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61 - 80 out of 978Page size: 20
  1. Published

    Die documenta – ein Konflikt-Feld: Beuys und die Persuasion

    von Xylander, C. & Wuggenig, U., 31.07.2022, Die Welten der documenta: Wissen und Geltung eines Großereignisses in der Kunst. Buckermann, P. (ed.). 1 ed. Weilerswist: Velbrück Wissenschaft, p. 130-163 33 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

  2. Published

    Mach mal: Oder Produktion ist anderswo

    Hafner, H-J. & Schneider, T., 28.07.2022, Involvierte Autonomie. : Künstlerische Praxis zwischen Engagement und Eigenlogik. Eusterschulte, B. & Krüger, C. (eds.). Bielefeld: transcript Verlag, p. 127-150 24 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review

  3. Ecologies of things and texts: Nature, matter, and material culture in the Middle Ages

    Khanmohamadi, S. A. & Schulz, V. S., 01.06.2022, In: Postmedieval. 13, 1-2, p. 163-166 4 p.

    Research output: Journal contributions › Other (editorial matter etc.) › Research

  4. Published

    Cutting Across Lines: Lil Picard and the Reorienting Effects of Collage

    Lochner, O., 06.2022, Compressed Utterances : Collage in a Germanic Context after 1912. Collins, C. (ed.). Oxford, Bern, Berlin ua.: Peter Lang Verlag, p. 221-252 (German Visual Culture; vol. 12).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review

  5. Published

    Museums, Transculturality and the Nation-State: Case Studies from a Global Context

    Leeb, S. (ed.) & Samuel, N. (ed.), 27.05.2022, Bielefeld: transcript Verlag. 248 p. (Edition Museum; vol. 52)

    Research output: Books and anthologies › Book

  6. Published

    Museums, Transculturality, and the Nation-State: Some Remarks on their Entanglement

    Leeb, S., 27.05.2022, Museums, Transculturality and the Nation-State: Case Studies from a Global Context. Leeb, S. & Samuel, N. (eds.). Bielefeld: transcript Verlag, p. 7-16 10 p. (Museum; vol. 52).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

  7. Published

    Locating the Impolitical in American Theatre: Albee's Who's Afraid of Virginia Woolf? and Schechner's Dionysus in 69

    Pinder, J. Y., 01.05.2022, In: New Theatre Quarterly. 38, 2, p. 172-185 14 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  8. Published

    ARE WE THE BADDIES? Audience development, cultural policy and ideological precarity

    Hadley, S., 06.04.2022, Routledge Companion to Audiences and the Performing Arts. Reason, M., Conner, L., Johanson, K. & Walmsley, B. (eds.). Taylor and Francis Inc., p. 143-158 16 p.

    Research output: Contributions to collected editions/works › Chapter › peer-review

  9. Published

    Feminine Desire, Feminist Politics

    Benezra, K., 01.04.2022, In: Critical Times: interventions in global critical theory . 5, 1, p. 227-233 7 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  10. Published

    Queering

    John, R. H., 01.04.2022, Why Art Criticism? : A Reader. Söntgen, B. & Voss, J. (eds.). Berlin: Hatje Cantz Verlag, p. 415-427 13 p. (Zeitgenössische Kunst).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review

  11. Published

    Ticio Escobar: Towards a Popular Art

    Benezra, K., 01.04.2022, In: Journal of Latin American and Latinx Visual Culture. 4, 2, p. 86-94 9 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  12. Published

    Undisciplined: Peter Gorsen

    Schneider, T., 01.04.2022, Why Art Criticism? : A Reader. Söntgen, B. & Voss, J. (eds.). Berlin: Hatje Cantz Verlag, p. 165-166 2 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review

  13. Published

    Gathering Voices, Feeling Relations: Arlene Raven

    Lochner, O., 04.2022, Why Art Criticism? : A Reader. Söntgen, B. & Voss, J. (eds.). Berlin: Hatje Cantz Verlag, p. 249-250 2 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review

  14. Published

    Why Art Criticism? A Reader

    Söntgen, B. (ed.) & Voss, J. (ed.), 04.2022, Berlin: Hatje Cantz Verlag. 464 p.

    Research output: Books and anthologies › Collected editions and anthologies › Transfer

  15. Published

    Achtundsechzig antikolonial: Szenen militanter Kunst- und Filmproduktion und Implikationen für eine (Kunst)Geschichtsschreibung

    Leeb, S., 05.03.2022, Dreizehn Beiträge zu 1968: Von künstlerischen Praktiken und vertrackten Utopien. Lange-Berndt, P. & Lindermann, I. (eds.). Bielefeld: transcript Verlag, p. 27-61 35 p. (Image; vol. 202).

    Research output: Contributions to collected editions/works › Chapter › peer-review

  16. Published

    Accumulation and Subjectivity: Rethinking Marx in Latin America

    Benezra, K. (ed.), 03.2022, New York: The State University of New York. 344 p.

    Research output: Books and anthologies › Collected editions and anthologies › Research

  17. Published

    Quipping Equipment: Apropos of Robots and Kantian Chatbots

    von Xylander, C., 03.2022, In: Technology and Language. 3, 1, p. 82-103 22 p.

    Research output: Journal contributions › Journal articles › Research

  18. Published

    Sobre la transferencia: Lacan y Althusser

    Benezra, K., 09.01.2022, In: Res Publica. 25, 1, p. 65-74 10 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  19. Published

    The Lawless Vitality of Sculpture, c. 1960-80. Formalism’s Monsters, Cybernetic Breakdowns and the Joys of Deviation

    Nachtigall, J., 01.01.2022, Future Bodies from a Recent Past: Sculpture, Technology, and the Body since the 1950s. Dander, P. & Linhardt, F. (eds.). Berlin: Deutscher Kunstverlag, p. 113-123 11 p.

    Research output: Contributions to collected editions/works › Contribution of Exihibition catalogues › Research

  20. Published

    Culture and Capital: Claire Bishop: Place in Plunderland: Claire Bishop on the Shed

    Kipke, A., 2022, Why Art Criticism? : A Reader. Söntgen, B. & Voss, J. (eds.). 1. Auflage ed. Berlin: Hatje Cantz Verlag, p. 428-437 10 p. (Zeitgenössische Kunst).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

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