Browse by research area

  1. Jazz in Czechoslovakia during the 1950s and 1960s

    Zaddach, W-G., 01.01.2017, Jazz and totalitarianism. Johnson, B. (ed.). New York: Routledge Taylor & Francis Group, p. 114-135 22 p. (Transnational studies in jazz).

    Research output: Contributions to collected editions/worksChapterpeer-review

  2. Published

    Perspectives on German Popular Music

    Ahlers, M. (ed.) & Jacke, C. (ed.), 01.01.2017, 1 ed. New York: Routledge Taylor & Francis Group. 320 p. (Ashgate Popular and Folk Music Series)

    Research output: Books and anthologiesBook

  3. Score-Informed Analysis of Tuning, Intonation, Pitch Modulation, and Dynamics in Jazz Solos

    Abeber, J., Frieler, K., Cano, E., Pfleiderer, M. & Zaddach, W. G., 01.2017, In: IEEE/ACM Transactions on Audio Speech and Language Processing. 25, 1, p. 168-177 10 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  4. Published

    13 Trolle: Isländisches Brauchtum zur Weihnachtszeit

    Ahlers, M. L. J., 2017, In: Grundschule Musik. 84, p. 18-22 5 p.

    Research output: Journal contributionsJournal articlesEducation

  5. A Global Phenomenon with a Unique Pinoy Twist - Das Vinyl Revival in Metro Manila

    Schoop, M., 2017, Just Little Bits of History Repeating: Medien, Nostalgie, Retromanie . Abend, P., Bonner, M. & Weber, T. (eds.). Münster, Berlin: LIT Verlag, p. 249 - 264 16 p. (Medien'Welten: Braunschweiger Schriften zur Medienkultur ; vol. 28).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  6. Published

    Beating Time: Futuristische Geschichten und vergangene Zukünfte der Drum-Machine

    Pelleter, M., 2017, Good Vibrations: Eine Geschichte der elektronischen Musikinstrumente. Restle, C., Brillmaier, B. & Hardjowirogo, S-I. (eds.). Berlin: Deutscher Kunstverlag, p. 41-45 5 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  7. Published
  8. Following the red line: Chris Potter's solo on "Pop Tune #1"

    Zaddach, W-G., 2017, Inside the Jazzomat : new perspectives for jazz research. Pfleiderer, M., Frieler, K., Abeßer, J., Zaddach, W-G. & Burkhart, B. (eds.). Mainz: Schott Music, p. 291-302 12 p. (Schott Campus).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  9. Heayy Metal in Germany

    Zaddach, W-G., 2017, Europe. Prato, P. & Horn, D. (eds.). New York: Bloomsbury Academic, p. 357-361 5 p. ( Bloomsbury encyclopedia of popular music of the world; vol. 11)(Bloomsbury encyclopedia of popular music of the world; vol. Pt. 3, Genres).

    Research output: Contributions to collected editions/worksArticles for encyclopediaResearch

  10. Michael Brecker's "I mean you"

    Zaddach, W-G., 2017, Inside the Jazzomat : new perspectives for jazz research. Pfleiderer, M., Frieler, K., Abeßer, J., Zaddach, W-G. & Burkhart, B. (eds.). Mainz: Schott Music, p. 211-225 15 p. (Schott Campus).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review