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Cadavre Exquisit
Lampalzer, G., 1996, die thede. Bau, C., Hemmleb, M., Huckeriede, J., Kistner, D., Metzlaff, B., Oppermann, M., Ramcke, J., Rippel, N. & Stockhaus, P. (eds.). Hamburg: Schwarze Kunst, p. 94-100 4 p.
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
Published
Charismatische Disposition und Intellektualisierung
Prinz, S. & Wuggenig, U., 2012, Das Kunstfeld: Eine Studie über Akteure und Institutionen der zeitgenössischen Kunst am Beispiel von Zürich, Wien, Hamburg und Paris. Munder, H. & Wuggenig, U. (eds.). 1 ed. Zürich: JRP Ringier Verlag, p. 205-228 24 p.
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
Published
Clouds and Balloons: James Glaisher's Vertical Voyages
Zindel, H., 03.2020, Silver Linings: Clouds in Art and Science. Jørgensen, D. & Jørgensen, F. A. (eds.). Trondheim: Museumsforlaget, p. 27–37 11 p.
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
Published
Complexity as experience: The contribution of aesthetics to cultures of sustainability
Kagan, S., 2015, An introduction to sustainability and aesthetics: the arts and design for the environment. Crouch, C., Kaye, N. & Crouch, J. (eds.). Boca Raton, Florida: BrownWalker Press, p. 25-32 8 p.
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
Published
'Creativity and Innovation' in the Nineteenth Century: Harrison C. White and the Impressionist Revolution Reconsidered
Wuggenig, U., 2011, Critique of Creativity: Precarity, Subjectivity and Resistance in the `Creative Industries´. Raunig, G., Ray, G. & Wuggenig, U. (eds.). London: MayflyBooks, p. 57-75 19 p.
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
Published
Culture and Capital: Claire Bishop: Place in Plunderland: Claire Bishop on the Shed
Kipke, A., 2022, Why Art Criticism? : A Reader. Söntgen, B. & Voss, J. (eds.). 1. Auflage ed. Berlin: Hatje Cantz Verlag, p. 428-437 10 p. (Zeitgenössische Kunst).
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
Cybersyn: Designing a New Style of Management.
Benezra, K., 11.07.2018, Latin American Modernisms and Technology. Fernández, M. (ed.). Africa World Press Inc., p. 195-220 26 p.
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
Published
Dancing the digital: European and Amercian Visions of a digital Space
Leeker, M., 2005, Space in America: Theory, History, Culture. Benesch, K. (ed.). Amsterdam: Rodopi, p. 451-468 18 p.
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
Published
Das Delirium des Symbolischen hat eine neue Phase gefunden
Leistert, O., 2014, Julia Oschatz: [anlässlich der Ausstellung "grueBel" im Kupferstichkabinett vom 21.11.2014 bis 22.2.2015]. Berlin: Distanz Verlag, p. 108-121 14 p.
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
Published
Das Kunstfeld: Akteure, Institutionen und Zentrum-Peripherie-Struktur
Kastelan, C., Tarnai, C. & Wuggenig, U., 2012, Das Kunstfeld: Eine Studie über Akteure und Institutionen der zeitgenössischen Kunst am Beispiel von Zürich, Wien, Hamburg und Paris. Munder, H. & Wuggenig, U. (eds.). 1 ed. Zürich: JRP Ringier Verlag, p. 87-106 20 p.
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

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