Professorship for Contemporary Art

Organisational unit: Professoship

Organisation profile

Research and teaching at the Professorship of Contemporary Art focuses on art from the 1960s to the present. We understand art as a material and an intellectual practice, which requires an intensive engagement with artistic processes as well as a reflection on theories of art and culture and socio-political discussions. The emphasis of the professorship is placed on the transcultural interconnections of art, decoloniality, gender issues, art theory, and art criticism.

Main research areas

Contemporary art is characterized in particular by dissolving traditional genres, questioning the formation of canons, inventing new genres and formats, critically examining its own conditions of production, and intervening in social processes. Thus, in addition to analyzing artworks and exploring artistic objects, thinking about the socio-political horizon of art is also an essential part of the study of contemporary art. In this way, the study of contemporary art not only gives students a good knowledge of contemporary art, artistic thinking, agency, research, and an insight into most recent developments of art historical research and methods, but also enables students to participate in current socio-political debates through the lens of art.

The teaching offered by the Professorship of Contemporary Art has most recently included undergraduate seminars such as Methods of Art Studies, Introduction to Art History as Cultural Studies, Transcultural Art History, as well as seminars on topics such as Ownership and Property in Art and Cultural Theory, Critique of Subjectivity in Contemporary Art, Documenta 15 - Artist Collectives, Production/Reproduction - Female Labor in Art and Cinema, Curating Video Art, Forms of Documentary Film, Canon/Canon Criticism, Photography and Feminism, Science Fiction, Visual Culture and the Afterlife of Colonialism, and many more.

Leuphana University is one of the few universities that has its own artistic project space: The Kunstraum, with its archive of more than thirty years of exhibition practice. Working with artists is an essential part of studying contemporary art at Leuphana. In exchanges with artists and curators, in project seminars and excursions, students deal intensively with artistic processes and participate in the production of exhibitions. In this way, students get to know professional fields of practice. 

The Archipelago Lab also regularly invites contemporary artists and cultural producers.

The Halle für Kunst in Lüneburg offers students further opportunities to engage intensively with contemporary art.

With the Leuphana Institute of Advanced Studies in Culture and Society, the university established its own Artists-in-Residence program, where international contemporary artists are invited to develop new work. Their activities will become visible in public presentations, participation in seminars, and exhibitions at the Kunstraum.

  1. 2014
  2. Published

    Liquid Gazes (On Contemporary Painting)

    Leeb, S. A., 2014, Aesthetics of the flesh. Ensslin, F. & Klink, C. (eds.). Berlin: Sternberg Press, p. 179-202 24 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  3. 2013
  4. Published

    Globalismus/Globalism

    Leeb, S. (Editor), Lochner, O. (Editor), Raether, J. P. (Editor) & Stakemeier, K. (Editor), 09.2013, Berlin: TEXTE ZUR KUNST Verlag GmbH & Co. KG. 256 p. (Texte zur Kunst; vol. 25, no. 91)

    Research output: Books and anthologiesSpecial Journal issueResearch

  5. Published

    Asynchrone Objekte

    Leeb, S. A., 2013, In: Texte zur Kunst. 91, September, p. 40-62 23 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  6. Published

    Can Art Save The Ethnological Museum?

    Leeb, S. A., 2013, The Challenge of the Object: 33rd congress of the International Committee of the History of Art, Nuremberg, 15th - 20th July 2012; Congress Proceedings. Großmann, G. U. (ed.). Verlag des Germanischen Nationalmuseums, Vol. 2. p. 556-560 5 p. (Wissenschaftlicher Beiband zum Anzeiger des Germanischen Nationalmuseums; no. 32,2).

    Research output: Contributions to collected editions/worksArticle in conference proceedingsResearchpeer-review

  7. Published

    Diagramme als Gestalt politischer Technologie: Zur Aufklärungskunst der Gegenwart

    Leeb, S. A., 2013, Schaubilder. Thiel, T. (ed.). Berlin: Sternberg Press, p. 16-23 8 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  8. Published

    Fluchtverwandlungstheater nach Catherine Sullivan

    Leeb, S. A., 2013, Disability Trouble: Ästhetik und Bildpolitik bei Helen Keller. Bergermann , U. (ed.). Berlin: b-books, p. 262-276 15 p. (PoLYpeN ).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  9. Published

    In eigener Sache: Über Hilma af Klimt, Hamburger Bahnhof, Museum für Gegenwartskunst Berlin

    Leeb, S. A., 2013, In: Texte zur Kunst. 92, p. 228-234 7 p.

    Research output: Journal contributionsCritical reviewsResearch

  10. Published

    Subjektivität und Selbstreflexion: Drei Formen von "Film-Ichs"

    Kuhn, E., 2013, Im Netz der Eindeutigkeiten : Unbestimmte Figuren und die Irritation von Identität. Andreas, M. & Frankenberg, N. (eds.). Bielefeld: transcript Verlag, p. 89-105 17 p. ( Kultur- und Medientheorie).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  11. 2012
  12. Published

    Der Unort von Karten und das Nirgendwo der Kunst: Drei Weisen der Entortung

    Leeb, S. A., 2012, KartenWissen: Territoriale Räume zwischen Bild und Diagramm. Günzel, S. & Novack, L. (eds.). Wiesbaden: Reichert, p. 315-340 26 p. (Trierer Beiträge zu den historischen Kulturwissenschaften; vol. 5).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  13. Published

    Ein Filmbild im Blick

    Kuhn, E., 2012, Was ist ein Bild? : Antworten in Bildern ; Gottfried Boehm zum 70. Geburtstag. Egenhofer, S., Hinterwaldner, I. & Spies, C. (eds.). München : Wilhelm Fink Verlag, p. 229-232 4 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

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