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  1. Published

    Artificial intelligence in songwriting and composing - perspectives and challenges in creative practices

    Tillmann, B. & Zaddach, W-G., 01.05.2024, Artificial Intelligence - Intelligent Art?: Human-Machine Interaction and Creative Practice. Voigts, E., Auer, R. M., Elflein, D., Kunas, S., Röhnert, J. & Seelinger, C. (eds.). Bielefeld: transcript Verlag, p. 217-231 15 p. (Digitale Gesellschaft; vol. 64).

    Research output: Contributions to collected editions/works › Chapter › peer-review

  2. Published

    Fighting to Sound: Karate als musikalische Praxis

    Claussen, J. T., 01.05.2022, MusikmachDinge im Kontext: Forschungszugänge zur Soziomaterialität von Musiktechnologie. Ahlers, M., Jörissen, B., Donner, M. & Wernicke, C. (eds.). Zürich, Hildesheim, New York: Georg Olms Verlag AG, p. 165-188 24 p. (MusikmachDinge. ((audio)) Ästhetische Strategien und Sound-Kulturen; vol. 6).

    Research output: Contributions to collected editions/works › Chapter › peer-review

  3. German nazi bands: Between provocation and repression

    Barber-Kersovan, A., 2003, Policing Pop. Clooman, M. & Garofalo, R. (eds.). Temple University Press, p. 186-204 19 p.

    Research output: Contributions to collected editions/works › Chapter › peer-review

  4. »Groove is the essence of my music«. Wayne Krantz’ guitar playing from a practice-based perspective

    Zaddach, W-G., 10.05.2019, Jazzforschung heute. : Themen, Methoden, Perspektiven. Pfleiderer, M. & Zaddach, W-G. (eds.). Berlin: Verlag Edition EMVAS, p. 133-146 13 p. (Sounding heritage; vol. 4).

    Research output: Contributions to collected editions/works › Chapter › peer-review

  5. Published

    Heritage, culture and artistic reciprocity: Remediating the mythical

    Hadley, S., Hield, F. & Larrington, C., 01.04.2021, Music and Heritage: New Perspectives on Place-making and Sonic Identity. Maloney, L. & Schofield, J. (eds.). London: Taylor and Francis Inc., p. 56-64 9 p.

    Research output: Contributions to collected editions/works › Chapter › peer-review

  6. Published

    Hören, was die Maschine hört

    Großmann, R., 2022, Acoustic Intelligence: Hören und Gehorchen. Schürmer, A., Haberer, M. & Brautscheck, T. (eds.). Düsseldorf: Düsseldorf University Press, p. 83-94 12 p. (acoustic studies düsseldorf; vol. 5).

    Research output: Contributions to collected editions/works › Chapter › peer-review

  7. Jazz in Czechoslovakia during the 1950s and 1960s

    Zaddach, W-G., 01.01.2017, Jazz and totalitarianism. Johnson, B. (ed.). New York: Routledge Taylor & Francis Group, p. 114-135 22 p. (Transnational studies in jazz).

    Research output: Contributions to collected editions/works › Chapter › peer-review

  8. Published

    Pophörspiel: Popular music in radio art

    Schulze, H., 01.01.2016, Perspectives on German Popular Music. Ahlers, M. & Jacke, C. (eds.). Taylor and Francis Inc., p. 67-73 7 p.

    Research output: Contributions to collected editions/works › Chapter › peer-review

  9. Popular music in ex-Yugoslavia between global participation and provincial seclusion

    Barber-Kersovan, A., 28.01.2002, Global Repertoires: Popular Music Within and Beyond the Transnational Music Industry. Gebesmair, A. & Smudits, A. (eds.). London: Taylor and Francis Inc., p. 73-88 16 p.

    Research output: Contributions to collected editions/works › Chapter › peer-review

  10. Published

    Rekonstruktionen konvergenter und divergenter Problemlösetypen und -modi in musikalisch-kreativen Prozessen und der Aneignung von MusikmachDingen

    Wernicke, C. & Ahlers, M., 25.05.2022, MusikmachDinge im Kontext: Forschungszugänge zur Soziomaterialität von Musiktechnologie. Ahlers, M., Jörissen, B., Donner, M. & Wernicke, C. (eds.). Zürich, Hildesheim, New York: Georg Olms Verlag AG, p. 265-291 27 p. (MusikmachDinge. ((audio)) Ästhetische Strategien und Sound-Kulturen; vol. 6).

    Research output: Contributions to collected editions/works › Chapter › peer-review

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