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  1. Published

    Perspectives on German Popular Music

    Ahlers, M. (ed.) & Jacke, C. (ed.), 01.01.2017, 1 ed. New York: Routledge Taylor & Francis Group. 320 p. (Ashgate Popular and Folk Music Series)

    Research output: Books and anthologies › Book

  2. Published

    Covid Arts - The Show Must Go On(line) - Music in Quarantine

    Barber-Kersovan, A. & Kirchberg, V., 2021, In: The European Sociologist . 46, 2

    Research output: Journal contributions › Comments / Debate / Reports › Research

  3. Musikevents als Bühnen für den Urheberrechtsdiskurs

    Schüßler, E. & Dobusch, L., 20.08.2013, Akustisches Kapital : Wertschöpfung in der Musikwirtschaft. Lange, B., Bürkner, H-J. & Schüßler, E. (eds.). Bielefeld: transcript Verlag, p. 247-276 30 p. (Kultur- und Medientheorie).

    Research output: Contributions to collected editions/works › Chapter

  4. Anna Amalia: Kompetenzen und Reaktionen eines Kultusministeriums

    Güntherodt, H. & Zaddach, W-G., 2009, Krisenmanagement: der Brand und seine Folgen - die Herzogin Anna Amalia Bibliothek in Weimar. Höhne, S., Kostenbader, U. & Seemann, H. (eds.). Leipzig: Leipziger Universitätsverlag, p. 139-177 39 p. (Weimarer Studien zu Kulturpolitik und Kulturökonomie; vol. 5).

    Research output: Contributions to collected editions/works › Chapter › peer-review

  5. Published

    Fighting to Sound: Karate als musikalische Praxis

    Claussen, J. T., 01.05.2022, MusikmachDinge im Kontext: Forschungszugänge zur Soziomaterialität von Musiktechnologie. Ahlers, M., Jörissen, B., Donner, M. & Wernicke, C. (eds.). Zürich, Hildesheim, New York: Georg Olms Verlag AG, p. 165-188 24 p. (MusikmachDinge. ((audio)) Ästhetische Strategien und Sound-Kulturen; vol. 6).

    Research output: Contributions to collected editions/works › Chapter › peer-review

  6. German nazi bands: Between provocation and repression

    Barber-Kersovan, A., 2003, Policing Pop. Clooman, M. & Garofalo, R. (eds.). Temple University Press, p. 186-204 19 p.

    Research output: Contributions to collected editions/works › Chapter › peer-review

  7. »Groove is the essence of my music«. Wayne Krantz’ guitar playing from a practice-based perspective

    Zaddach, W-G., 10.05.2019, Jazzforschung heute. : Themen, Methoden, Perspektiven. Pfleiderer, M. & Zaddach, W-G. (eds.). Berlin: Verlag Edition EMVAS, p. 133-146 13 p. (Sounding heritage; vol. 4).

    Research output: Contributions to collected editions/works › Chapter › peer-review

  8. Published

    Heritage, culture and artistic reciprocity: Remediating the mythical

    Hadley, S., Hield, F. & Larrington, C., 01.04.2021, Music and Heritage: New Perspectives on Place-making and Sonic Identity. Maloney, L. & Schofield, J. (eds.). London: Taylor and Francis Inc., p. 56-64 9 p.

    Research output: Contributions to collected editions/works › Chapter › peer-review

  9. Published

    Hören, was die Maschine hört

    Großmann, R., 2022, Acoustic Intelligence: Hören und Gehorchen. Schürmer, A., Haberer, M. & Brautscheck, T. (eds.). Düsseldorf: Düsseldorf University Press, p. 83-94 12 p. (acoustic studies düsseldorf; vol. 5).

    Research output: Contributions to collected editions/works › Chapter › peer-review

  10. Jazz in Czechoslovakia during the 1950s and 1960s

    Zaddach, W-G., 01.01.2017, Jazz and totalitarianism. Johnson, B. (ed.). New York: Routledge Taylor & Francis Group, p. 114-135 22 p. (Transnational studies in jazz).

    Research output: Contributions to collected editions/works › Chapter › peer-review

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