Budapest, Hungary: Techno Scene (1988-2018)

Publikation: Beiträge in SammelwerkenKapitelbegutachtet

Standard

Budapest, Hungary: Techno Scene (1988-2018). / Jóri, Anita.
Electronic Cities: Music, Policies and Space in the 21st Century. Hrsg. / Sébastien Darchen; Damien Charrieras; John Willsteed. Springer Singapore, 2021. S. 147-164.

Publikation: Beiträge in SammelwerkenKapitelbegutachtet

Harvard

Jóri, A 2021, Budapest, Hungary: Techno Scene (1988-2018). in S Darchen, D Charrieras & J Willsteed (Hrsg.), Electronic Cities: Music, Policies and Space in the 21st Century. Springer Singapore, S. 147-164. https://doi.org/10.1007/978-981-33-4741-0_10

APA

Jóri, A. (2021). Budapest, Hungary: Techno Scene (1988-2018). In S. Darchen, D. Charrieras, & J. Willsteed (Hrsg.), Electronic Cities: Music, Policies and Space in the 21st Century (S. 147-164). Springer Singapore. https://doi.org/10.1007/978-981-33-4741-0_10

Vancouver

Jóri A. Budapest, Hungary: Techno Scene (1988-2018). in Darchen S, Charrieras D, Willsteed J, Hrsg., Electronic Cities: Music, Policies and Space in the 21st Century. Springer Singapore. 2021. S. 147-164 doi: 10.1007/978-981-33-4741-0_10

Bibtex

@inbook{ca6d808a80a34ab6933211e7b3519837,
title = "Budapest, Hungary: Techno Scene (1988-2018)",
abstract = "This chapter focuses on the Hungarian capital{\textquoteright}s techno scene, which has been shaped by its community as well as by governmental decisions over the last 30 years. Budapest{\textquoteright}s techno scene initially developed in the 1990s, but it didn{\textquoteright}t establish long-standing club culture and venues. Following international trends, the scene began declining in the first decade of the twenty-first century, but this tendency was later reversed due to the activities of new promoter teams whose aim was to regenerate the underground scene. By examining historical moments of the scene and stories of venues, the focus is on cases of gentrification and commodification and their impacts on the local scene.",
keywords = "Music education, Didactics of art education",
author = "Anita J{\'o}ri",
note = "Publisher Copyright: {\textcopyright} The Editor(s) (if applicable) and The Author(s), under exclusive licence to Springer Nature Singapore Pte Ltd. 2021.",
year = "2021",
month = jan,
day = "1",
doi = "10.1007/978-981-33-4741-0_10",
language = "English",
isbn = "9789813347403",
pages = "147--164",
editor = "S{\'e}bastien Darchen and Damien Charrieras and Willsteed, { John}",
booktitle = "Electronic Cities",
publisher = "Springer Singapore",
address = "Singapore",

}

RIS

TY - CHAP

T1 - Budapest, Hungary

T2 - Techno Scene (1988-2018)

AU - Jóri, Anita

N1 - Publisher Copyright: © The Editor(s) (if applicable) and The Author(s), under exclusive licence to Springer Nature Singapore Pte Ltd. 2021.

PY - 2021/1/1

Y1 - 2021/1/1

N2 - This chapter focuses on the Hungarian capital’s techno scene, which has been shaped by its community as well as by governmental decisions over the last 30 years. Budapest’s techno scene initially developed in the 1990s, but it didn’t establish long-standing club culture and venues. Following international trends, the scene began declining in the first decade of the twenty-first century, but this tendency was later reversed due to the activities of new promoter teams whose aim was to regenerate the underground scene. By examining historical moments of the scene and stories of venues, the focus is on cases of gentrification and commodification and their impacts on the local scene.

AB - This chapter focuses on the Hungarian capital’s techno scene, which has been shaped by its community as well as by governmental decisions over the last 30 years. Budapest’s techno scene initially developed in the 1990s, but it didn’t establish long-standing club culture and venues. Following international trends, the scene began declining in the first decade of the twenty-first century, but this tendency was later reversed due to the activities of new promoter teams whose aim was to regenerate the underground scene. By examining historical moments of the scene and stories of venues, the focus is on cases of gentrification and commodification and their impacts on the local scene.

KW - Music education

KW - Didactics of art education

UR - http://www.scopus.com/inward/record.url?scp=85160507306&partnerID=8YFLogxK

U2 - 10.1007/978-981-33-4741-0_10

DO - 10.1007/978-981-33-4741-0_10

M3 - Chapter

AN - SCOPUS:85160507306

SN - 9789813347403

SP - 147

EP - 164

BT - Electronic Cities

A2 - Darchen, Sébastien

A2 - Charrieras, Damien

A2 - Willsteed, John

PB - Springer Singapore

ER -

DOI