Institute of Culture and Aesthetics of Digital Media

Organisational unit: Institute

Organisation profile

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.

Main research areas

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation. 

The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana. 

  1. 2018
  2. Lively Artifacts. Heinz von Foerster and the Machines of His Biological Computer Laboratory

    Müggenburg, J. (Speaker)

    01.11.201804.11.2018

    Activity: Talk or presentationConference PresentationsResearch

  3. Der Dunkle Transhumanismus

    Hille, L. (Speaker)

    25.10.2018

    Activity: Talk or presentationGuest lecturesResearch

  4. Alternative Facts‹. Facticity and Factuality in Digital Media

    Vehlken, S. (Speaker)

    10.10.2018

    Activity: Talk or presentationGuest lecturesEducation

  5. Alternative Mouse – Alternative User? Towards a History of Assistive Media

    Müggenburg, J. (Speaker)

    19.09.201822.09.2018

    Activity: Talk or presentationConference PresentationsResearch

  6. Internationa Conference Digital Cultures

    Vehlken, S. (Speaker) & Beyes, T. (Organiser)

    19.09.201822.09.2018

    Activity: Participating in or organising an academic or articstic eventConferencesResearch

  7. Ein berühmter Lüneburger Nikolaus: Niklas Luhmann

    Warnke, M. (Oral presentation)

    17.09.2018

    Activity: Talk or presentationtalk or presentation in privat or public eventsResearch

  8. Transdisziplinäre Popmusikforschung

    Großmann, R. (Speaker)

    15.09.2018

    Activity: Talk or presentationConference PresentationsEducation

  9. Crumpled Times. Temporal and Epistemological Depths of Agent-Based Traffic Simulations

    Vehlken, S. (Speaker)

    13.09.2018

    Activity: Talk or presentationConference PresentationsResearch

  10. Der verteilte Blick

    Warnke, M. (Speaker)

    13.09.2018

    Activity: Talk or presentationConference PresentationsResearch

  11. INTERNATIONAL CONFERENCE:"SUBJECTIVITY AND DIGITAL CULTURE"

    Fuchs, M. (Speaker)

    07.09.2018

    Activity: Participating in or organising an academic or articstic eventConferencesResearch

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