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  1. A priori, a posteriori

    Schneider, T., 2019, Anne Krönker: Glossar, 2019. Scepanski, K. (ed.). Münster: Westfälischer Kunstverein, p. 7-9 3 p.

    Research output: Contributions to collected editions/works › Articles for encyclopedia › Transfer

  2. Published

    Kritische Kunstgeschichte als produktiver Streit

    Schneider, T., 01.2020, In: Kritische Berichte. 48, 1, p. 19-26 8 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  3. Published

    The Grime of Critique

    Warnsholdt, C. L., 2021, Critique and the Digital. Hörl, E., Pinkrah, N. Y. & Warnsholdt, L. (eds.). Zürich/Berlin: Diaphanes Verlag, p. 205-228 24 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

  4. Published

    Weiterschreiben. Anschlüsse an Rebecca Ardners »Affirmation und Negation als Figuren der Kritik«

    Hanft, M. (ed.), Sieber, J. (ed.) & Warnsholdt, L. (ed.), 2020, Hamburg: Katzenberg Verlag. 300 p.

    Research output: Books and anthologies › Collected editions and anthologies › Research

  5. Published

    „1940er-1950er. Grund und Körper“

    Mascarinec, M. & Woisnitza, M. (Translator), 2016, Sculpture on the Move : 1946-2016. Mendes Bürgi, B. (ed.). 1. ed. Ostfildern : Hatje Cantz Verlag, p. 12-22 10 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review

  6. Published

    Aesthetic Practices of the New Right: Fake and Post-truth as a Challenge for Transgressive Art and Cultural Practices

    Bempeza, S., 21.06.2020, In: Medienimpulse. 58, 2, 34 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  7. Aktualität im Vergangen: Eine Lektüre von The Fate of Art nach 25 Jahren: Jay M. Bernstein:The Fate of Art: Aesthetic Alienation from Kant to Derrida and Adorno. University Park: Pennsylvania State UP, 1992. 224 pp.

    Rauch, M. F., 24.05.2017, In: Arcadia - International Journal of Literary Culture. 52, 1, p. 201–210 10 p.

    Research output: Journal contributions › Critical reviews › Transfer

  8. Marcel Broodthaers ein Maler? Über die Sonderstellung eines Mediums unter post-medialen Bedingungen: Isabelle Graw: Die Liebe zur Malerei: Genealogie einer Sonderstellung. Zürich: Diaphanes, 2017.

    Rauch, M. F., 05.06.2018, In: Arcadia - International Journal of Literary Culture. 53, 1, p. 163–176 14 p.

    Research output: Journal contributions › Critical reviews › Transfer

  9. Published

    Exceeding Work: Performing Conceptual Art

    Vogman, E. & Rauch, M. F., 06.2019, Mundo diffuso: Jean-Christophe Norman. Joly, P. (ed.). Dijon: Les Presses du Réel, p. 175–182 8 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  10. Phenomena in Exile: Undoing Objects in the Work of Duchamp, Schürmann and Sturtevant

    Rauch, M. F., 11.2018, In: Diaphanes. 5, p. 131–133 3 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

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