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  1. Paolo Cirio: Quando il furto diventa arte

    Bazzichelli, T., 01.04.2011, In: Digimag. 7, 63, 8 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  2. Paradigm shift: participation and relational practices

    Bempeza, S., 2011, U10 – From here to the Imaginary and back again. Gallico, I. & Rekade, C. (eds.). Berlin: Neue Gesellschaft für Bildende Kunst e.V., p. 36-43 8 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer

  3. Published

    Paradoxe Kritik

    Wuggenig, U., 2010, Kunst der Kritik. Mennel, B., Nowotny, S. & Raunig, G. (eds.). Wien: Verlag Turia + Kant, Vol. 10. p. 105-124 20 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

  4. Published

    Paradoxe Kritik

    Wuggenig, U., 2008, In: transversal / EIPCP multilingual webjournal. 8, 6 p.

    Research output: Journal contributions › Journal articles › Research

  5. Published

    Parallelworlds. On Joseph Beuys and Alice Channer

    Kölmel, M-J., 2016, Wer Nicht Denken Will Fliegt Raus: Handlungsanweisungen nach Beuys. Kleve: Museum Kurhaus Kleve, p. 17-20 3 p. (Schriftenreihe Museum Kurhaus Kleve - Ewald-Mataré-Sammlung ; vol. 73).

    Research output: Contributions to collected editions/works › Other › Transfer

  6. Parrhesiastic Acts

    Bempeza, S. & Sagri, G., 2017, DESTE Prize: An Anniversary Exhibition. Athen: Deste Foundation, p. 38-50 13 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer

  7. Published

    Part II: Strange Company Coming Over

    Birkenstock, E. & Gerhardt, U., 10.2009, Stefan Panhans: 5 Videos. Busch, K. (ed.). Kornwestheim : Brockhaus Commission, p. 96-100 5 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

  8. Published

    Part I: Too much change is not enough

    Birkenstock, E. & Gerhard, U., 10.2009, Stefan Panhans: 5 Videos. Busch, K. (ed.). Kornwestheim : Brockhaus Commission, p. 93-95 3 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

  9. Published

    Passion, Performance and Soberness: Denis Diderot

    Söntgen, B., 2022, Why Art Criticism?: A Reader. Söntgen, B. & Voss, J. (eds.). Berlin: Hatje Cantz Verlag, p. 24-25

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  10. Performance Saga: Interview 01: Esther Ferrer

    Grögel, K. (ed.) & Saemann, A. (ed.), 2007

    Research output: Non-textual form types › Film recording › Research

  11. Performance Saga: Interview 03: Monika Günther

    Grögel, K. (ed.) & Saemann, A. (ed.), 2007

    Research output: Non-textual form types › Film recording › Research

  12. Performance Saga: Interview 04: Carolee Schneemann

    Grögel, K. (ed.) & Saemann, A. (ed.), 2008

    Research output: Non-textual form types › Film recording › Research

  13. Performance Saga: Interview 05: Ulrike Rosenbach

    Grögel, K. (ed.) & Saemann, A. (ed.), 2008

    Research output: Non-textual form types › Film recording › Research

  14. Performance Saga: Interview 06: Joan Jonas

    Grögel, K. (ed.) & Saemann, A. (ed.), 2008

    Research output: Non-textual form types › Film recording › Research

  15. Performance Saga: Interview 07: Martha Rosler

    Grögel, K. (ed.) & Saemann, A. (ed.), 2008

    Research output: Non-textual form types › Film recording › Research

  16. Performance Saga: Interview 08: Alison Knowles

    Grögel, K. (ed.) & Saemann, A. (ed.), 2008

    Research output: Non-textual form types › Film recording › Research

  17. Performance Saga: Performances, Interviews, Ereignisse: Begegnungen mit Wegbereiterinnen der Performancekunst

    Grögel, K. & Saemann, A., 2010, Interviews: Oral History in Kunst und Kunstwissenschaft,. Imhof, D. & Omlin, S. (eds.). München: edition metzel, p. 103–114 11 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

  18. Published

    Performativität in digitalen Environments

    Leeker, M., 1999, Schreiben auf Wasser: Performative Verfahren in Kunst, Wissenschaft und Bildung. Seitz, H. & K. G. E. V. . B. (eds.). Essen: Klartext Verlag, p. 162 - 177 16 p. (Dokumentation; vol. 54).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

  19. "Performing Life": Vom täglichen Leben als Aufgabe bei Andrea Zittel

    Grögel, K., 2009, Wo endet die Kunst, wo beginnt das Leben?: Beiträge der Tagung vom 12. und 13. September 2008 anlässlich der Ausstellung "Andrea Zittel, Monika Sosnowska: 1:1" im Schaulager Basel. Jochim, A. & Vischer, T. (eds.). 1 ed. Steidl Verlag, p. 43–54 12 p.

    Research output: Contributions to collected editions/works › Article in conference proceedings › Research

  20. Periodizing Latin American art since the 1960s

    Benezra, K., 01.01.2020, Contemporary Art and Capitalist Modernization: A Transregional Perspective. Esanu, O. (ed.). New York: Taylor and Francis Inc., p. 41-56 16 p.

    Research output: Contributions to collected editions/works › Chapter › peer-review

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