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Meta-Image und die Prinzipien des Digitalen im Mnemosyne-Atlas Aby Warburgs
Dieckmann, L. & Warnke, M., 2018, Computing Art Reader: Einführung in die digitale Kunstgeschichte. Kuroczyński, P., Bell, P. & Dieckmann, L. (eds.). Heidelberg: arthistoricum.net, p. 78-93 16 p. (Computing in Art and Architecture; vol. 1).
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
Published
Mobility, Media, and the Experiences of Airbnb’s Aesthetic Regime
Bialski, P., 19.12.2017, Experiencing Networked Urban Mobilities: Practices, Flows, Methods. Freundendal-Pedersen, M., Hartmann-Petersen, K. & Perez Fjalland, E. L. (eds.). 1 ed. New York: Routledge Taylor & Francis Group, 5 p.
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
Published
Mobilizing Memes: The Contagious Socio-Aesthetics of Participation
Simons, S., 2016, ReClaiming Participation: Technology – Mediation – Collectivity. Mathias, D., Anne, G., Otto, I. & Stock, R. (eds.). Bielefeld: transcript Verlag, p. 231–245 15 p. (Media Studies).
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
Published
Mockular
Kaldrack, I. & Schmitt, T., 18.11.2013, Das Medium meiner Träume: Hartmut Winkler zum 60. Geburtstag. Adelmann, R. & Bergermann, U. (eds.). Berlin: Verbrecher Verlag, p. 283-303 21 p.
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
Published
Motion Capture
Kaldrack, I., 2014, Wörterbuch kinematografischer Objekte. Göttel, D., Horstmann, F., Müller, J. P., Pantenburg, V., Waack, L., Wuzella, R. & Böttcher, M. (eds.). 1 ed. Berlin: August Verlag, p. 98-100 3 p.
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
Published
Mouseology – Ludic Interfaces – Zero Interfaces
Fuchs, M., 2011, Coded Cultures: Creative Practices out of Diversity. Russegger, G., Tarasiewicz, M. & Wlodkowski, M. (eds.). Wien: Springer-Verlag Wien, p. 242-261 20 p.
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
Published
Multimodal Crowd Sensing
Vehlken, S., 2016, ReClaiming Participation: Technology - Mediation - Collectivity. Denecke, M., Ganzert, A., Otto, I. & Stock, R. (eds.). Bielefeld: transcript Verlag, p. 51–66 16 p. (Edition Medienwissenschaft; vol. 15).
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
Published
Musik und Medium: Kommentar zu: K. Blaukopf (1996), Die Mediamorphose der Musik als globales Phänomen; K. Blaukopf (1996), Mutation durch technische Medien
Großmann, R., 2011, Systematische Musikwissenschaft: Ziele - Methoden - Geschichte. Auhagen, W., Busch, V. & Hemming, J. (eds.). Laaber: Laaber Verlag, p. 131-140 10 p. (Kompendien Musik; vol. 9, no. 1).
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
Published
Nómades que imaginan
Chun, W., 2011, Nomadismos Tecnológicos. Beiguelman, J. L. F. Y. G. (ed.). Buenos Aires: Fundación Telefónica, p. 49-60 12 p.
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
Nothing but air: Der Mythos vom Verschwinden des Künstlers
Severin, I. L., 1997, LogIcons: Bilder zwischen Theorie und Anschauung. Severin, I. L., Hoffmann, U. & Joerges, B. (eds.). Berlin: WZB - Wissenschaftszentrum Berlin für Sozialforschung , p. 129-154 26 p.
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

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