Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
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Localising Socialist Memory: Cinematographical Spaces as Virtual Mnemonic Topographies. From Anri Sala’s Intervista (Finding the Words) to Hito Steyerl’s Factory of the Sun
Gerhardt, U., 04.2016, In: All-over, Magazin für Kunst und Ästhetik. 10, p. 6-15 10 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Logik und Realität: wie systematisch ist Hegels System ?
Jamme, C. (Editor) & Kubo, Y. (Editor), 2012, Paderborn: Wilhelm Fink Verlag. 286 p.Research output: Books and anthologies › Collected editions and anthologies › Research
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Lokale und globale Verflechtungen der Künste: Textile Ästhetik in Florenz
Schulz, V.-S., 2013, Florenz! : Ausstellungskatalog Bundeskunsthalle Bonn. Frings, J. & Wolf, G. (eds.). p. 161Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Lokalzeit oder die Gegenwart der Antike
Leeb, S., 03.2017, In: Texte zur Kunst. 27, 105, p. 99-117 19 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Long Live the Immaterial! - Körper und Kunst in Zeiten der Virtualisierung
Förster-Beuthan, Y., 2015, Das Ende der Kunst als Anfang freier Kunst. Vieweg, K., Iannelli, F. & Vercellone, F. (eds.). Paderborn: Wilhelm Fink Verlag, p. 323-337 15 p. (jena-sophia: Studien und Editionen zum deutschen Idealismus und zur Frühromantik; vol. 13 (Abt. II)).Research output: Contributions to collected editions/works › Article in conference proceedings › Transfer › peer-review
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Looking at Figures and Fabrics with a ‘Period Eye’
Schulz, V.-S., 2017, Usages de la figure, régimes de figuration. Marin , L. & Diaconu, A. (eds.). Bukarest, p. 217–234Research output: Contributions to collected editions/works › Article in conference proceedings › Research
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Looking at the World With You
Koss, M., 2022, On the Edge of Time. Lyn, A. & Bird, R. (eds.). St. Gallen; Berlin: Vexer VerlagResearch output: Contributions to collected editions/works › Contribution of Exihibition catalogues › Transfer
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Los medios de comunicación en Europa: Transformación de estructuras de un contexto cambiante
Pohoryles, R. J., Schlesinger, P. & Wuggenig, U., 04.1991, In: Telos: Cuadernos de Comunicación, Tecnología y Sociedad. 25, p. 54-59 6 p.Research output: Journal contributions › Journal articles › Research
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Lo spazio sonoro della traduzione. Note a margine de Il compito del traduttore di Walter Benjamin
Costa, M. T., 2014, In: Rivista Italiana di Filosofia del Linguaggio. 8, 2(2014), p. 59-71Research output: Journal contributions › Journal articles › Research › peer-review
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Lo sviluppo filosofico di Hölderlin
Jamme, C., 2003, In: Rivista di Storia della Filosofia. 58, 3, p. 423-436 14 p.Research output: Journal contributions › Scientific review articles › Research