Browse by research area

  1. Published

    Beating Time: Futuristische Geschichten und vergangene Zukünfte der Drum-Machine

    Pelleter, M., 2017, Good Vibrations: Eine Geschichte der elektronischen Musikinstrumente. Restle, C., Brillmaier, B. & Hardjowirogo, S-I. (eds.). Berlin: Deutscher Kunstverlag, p. 41-45 5 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  2. Published

    Zur Aktualität der Rhythmusbewegung im 21. Jahrhundert: Eine Respondenz

    Großmann, R., 02.2016, In: Die Musikforschung. 69, 2, p. 157-160 4 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  3. Published

    Proceedings SMC 2016: 31.8.2016, Hamburg, Germany

    Großmann, R. (ed.) & Hajdu, G. (ed.), 31.08.2016, Hamburg: Zentrum für Mikrotonale Musik und Multimediale Komposition (ZM4). 513 p.

    Research output: Books and anthologiesConference proceedingsResearch

  4. Published

    Entscheide du: Chefket feat. MoTrip & Tua

    De Carvalho Rodrigues, T. & Vernal Schmidt, J. M., 01.01.2018, In: Praxis des Musikunterrichts. 133, p. 38 - 41 4 p.

    Research output: Journal contributionsJournal articlesTransfer

  5. Popular music in ex-Yugoslavia between global participation and provincial seclusion

    Barber-Kersovan, A., 28.01.2002, Global Repertoires: Popular Music Within and Beyond the Transnational Music Industry. Gebesmair, A. & Smudits, A. (eds.). London: Taylor and Francis Inc., p. 73-88 16 p.

    Research output: Contributions to collected editions/worksChapterpeer-review

  6. Jazz in Czechoslovakia during the 1950s and 1960s

    Zaddach, W-G., 01.01.2017, Jazz and totalitarianism. Johnson, B. (ed.). New York: Routledge Taylor & Francis Group, p. 114-135 22 p. (Transnational studies in jazz).

    Research output: Contributions to collected editions/worksChapterpeer-review

  7. Inside the Jazzomat: new perspectives for jazz research

    Pfleiderer, M. (ed.), Frieler, K. (ed.), Abeßer, J. (ed.), Zaddach, W-G. (ed.) & Burkhart, B. (ed.), 01.12.2017, Mainz: Schott Music. 352 p.

    Research output: Books and anthologiesBook

  8. Michael Brecker's "I mean you"

    Zaddach, W-G., 2017, Inside the Jazzomat : new perspectives for jazz research. Pfleiderer, M., Frieler, K., Abeßer, J., Zaddach, W-G. & Burkhart, B. (eds.). Mainz: Schott Music, p. 211-225 15 p. (Schott Campus).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  9. Right into the heart. Branford Marsalis and the blues "Housed from Edward"

    Zaddach, W-G., 2017, Inside the Jazzomat: new perspectives for jazz research. Pfleiderer, M., Frieler, K., Abeßer, J., W-G. Z. & Burkhart, B. (eds.). Mainz: Schott Music, p. 227-242 16 p. (Schott Campus).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  10. Following the red line: Chris Potter's solo on "Pop Tune #1"

    Zaddach, W-G., 2017, Inside the Jazzomat : new perspectives for jazz research. Pfleiderer, M., Frieler, K., Abeßer, J., Zaddach, W-G. & Burkhart, B. (eds.). Mainz: Schott Music, p. 291-302 12 p. (Schott Campus).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

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