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Fabian Nitschkowski & Paul Geisler: Drei Zeichenmaschinen ZM1, ZM2, ZM3
Zindel, H., 2015, POSITION : Forum / Ausstellung vom 9.10. bis 19.10.2014 in der "Fabrik der Künste. BBK. H. (ed.). Hamburg: Verlag für permanente Kunst, p. 192–199 8 p. (Position; vol. 2014).
Research output: Contributions to collected editions/works › Contribution of Exihibition catalogues › Transfer
Published
Formen des Kontakts: Auguste Renoirs Nach dem Mittagessen
Söntgen, B. E., 2015, Monet und die Geburt des Impressionsmus. Krämer, F. (ed.). München: Prestel Verlag, p. 183-193 11 p.
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
Published
From the Household of the Soul to the Economy of Money: What Are Sixteenth-Century Merchants Doing in the Virgin Mary's Interior?
Kuhn, H., 2015, Interiors and Interiority. Lajer-Burcharth, E. & Söntgen, B. (eds.). Berlin: Walter de Gruyter GmbH, p. 229-246 18 p.
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
Published
Für eine „Farbenlehre der Worte“. Julius Meier-Graefe und die ‚neue‘ Kunstkritik
Marchal, S., 2015, Wie Texte und Bilder zusammenfinden : Vom Mittelalter bis zur Gegenwart. Kroll, R., Gramatzki, S. & Karnatz, S. (eds.). Dietrich Reimer Verlag, p. 125-136 12 p.
Research output: Contributions to collected editions/works › Article in conference proceedings › Research
Published
Image Noise
Brons, F., 2015, The Technical Image : A History of Styles within Scientific Images. Bredekamp, H., Dünkel, V. & Schneider, B. (eds.). 1 ed. Chicago: Chicago University Press, p. 138 - 141 4 p.
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
Published
In the Eye of the Beholder: Emanuel Goldberg's Apparatuses at the International Photographic Exhibition Dresden 1909
Brons, F., 2015, The Technical Image: a history of styles in scientific imagery. Bredekamp, H., V. D. & Schneider, B. (eds.). Chicago: Chicago University Press, p. 102 - 111 10 p.
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
Published
Jonas Mekas' Mnemotaktik oder: LOST LOST LOST, ein filmisches Gedächtnis
Kuhn, E., 2015, Kino und Erinnerung. Schmidt, S., von Keitz, U. & Haake, S. (eds.). Marburg: Schüren Verlag, p. 47-62 16 p. (Augenblick – Konstanzer Hefte zur Medienwissenschaft; vol. 61).
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
Published
Julius Meier-Graefe -" a laconic art historian"
Marchal, S., 2015, Silence / Schweigen : Über die stumme Praxis der Kunst. Beyer, A. & Le Bon, L. (eds.). Berlin: Deutscher Kunstverlag, p. 183-194 12 p. (Passagen / Passages; vol. 47).
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
Published
Konvivialismus als Kunst und Komplexität als Erfahrung
Kagan, S., 2015, Konvivialismus. Eine Debatte. Adloff, F. & Heins, V. M. (eds.). Bielefeld: transcript Verlag, p. 167-177 11 p.
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
Published
Long Live the Immaterial! - Körper und Kunst in Zeiten der Virtualisierung
Förster-Beuthan, Y., 2015, Das Ende der Kunst als Anfang freier Kunst. Vieweg, K., Iannelli, F. & Vercellone, F. (eds.). Paderborn: Wilhelm Fink Verlag, p. 323-337 15 p. (jena-sophia: Studien und Editionen zum deutschen Idealismus und zur Frühromantik; vol. 13 (Abt. II)).
Research output: Contributions to collected editions/works › Article in conference proceedings › Transfer › peer-review

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