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Published
Funkologicalienatimepistomachinistics: Sensorisches Engineering und maschinische Heterochronizität bei Shuggie Otis
Pelleter, M., 2018, Musikformulare und Presets: Musikkulturalisierung und Technik/Technologie. Ismaiel-Wendt, J. & Fabian, A. (eds.). Hildesheim: Georg Olms Verlag AG, p. 149-166 17 p.
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
Published
Big Data und Musik: Jahrbuch für Musikwirtschafts- und Musikkulturforschung 1/2018
Ahlers, M. (ed.), Grünewald-Schukalla, L. (ed.), Lücke, M. (ed.) & Rauch, M. (ed.), 2019, Wiesbaden: Springer VS. 233 p. (Jahrbuch für Musikwirtschafts- und Musikkulturforschung; vol. 1)
Research output: Books and anthologies › Collected editions and anthologies › Research
Published
Tschick: Ein Unterrichtsentwurf zum Song "Thomas Anders"- Die Beginner
De Carvalho Rodrigues, T., 08.2018, In: Praxis des Musikunterrichts. 135, p. 42-47 6 p.
Research output: Journal contributions › Journal articles › Transfer
Published
15 Seconds of Fame mit musical.ly: Musik-App für IOS und Android
De Carvalho Rodrigues, T., 21.04.2018, In: Praxis des Musikunterrichts. 134, p. 58-59 2 p.
Research output: Journal contributions › Critical reviews › Transfer
Published
Beating Time: Futuristische Geschichten und vergangene Zukünfte der Drum-Machine
Pelleter, M., 2017, Good Vibrations: Eine Geschichte der elektronischen Musikinstrumente. Restle, C., Brillmaier, B. & Hardjowirogo, S-I. (eds.). Berlin: Deutscher Kunstverlag, p. 41-45 5 p.
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
Published
Zur Aktualität der Rhythmusbewegung im 21. Jahrhundert: Eine Respondenz
Großmann, R., 02.2016, In: Die Musikforschung. 69, 2, p. 157-160 4 p.
Research output: Journal contributions › Journal articles › Research › peer-review
Published
Proceedings SMC 2016: 31.8.2016, Hamburg, Germany
Großmann, R. (ed.) & Hajdu, G. (ed.), 31.08.2016, Hamburg: Zentrum für Mikrotonale Musik und Multimediale Komposition (ZM4). 513 p.
Research output: Books and anthologies › Conference proceedings › Research
Published
Entscheide du: Chefket feat. MoTrip & Tua
De Carvalho Rodrigues, T. & Vernal Schmidt, J. M., 01.01.2018, In: Praxis des Musikunterrichts. 133, p. 38 - 41 4 p.
Research output: Journal contributions › Journal articles › Transfer
Popular music in ex-Yugoslavia between global participation and provincial seclusion
Barber-Kersovan, A., 28.01.2002, Global Repertoires: Popular Music Within and Beyond the Transnational Music Industry. Gebesmair, A. & Smudits, A. (eds.). London: Taylor and Francis Inc., p. 73-88 16 p.
Research output: Contributions to collected editions/works › Chapter › peer-review
Jazz in Czechoslovakia during the 1950s and 1960s
Zaddach, W-G., 01.01.2017, Jazz and totalitarianism. Johnson, B. (ed.). New York: Routledge Taylor & Francis Group, p. 114-135 22 p. (Transnational studies in jazz).
Research output: Contributions to collected editions/works › Chapter › peer-review
Inside the Jazzomat: new perspectives for jazz research
Pfleiderer, M. (ed.), Frieler, K. (ed.), Abeßer, J. (ed.), Zaddach, W-G. (ed.) & Burkhart, B. (ed.), 01.12.2017, Mainz: Schott Music. 352 p.
Research output: Books and anthologies › Book
Michael Brecker's "I mean you"
Zaddach, W-G., 2017, Inside the Jazzomat : new perspectives for jazz research. Pfleiderer, M., Frieler, K., Abeßer, J., Zaddach, W-G. & Burkhart, B. (eds.). Mainz: Schott Music, p. 211-225 15 p. (Schott Campus).
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
Right into the heart. Branford Marsalis and the blues "Housed from Edward"
Zaddach, W-G., 2017, Inside the Jazzomat: new perspectives for jazz research. Pfleiderer, M., Frieler, K., Abeßer, J., W-G. Z. & Burkhart, B. (eds.). Mainz: Schott Music, p. 227-242 16 p. (Schott Campus).
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
Following the red line: Chris Potter's solo on "Pop Tune #1"
Zaddach, W-G., 2017, Inside the Jazzomat : new perspectives for jazz research. Pfleiderer, M., Frieler, K., Abeßer, J., Zaddach, W-G. & Burkhart, B. (eds.). Mainz: Schott Music, p. 291-302 12 p. (Schott Campus).
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
Published
Music Video Games: Performance, Politics, and Play. Edited by Michael Austin . New York: Bloomsbury, 2016. 328 pp. ISBN 978-1-5013-0853-6 - Ludomusicology: Approaches to Video Game Music. Edited by Michiel Kamp , Tim Summers and Mark Sweeney . Sheffield: Equinox, 2016. 231 pp. ISBN 978-1-78179-198-1
Claussen, J. T., 10.2017, In: Popular Music. 36, 3, p. 450-453 4 p.
Research output: Journal contributions › Critical reviews › Research
Published
The Clave Song
Zuther, D., 20.10.2017, In: Praxis des Musikunterrichts. 132, p. 37 1 p.
Research output: Journal contributions › Journal articles › Transfer
Published
What About Us: Pink
Zuther, D., 20.10.2017, In: Praxis des Musikunterrichts. 132, p. 4-11 8 p.
Research output: Journal contributions › Journal articles › Transfer
Published
No Roots
Zuther, D., 20.08.2017, In: Praxis des Musikunterrichts. 131, p. 4-11 7 p.
Research output: Journal contributions › Journal articles › Transfer
Published
Way Down We Go
Zuther, D., 20.05.2017, In: Praxis des Musikunterrichts. 130, p. 4-15 11 p.
Research output: Journal contributions › Journal articles › Transfer
Published
The Sound Of Silence
Zuther, D., 20.01.2017, In: Praxis des Musikunterrichts. 129, p. 4-13 9 p.
Research output: Journal contributions › Journal articles › Transfer

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