Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
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Affiziert werden: Städtische und mediale Atmosphären
Beyes, T., 2012, Die Macht der Gefühle: Emotionen in Management, Organisation und Kultur. Metelmann, J. & Beyes, T. (eds.). Berlin: Berlin University Press, p. 97-108 12 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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After Affects: Zealous Zombies, Panic Prevention, Crowd Simulation
Vehlken, S., 01.10.2014, Timing of Affect: epistemologies, aesthetics, politics. Angerer, M.-L., Bösel, B. & Ott, M. (eds.). Berlin: Diaphanes Verlag, p. 303-320 18 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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After Occupy
Hui, Y., 10.11.2013, In: Contemporary Art Journal. 15, 4, p. 71-76 6 p.Research output: Journal contributions › Journal articles › Research
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Against Water: A Reply to Christopher M. Kelty
Müggenburg, J., 27.03.2015, In: spheres - Journal for Digital Cultures. 1, p. 1-5 5 p., 8.Research output: Journal contributions › Journal articles › Research › peer-review
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Agentenspiele. Crowd Management, Sozialsimulation und Big Data
Vehlken, S. & Pias, C., 01.02.2014, Managementperspektiven für die Zivilgesellschaft des 21. Jahrhunderts: Management als Liberal Art. von Müller, C. & Zinth, C.-P. (eds.). Berlin: Springer, p. 167-182 16 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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A inteligência artificial do sentido: História do sentido e da tecnologia na esteira de Jean-Luc Nancy
Hörl, E. & Hoepfner, S. G. (Translator), 14.08.2024, In: esferas. 30, 28 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Aisthesis und Operativität der Schrift. Über ‚Schriftbildlichkeit'
Krämer, S., 2018, Schreiben als Ereignis: Künste und Kulturen der Schrift. Müller-Tamm, J., Schubert, C. & Werner, K. U. (eds.). Paderborn: Wilhelm Fink Verlag, p. 17-34 18 p. (Zur Genealogie des Schreibens; vol. 23).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Algorithmic Catastrophe - the Revenge of Contingency
Hui, Y., 11.2015, In: Parrhesia : a Journal of Critical Philosophy. 23, p. 122-143 22 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Alltag
Beyes, T., 2010, Lexikon zur zeitgenössischen Kunst von Com & Com: [anläßlich der Ausstellung "La Realite Depasse la Fiction" im CentrePasquArt in Biel/Bienne vom 17. Januar bis 14. März 2010. Hedinger, J. M. & Gossolt, M. (eds.). Sulgen und Zürich: Niggli Verlag , p. 12-13 2 p. (Binding Selection d´Artistes; no. 31).Research output: Contributions to collected editions/works › Articles for encyclopedia › Research
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Alltag in den Medien - Medien im Alltag
Röser, J. (Editor), Thomas, T. (Editor) & Peil, C. (Editor), 2010, 1 ed. Wiesbaden: VS Verlag für Sozialwissenschaften. 317 p. (Medien - Kultur - Kommunikation)Research output: Books and anthologies › Collected editions and anthologies › Research