricht : Bestandsaufnahme, Reflexion, Perspektiven; Kongress "Musikunterricht und Multimedia" an der Niedersächsischen Landesmusikakademie Wolfenbüttel, 20.-21. Mai 2016. Rheinländer, M. & Weber, B. (eds.). Handorf: Lugert Verlag, p. 49-60 12 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  18. Parmenideische Variationen: McCulloch, Heidegger und das kybernetische Ende der Philosophie

    Hörl, E. H., 2004, Essays and documents. Pias, C. (ed.). Zürich und Berlin: Diaphanes Verlag, p. 209-225 17 p. (Cybernetics : the Macy-Conferences 1946 - 1953; vol. 2).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  19. Published

    Performativity, performance studies and digital cultures

    Leeker, M., Schipper, I. & Beyes, T., 31.12.2016, Performing the Digital: Performativity and Performance Studies in Digital Cultures. v. Leeker, M., Schipper, I. & Beyes, T. (eds.). Bielefeld: transcript Verlag, p. 9-18 10 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  20. Published

    Performing (the) digital: Positions of critique in digital cultures

    Leeker, M., 11.2016, Performing the Digital: Performance Studies and Performances in Digital Cultures. Beyes, T., Schipper, I. & Leeker, M. (eds.). 1 ed. Bielefeld: transcript Verlag, Vol. 11. p. 21-63 43 p. (Digitale Gesellschaft).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review