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Published
Introducing VISU: Vagueness, Incompleteness, Subjectivity, and Uncertainty in Art Provenance Data
Mariani, F., 2023, Computational Methods in the Humanities 2022 : Proceedings of the Workshop on Computational Methods in the Humanities 2022 Lausanne, Switzerland, June 9–10, 2022.. Rochat, Y., Metrailler, C. & Piotrowski, M. (eds.). Aachen: Sun Site Central Europe (RWTH Aachen University), Vol. 3602. p. 63-84 22 p. (CEUR Workshop Proceedings; vol. 3602).
Research output: Contributions to collected editions/works › Article in conference proceedings › Research › peer-review
Published
Ins Bild kommen: Spielräume der Kunstkritik
Hosseini, A. (ed.), Kipke, A. (ed.), Kuhn, H. (ed.) & Woisnitza, M. (ed.), 2023, Paderborn: Brill | Fink. 234 p.
Research output: Books and anthologies › Collected editions and anthologies › Research
Published
From the Love of Art to a Passion for Investment? Shifts and Classification Struggles around the Global Elite of Art Collectors
Wuggenig, U. & Buchholz, L., 2023, Judgement Practices in the Artistic Field. Söntgen, B., Heymer, E., Locher, H., Marchal, S. & Sachs-Resch, M. (eds.). München: edition metzel, p. 392-412 21 p. (Praktiken der Kritik; vol. 3).
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
Anti-Fascist Exile, Political Print Media, and the Variable Tactics of the Communists in Mexico (1939–1946): The Case of Hannes Meyer and Lena Meyer-Bergner
Neugärtner, S., 20.05.2023, In: History of Communism in Europe. 11, 1, p. 41–78 38 p.
Research output: Journal contributions › Journal articles › Research › peer-review
Published
"How Bad Was He? Let Me Count the Ways": Auguste Renoir and His Critics of the 1980s
Mehl, I. & Söntgen, B., 2023, Judgement Practices in the Artistic Field. Söntgen, B., Heymer, E., Locher, H., Marchal, S. & Sachs-Resch, M. (eds.). München: edition metzel, p. 226-250 25 p. (Praktiken der Kritik; vol. 3).
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
Published
Practical Formalist: Roger Fry
Söntgen, B., 2022, Why Art Criticism? : A Reader. Söntgen, B. & Voss, J. (eds.). Berlin: Hatje Cantz Verlag, p. 62-63
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
Published
Passion, Performance and Soberness: Denis Diderot
Söntgen, B., 2022, Why Art Criticism?: A Reader. Söntgen, B. & Voss, J. (eds.). Berlin: Hatje Cantz Verlag, p. 24-25
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
Published
Judgement Practices in the Artistic Field
Heymer, E. (ed.), Locher, H. (ed.), Marchal, S. (ed.), Sachs-Resch, M. (ed.) & Söntgen, B. (ed.), 2023, München: edition metzel. 504 p. (Praktiken der Kritik; vol. 3)
Research output: Books and anthologies › Collected editions and anthologies › Research
Published
Editors’ Conversation with German Art Historians Oona Lochner and Isabel Mehl: Writing Like a Feminist—In Dialogue with Carla Lonzi
Lochner, O. & Mehl, I., 15.04.2023, Female Cultural Production in Modern Italy: Literature, Art and Intellectual History. Cham: Springer International Publishing AG, p. 383-395 13 p. (Italian and Italian American Studies).
Research output: Contributions to collected editions/works › Chapter
Published
Art History Update
Söntgen, B. (ed.), Graw, I. (ed.), Feldman, J. P. (ed.) & Magalhães, A. (ed.), 12.2022, Berlin: TEXTE ZUR KUNST Verlag. 240 p. (Texte zur Kunst; vol. 32, no. 128)
Research output: Books and anthologies › Special Journal issue › Research

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