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Published
Gathering Voices, Feeling Relations: Arlene Raven
Lochner, O., 04.2022, Why Art Criticism? : A Reader. Söntgen, B. & Voss, J. (eds.). Berlin: Hatje Cantz Verlag, p. 249-250 2 p.
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review
Gefischtes: Gedichte, die auf der Zunge zergehen. ; .. in Portwein gegart und in Bildern neu erzählt
Berents-Kemp, C. (ed.), 21.10.2013, Grethem-Büchten: Schwarze Kunst. 51 p. (Werk der Edition "Die Holzschnittbücher; vol. 10)
Research output: Books and anthologies › Collected editions and anthologies › Transfer
Gehen
Vischer, T. (ed.) & Grögel, K. (ed.), 2008, 1 ed. Basel: Schaulager. 78 p. (Schaulager Hefte)
Research output: Books and anthologies › Conference proceedings › Research
Published
Gehen: Festschrift für Hannes Böhringer
Vahrson, V. (ed.), Märtens, S. (ed.) & Söntgen, B. (ed.), 2012, Köln: Salon Verlag . 203 p. (Graue Reihe)
Research output: Books and anthologies › Collected editions and anthologies › Research
Published
Geisteswissenschaften in der Offensive: Hamburger Standortbestimmungen
Dierken, J. (ed.) & Stuhlmann, A. (ed.), 2008, Hamburg: Europäische Verlagsanstalt. 394 p.
Research output: Books and anthologies › Collected editions and anthologies › Research
Gender in Trouble
Söntgen, B. E., 06.2001, In: Texte zur Kunst. 42, p. 32-41 10 p.
Research output: Journal contributions › Journal articles › Research › peer-review
Published
Generation "Kautschukmann": Hermann Bahrs Kunstkritik im Kontext
Marchal, S., 2014, Hermann Bahr - Österreichischer Kritiker europäischer Avantgarden. Müller, M. A., Pias, C. & Schnödl, G. (eds.). Peter Lang Verlag, p. 113-135 23 p. (Jahrbuch für Internationale Germanistik. Kongressberichte).
Research output: Contributions to collected editions/works › Article in conference proceedings › Research
Georg Himmelheber, Cast-Iron Furniture and All Other Forms of Iron Furniture
Berents-Kemp, C., 01.10.1998, In: Studies in the Decorative Arts. 6, 1, p. 114-116 3 p.
Research output: Journal contributions › Critical reviews › Research
Ger Dekkers Landschaften
Schneider, T., 2014, Broken Landscapes.: Ger Dekkers, Jan Dibbets, Ger van Elk, Jaap van den Ende. von Berswordt-Wallrabe, S., Reifenscheid, B. & Wind, D. (eds.). Bochum: Stiftung Situation Kunst, p. 39-41 3 p.
Research output: Contributions to collected editions/works › Other › Transfer
Published
Geschichte auf Zeit
Leeb, S. A., 2009, Rudolf Herz - Lenin on tour: Ausstellung Museum Ludwig, Köln, 23. Oktober 2009 - 31. Januar 2010.. Braun, V. & Halfbrodt, D. (eds.). Göttingen: Steidl Verlag, p. 7-17 11 p.
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
Published
Geschichte der Fotografie : von Daguerre bis Gursky
Kemp, W., 2011, C.H. Beck Verlag. 128 p. (C.H. Beck Wissen; vol. 2727)
Research output: Books and anthologies › Monographs › Transfer
Published
Geschichte(n) des Kunststreiks
Bempeza, S., 2019, Wien: Transversal Texts. 194 p.
Research output: Books and anthologies › Monographs › Research › peer-review
Published
Geschlechtsneutralität: Vom Verschwinden von Geschlecht in Tanz-Performances in Kontexten digitaler Medien
Leeker, M., 2013, Choreographie – Medien – Gender. Angerer, M-L., Hardt, Y. & Weber, A-C. (eds.). Berlin: Diaphanes Verlag, p. 157-172 16 p.
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
Published
Geschmacksklassen: Susanne Leeb über die Gruppenausstellung "Possession", Berlin
Leeb, S. A., 2005, In: Texte zur Kunst. 15, 60, p. 193-197 5 p.
Research output: Journal contributions › Critical reviews › Research
Get Rid of Your Self: Lu Märten’s Monist Art History, a Mysticism for the Machine Age
Nachtigall, J., 2021, Illiberal Arts. Franke, A. & Stakemeier, K. (eds.). Berlin: b-books, p. 353-363 11 p. (PolYpeN Series: Zur Kritik der Kunstkritik).
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
Published
„Ghostly Embodiments“
Gerhardt, U., 2021, Irina Gheorghe, Methods for the Study of What Is Not There. Quante, N. (ed.). Berlin: Bierke Verlag, 1 p.
Research output: Contributions to collected editions/works › Contribution of Exihibition catalogues › Research
Published
Gibt es eine Kunst des Posthistoire? Zu einem Deutungsschema der Nachkriegszeit
Leeb, S. A., 2008, Die Stadt von Morgen: Beiträge zu einer Archäologie des Hansaviertels Berlin. Maechtel, A. & Peters, K. (eds.). Köln: Verlag der Buchhandlung Walther König, p. 104-117 14 p.
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
Published
Giving a voice to gaps and cracks. Archival critique in Jumana Manna's A Magical Substance Flows Into Me
John, R., 15.07.2020, In: Roots Routes. 33
Research output: Journal contributions › Journal articles › Research
Published
Glänzen, Blicken, Flickern. Das Prinzip der Glimpses in AS I WAS MOVING AHEAD OCCASIONALLY I SAW BRIEF GLIMPSES OF BEAUTY
Kuhn, E., 2021, In: Film-Konzepte. 61, p. 55-70 16 p.
Research output: Journal contributions › Journal articles › Research › peer-review
Published
Globalismus/Globalism
Leeb, S. (ed.), Lochner, O. (ed.), Raether, J. P. (ed.) & Stakemeier, K. (ed.), 09.2013, Berlin: TEXTE ZUR KUNST Verlag GmbH & Co. KG. 256 p. (Texte zur Kunst; vol. 25, no. 91)
Research output: Books and anthologies › Special Journal issue › Research

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