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Published
Conceptual Dimensions of Embodiment
Förster, Y., 2015, In: METABODY - Journal of Metacultural Critique. 1, p. 32-33 2 p.
Research output: Journal contributions › Journal articles › Research › peer-review
Published
Das Wahre im Künstlichen: Edgar Degas‘ Die Orchestermusiker
Mordhorst, S., 2015, Monet und die Geburt des Impressionismus. Krämer, F. (ed.). München, London, New York: Prestel Verlag, p. 169-182 14 p.
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
Depot 4.9.
Schneider, T. & Huzikiewiz, S., 2015, Spaces: Freie Kunsträume in Deutschland. Gärtner, M. (ed.). Berlin, München: Deutscher Kunstverlag GmbH
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review
Published
Der explizite Betrachter: zur Rezeption zeitgenössischer Kunst
Kemp, W. K., 2015, Konstanz : Konstanz University Press. 242 p.
Research output: Books and anthologies › Monographs › Education › peer-review
Published
Die Kunst der Anderen: "Weltkunst" und die anthropologische Konfiguration der Moderne
Leeb, S. A., 2015, Berlin: b-books. 320 p. (PoLYpeN)
Research output: Books and anthologies › Monographs › Transfer › peer-review
Published
Die leibhaftige Münze: Quentin Massys' Goldwäger und die altniederländische Malerei
Kuhn, H., 2015, Paderborn: Wilhelm Fink Verlag. 415 p.
Research output: Books and anthologies › Monographs › Research
Published
Die universale Sprache der vewaltungstechnischen Abstraktion. Zur Darstellung von Kolonialgeschichte in Dierk Schmidts Die Teilung der Erde. Tableaux zu rechtlichen Synopsen der Berliner Afrika-Konferenz (2005-2007)
Leeb, S. A., 2015, total.: Universalismus und Partikularismus in post_kolonialer Medientheorie. Bergermann, U. & Heidenreich, N. (eds.). Bielefeld: transcript Verlag, p. 269-289 21 p.
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
Published
Dokumente avant la lettre: Eine Spurensuche um 1900
Brons, F., 2015, Wie Bilder Dokumente wurden: Zur Genealogie dokumentarischer Darstellungspraktiken. Wöhrer, R. (ed.). Berlin: Kulturverlag Kadmos , p. 103-119 17 p. ( Kaleidogramme; vol. 119).
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
Published
Entangled – But How?
Leeb, S. A., 2015, Art in the Periphery of the Center . Behnke, C., Kastelan, C., Knoll, V. & Wuggenig, U. (eds.). Berlin: Sternberg Press, p. 210-219 10 p.
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
Published
Exhibition of a Scarf—Daniel Buren, Hermès Éditeur: Photos-souvenirs au carré
Knoll, V. & Loichinger, H. C., 2015, Art in the Periphery of the Center. Behnke, C., Kastelan, C., Knoll, V. & Wuggenig, U. (eds.). Berlin: Sternberg Press, p. 514–525 12 p.
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
Published
Exposition eines Mediums: Internationale Photographische Ausstellung Dresden 1909
Brons, F., 2015, München: Wilhelm Fink Verlag. 496 p.
Research output: Books and anthologies › Monographs › Research
Fabian Nitschkowski & Paul Geisler: Drei Zeichenmaschinen ZM1, ZM2, ZM3
Zindel, H., 2015, POSITION : Forum / Ausstellung vom 9.10. bis 19.10.2014 in der "Fabrik der Künste. BBK. H. (ed.). Hamburg: Verlag für permanente Kunst, p. 192–199 8 p. (Position; vol. 2014).
Research output: Contributions to collected editions/works › Contribution of Exihibition catalogues › Transfer
Published
Formen des Kontakts: Auguste Renoirs Nach dem Mittagessen
Söntgen, B. E., 2015, Monet und die Geburt des Impressionsmus. Krämer, F. (ed.). München: Prestel Verlag, p. 183-193 11 p.
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
Published
From the Household of the Soul to the Economy of Money: What Are Sixteenth-Century Merchants Doing in the Virgin Mary's Interior?
Kuhn, H., 2015, Interiors and Interiority. Lajer-Burcharth, E. & Söntgen, B. (eds.). Berlin: Walter de Gruyter GmbH, p. 229-246 18 p.
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
Published
Für eine „Farbenlehre der Worte“. Julius Meier-Graefe und die ‚neue‘ Kunstkritik
Marchal, S., 2015, Wie Texte und Bilder zusammenfinden : Vom Mittelalter bis zur Gegenwart. Kroll, R., Gramatzki, S. & Karnatz, S. (eds.). Dietrich Reimer Verlag, p. 125-136 12 p.
Research output: Contributions to collected editions/works › Article in conference proceedings › Research
Published
Image Noise
Brons, F., 2015, The Technical Image : A History of Styles within Scientific Images. Bredekamp, H., Dünkel, V. & Schneider, B. (eds.). 1 ed. Chicago: Chicago University Press, p. 138 - 141 4 p.
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
Published
In the Eye of the Beholder: Emanuel Goldberg's Apparatuses at the International Photographic Exhibition Dresden 1909
Brons, F., 2015, The Technical Image: a history of styles in scientific imagery. Bredekamp, H., V. D. & Schneider, B. (eds.). Chicago: Chicago University Press, p. 102 - 111 10 p.
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
Published
Jonas Mekas' Mnemotaktik oder: LOST LOST LOST, ein filmisches Gedächtnis
Kuhn, E., 2015, Kino und Erinnerung. Schmidt, S., von Keitz, U. & Haake, S. (eds.). Marburg: Schüren Verlag, p. 47-62 16 p. (Augenblick – Konstanzer Hefte zur Medienwissenschaft; vol. 61).
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
Published
Julius Meier-Graefe -" a laconic art historian"
Marchal, S., 2015, Silence / Schweigen : Über die stumme Praxis der Kunst. Beyer, A. & Le Bon, L. (eds.). Berlin: Deutscher Kunstverlag, p. 183-194 12 p. (Passagen / Passages; vol. 47).
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
Published
Konvivialismus als Kunst und Komplexität als Erfahrung
Kagan, S., 2015, Konvivialismus. Eine Debatte. Adloff, F. & Heins, V. M. (eds.). Bielefeld: transcript Verlag, p. 167-177 11 p.
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

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