30 Years After Les Immatériaux: Art Science & Theory

Research output: Books and anthologiesCollected editions and anthologiesResearch

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30 Years After Les Immatériaux: Art Science & Theory. / Broeckmann, Andreas (Editor); Hui, Yuk (Editor).
1. ed. Lüneburg: meson press, 2015. 245 p.

Research output: Books and anthologiesCollected editions and anthologiesResearch

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Vancouver

Broeckmann A, (ed.), Hui Y, (ed.). 30 Years After Les Immatériaux: Art Science & Theory. 1. ed. Lüneburg: meson press, 2015. 245 p. doi: 10.14619/002

Bibtex

@book{0708b066a16644518399e70bbcb92b1b,
title = "30 Years After Les Immat{\'e}riaux: Art Science & Theory",
abstract = "In 1985, the French philosopher Jean-Fran{\c c}ois Lyotard curated a groundbreaking exhibition called Les Immat{\'e}riaux at the Centre Pompidou in Paris. The exhibition showed how telecommunication technologies were beginning to impact every aspect of life. At the same time, it was a material demonstration of what Lyotard called the post-modern condition.This book features a previously unpublished report by Jean-Fran{\c c}ois Lyotard on the conception of Les Immat{\'e}riaux and its relation to postmodernity. Reviewing the historical significance of the exhibition, his text is accompanied by twelve contemporary meditations. The philosophers, art historians, and artists analyse this important moment in the history of media and theory, and reflect on the new material conditions brought about by digital technologies in the last 30 years.",
keywords = "Science of art, Philosophy, Media and communication studies",
editor = "Andreas Broeckmann and Yuk Hui",
year = "2015",
doi = "10.14619/002",
language = "English",
isbn = "978-3-95796-030-6",
publisher = "meson press",
address = "Germany",
edition = "1.",

}

RIS

TY - BOOK

T1 - 30 Years After Les Immatériaux

T2 - Art Science & Theory

A2 - Broeckmann, Andreas

A2 - Hui, Yuk

PY - 2015

Y1 - 2015

N2 - In 1985, the French philosopher Jean-François Lyotard curated a groundbreaking exhibition called Les Immatériaux at the Centre Pompidou in Paris. The exhibition showed how telecommunication technologies were beginning to impact every aspect of life. At the same time, it was a material demonstration of what Lyotard called the post-modern condition.This book features a previously unpublished report by Jean-François Lyotard on the conception of Les Immatériaux and its relation to postmodernity. Reviewing the historical significance of the exhibition, his text is accompanied by twelve contemporary meditations. The philosophers, art historians, and artists analyse this important moment in the history of media and theory, and reflect on the new material conditions brought about by digital technologies in the last 30 years.

AB - In 1985, the French philosopher Jean-François Lyotard curated a groundbreaking exhibition called Les Immatériaux at the Centre Pompidou in Paris. The exhibition showed how telecommunication technologies were beginning to impact every aspect of life. At the same time, it was a material demonstration of what Lyotard called the post-modern condition.This book features a previously unpublished report by Jean-François Lyotard on the conception of Les Immatériaux and its relation to postmodernity. Reviewing the historical significance of the exhibition, his text is accompanied by twelve contemporary meditations. The philosophers, art historians, and artists analyse this important moment in the history of media and theory, and reflect on the new material conditions brought about by digital technologies in the last 30 years.

KW - Science of art

KW - Philosophy

KW - Media and communication studies

U2 - 10.14619/002

DO - 10.14619/002

M3 - Collected editions and anthologies

SN - 978-3-95796-030-6

BT - 30 Years After Les Immatériaux

PB - meson press

CY - Lüneburg

ER -

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