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Politics of aisthesis and the aestheticisation of politics in the digital world. On technology, aesthetic and the faschosphere

Publikation: Beiträge in Zeitschriften › Zeitschriftenaufsätze › Forschung › begutachtet

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Politics of aisthesis and the aestheticisation of politics in the digital world. On technology, aesthetic and the faschosphere. / Milani, Benedetta.
in: Studi di Estetica, Nr. 31, 2025, S. 73-86.

Publikation: Beiträge in Zeitschriften › Zeitschriftenaufsätze › Forschung › begutachtet

Harvard

Milani, B 2025, 'Politics of aisthesis and the aestheticisation of politics in the digital world. On technology, aesthetic and the faschosphere', Studi di Estetica, Nr. 31, S. 73-86. https://doi.org/10.7413/1825864706

APA

Milani, B. (2025). Politics of aisthesis and the aestheticisation of politics in the digital world. On technology, aesthetic and the faschosphere. Studi di Estetica, (31), 73-86. https://doi.org/10.7413/1825864706

Vancouver

Milani B. Politics of aisthesis and the aestheticisation of politics in the digital world. On technology, aesthetic and the faschosphere. Studi di Estetica. 2025;(31):73-86. doi: 10.7413/1825864706

Bibtex

@article{1c7edd416a994727b46e5984805f791a,
title = "Politics of aisthesis and the aestheticisation of politics in the digital world.: On technology, aesthetic and the faschosphere",
abstract = "Today's political conditions - dominated by the global spread of far-right ideologies and governments - make it necessary to reflect on the political dimension not only of art but of aesthetics itself. Using the theories of Walter Benjamin and Vil{\'e}m Flusser, this article analyses the relationship between aesthetics, technology, and politics, questioning why the digital world has proven to be a fertile ground for the aestheticisation of politics in a late-fascist key. While Flusser shows how technical images program subjects, Benjamin helps us understand how the recursiveness of the digital world favours the spectacularisation and aestheticisation of political discourse. Finally, I will also examine how the aesthetic-artistic gesture becomes a political act capable of activating practices of resistance and outsmarting the pervasive algorithmic infrastructure of the digital world.",
keywords = "Digital aesthetics, Faschosphere, Political aesthetics, Philosophy",
author = "Benedetta Milani",
note = "Publisher Copyright: {\textcopyright} 2025 The Autor.",
year = "2025",
doi = "10.7413/1825864706",
language = "English",
pages = "73--86",
journal = "Studi di Estetica",
issn = "0585-4733",
publisher = "Mimesis International",
number = "31",

}

RIS

TY - JOUR

T1 - Politics of aisthesis and the aestheticisation of politics in the digital world.

T2 - On technology, aesthetic and the faschosphere

AU - Milani, Benedetta

N1 - Publisher Copyright: © 2025 The Autor.

PY - 2025

Y1 - 2025

N2 - Today's political conditions - dominated by the global spread of far-right ideologies and governments - make it necessary to reflect on the political dimension not only of art but of aesthetics itself. Using the theories of Walter Benjamin and Vilém Flusser, this article analyses the relationship between aesthetics, technology, and politics, questioning why the digital world has proven to be a fertile ground for the aestheticisation of politics in a late-fascist key. While Flusser shows how technical images program subjects, Benjamin helps us understand how the recursiveness of the digital world favours the spectacularisation and aestheticisation of political discourse. Finally, I will also examine how the aesthetic-artistic gesture becomes a political act capable of activating practices of resistance and outsmarting the pervasive algorithmic infrastructure of the digital world.

AB - Today's political conditions - dominated by the global spread of far-right ideologies and governments - make it necessary to reflect on the political dimension not only of art but of aesthetics itself. Using the theories of Walter Benjamin and Vilém Flusser, this article analyses the relationship between aesthetics, technology, and politics, questioning why the digital world has proven to be a fertile ground for the aestheticisation of politics in a late-fascist key. While Flusser shows how technical images program subjects, Benjamin helps us understand how the recursiveness of the digital world favours the spectacularisation and aestheticisation of political discourse. Finally, I will also examine how the aesthetic-artistic gesture becomes a political act capable of activating practices of resistance and outsmarting the pervasive algorithmic infrastructure of the digital world.

KW - Digital aesthetics

KW - Faschosphere

KW - Political aesthetics

KW - Philosophy

UR - http://www.scopus.com/inward/record.url?scp=105012971560&partnerID=8YFLogxK

U2 - 10.7413/1825864706

DO - 10.7413/1825864706

M3 - Journal articles

AN - SCOPUS:105012971560

SP - 73

EP - 86

JO - Studi di Estetica

JF - Studi di Estetica

SN - 0585-4733

IS - 31

ER -

DOI

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