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Published
Dubious Friendships: On the "(Re)Construction of Friendships" exhibition in Riga
Gerhardt, U., 2014, In: KUNST.EE. . 2014, 4, p. 49-52 4 p., VII.
Research output: Journal contributions › Critical reviews › Research
Published
New Perspectives on the Socialist Past: Notes on the Potential of Generational Experiences in Dialog
Bogdanovic, A. & Gerhardt, U., 05.2015, Art in the Periphery of the Center. Behnke, C., Kastelan, C., Knoll, V. & Wuggenig, U. (eds.). Berlin: Sternberg Press, p. 198 - 208 11 p.
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
Published
Narratologies: An Introduction
Falb, D. & Gerhardt, U., 04.2015, Post-Studio Tales. Falb, D., Gerhardt, U., Heckel, F. & Beeson, J. (eds.). Hamburg: Textem Verlag, p. 5 - 18 14 p.
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
Published
Scenarios for Encapsulated and Suspended Bodies: Stelarc and the Cybernetic Machine Body
Broeckmann, A., 2015, Stelarc – Meat, Metal & Code: Contestable Chimeras. Kluszczynski, R. (ed.). 1. ed. Gdansk: Center for Contemporary Art, p. 128-150 20 p.
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
Published
30 Years After Les Immatériaux: Art Science & Theory
Broeckmann, A. (ed.) & Hui, Y. (ed.), 2015, 1. ed. Lüneburg: meson press. 245 p.
Research output: Books and anthologies › Collected editions and anthologies › Research
Wilhelm von Bode und das Asiatische Museum in Berlin Dahlem
Severin, I. L., 1991, In: Jahrbuch der Stiftung Preußischer Kulturbesitz Berlin. XXVIII , p. 461-486 25 p.
Research output: Journal contributions › Journal articles › Research › peer-review
Wie ein Donnerwetter. Das Geburtstagsbild Lovis Corinths von 1911 im Wallraf-Richartz-Museum
Severin, I. L., 1990, In: Wallraf-Richartz-Jahrbuch. LI, p. 237-284 47 p.
Research output: Journal contributions › Journal articles › Research › peer-review
Ein Portrait des Nicolaus von Cues und des Papstes Pius II. in Santa Maria Assunta in Pienza: Zwei identifizierte Portraits der geistigen Väter des Domes von Pienza in einer Tafel des Matteo di Giovanni da Siena.
Severin, I. L., 1988, In: Das Münster. 41, p. 149-152 3 p.
Research output: Journal contributions › Journal articles › Research › peer-review
Re-Collection: Facts and Fiction. Collecting Strategies after World War II in Germany
Severin, I. L., 1997, Patrocinio, coleccion y circulacion de las artes: XX Coloquio Internacional de Historia del Arte (Estudios de arte y estetica) : Universidad Nacional Autonoma de Mexico, 9789683662507 -(Spanish Edition) by Gustavo Curiel. Curiel, G. (ed.). Salvobooks , p. 463-490 28 p.
Research output: Contributions to collected editions/works › Article in conference proceedings › Research › peer-review
Published
Subtle Differences: Men and Women and Their Art Reception
Tröndle, M., Kirchberg, V. & Tschacher, W., 01.12.2014, In: The Journal of Aesthetic Education. 48, 4, p. 65-93 29 p.
Research output: Journal contributions › Journal articles › Research › peer-review
Published
Artistic research and climate science: transdisciplinary learning and spaces of possibilities
Kagan, S., 31.03.2015, In: Journal of Science Communication. 14, 1, p. C07.1-C07.8 8 p., C07.
Research output: Journal contributions › Journal articles › Research › peer-review
Published
The Museum Experience: Mapping the Experience of Fine Art
Kirchberg, V. & Tröndle, M., 01.04.2015, In: Curator. 58, 2, p. 169-193 25 p.
Research output: Journal contributions › Journal articles › Research › peer-review
Published
Mamma Mia: Über Michaela Meise im Künstlerhaus Bethanien, Berlin
Söntgen, B., 03.2015, In: Texte zur Kunst. 25, 97, p. 237 - 241 5 p.
Research output: Journal contributions › Critical reviews › Research
Published
Übertragungen: Emotion und Kommunikation bei Chardin
Söntgen, B., 2015, Von Poussin bis Manet: Die Farben Frankreichs. A-M. B. R. (ed.). München: Hirmer, p. 47 - 57 11 p.
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
Published
The Gallerists
Loichinger, H. C. (ed.), Graw, I. (ed.), Magauer, H. (ed.) & Busta, C. (ed.), 12.2014, 96 ed. Berlin: TEXTE ZUR KUNST Verlag GmbH & Co. KG. 256 p. (Texte zur Kunst; no. 96/2014)
Research output: Books and anthologies › Special Journal issue › Research
Published
After Dark: The PROVENCE Summer Reader
Kaspar, T. (ed.) & Loichinger, H. C. (ed.), 12.2014, Paris: Paraguay Press. 184 p.
Research output: Books and anthologies › Collected editions and anthologies › Transfer
Published
Mit Begriffen handeln
Loichinger, H. C., 12.2014, In: Texte zur Kunst. 96, p. 64-82 23 p.
Research output: Journal contributions › Journal articles › Research › peer-review
Published
Figuren der Blindheit in der Kunst von Javier Téllez, James Coleman und Tamar Getter
Leeb, S. A., 2016, Anderes Wissen: Kunstformen der Theorie. Busch, K. (ed.). 1 ed. Paderborn: Verlag der Merz Akademie, p. 206-241 37 p.
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
Published
Abstraktion als internationale Sprache
Leeb, S. A., 2009, Kunst und Kalter Krieg: Deutsche Positionen 1945-1989. Barron, S. & Eckmann, S. (eds.). Köln: DuMont Literatur und Kunst Verlag, p. 118-133 16 p.
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
Published
Flucht nach nicht ganz vorn: Geschichte in der Kunst der Gegenwart
Leeb, S. A., 2009, In: Texte zur Kunst. 76, p. 28-44 17 p.
Research output: Journal contributions › Journal articles › Research › peer-review

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