Professorship for Contemporary Art

Organisational unit: Professoship

Organisation profile

Research and teaching at the Professorship of Contemporary Art focuses on art from the 1960s to the present. We understand art as a material and an intellectual practice, which requires an intensive engagement with artistic processes as well as a reflection on theories of art and culture and socio-political discussions. The emphasis of the professorship is placed on the transcultural interconnections of art, decoloniality, gender issues, art theory, and art criticism.

Main research areas

Contemporary art is characterized in particular by dissolving traditional genres, questioning the formation of canons, inventing new genres and formats, critically examining its own conditions of production, and intervening in social processes. Thus, in addition to analyzing artworks and exploring artistic objects, thinking about the socio-political horizon of art is also an essential part of the study of contemporary art. In this way, the study of contemporary art not only gives students a good knowledge of contemporary art, artistic thinking, agency, research, and an insight into most recent developments of art historical research and methods, but also enables students to participate in current socio-political debates through the lens of art.

The teaching offered by the Professorship of Contemporary Art has most recently included undergraduate seminars such as Methods of Art Studies, Introduction to Art History as Cultural Studies, Transcultural Art History, as well as seminars on topics such as Ownership and Property in Art and Cultural Theory, Critique of Subjectivity in Contemporary Art, Documenta 15 - Artist Collectives, Production/Reproduction - Female Labor in Art and Cinema, Curating Video Art, Forms of Documentary Film, Canon/Canon Criticism, Photography and Feminism, Science Fiction, Visual Culture and the Afterlife of Colonialism, and many more.

Leuphana University is one of the few universities that has its own artistic project space: The Kunstraum, with its archive of more than thirty years of exhibition practice. Working with artists is an essential part of studying contemporary art at Leuphana. In exchanges with artists and curators, in project seminars and excursions, students deal intensively with artistic processes and participate in the production of exhibitions. In this way, students get to know professional fields of practice. 

The Archipelago Lab also regularly invites contemporary artists and cultural producers.

The Halle für Kunst in Lüneburg offers students further opportunities to engage intensively with contemporary art.

With the Leuphana Institute of Advanced Studies in Culture and Society, the university established its own Artists-in-Residence program, where international contemporary artists are invited to develop new work. Their activities will become visible in public presentations, participation in seminars, and exhibitions at the Kunstraum.

  1. 2025
  2. Published

    Walking Text and Writing Space: Reflections on Ladinidad in Guatemala

    Eduardo, N. D. C. & Eduardo Dávila, S., 31.03.2025, Raum - Theorie - Empirie: Ein Arbeitsbuch. Dlabaja, C., Nimführ, S. & Goez, N. (eds.). Springer Fachmedien Wiesbaden GmbH, p. 209–228 20 p. (Forschung und Praxis an der FHWien der WKW).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  3. Published

    Die Exponate in der Ausstellung Les Immatériaux

    Broeckmann, A., 2025, Eigensinnige Objekte: Virtuelle Möglichkeitsräume zwischen Aufforderung und Entzug. Breil, P. & Kronberger, A. (eds.). Bielefeld: transcript Verlag, p. 289-308 20 p. (Virtuelle Lebenswelten; vol. 5).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  4. Published

    Leben, Filmen: Jonas Mekas und der Wert des lichten Augenblicks

    Kuhn, E., 2025, Wilhelm Fink Verlag. (Film Denken)

    Research output: Books and anthologiesMonographsResearch

  5. Published
  6. Published

    The Making of Les Immatériaux

    Broeckmann, A., 2025, Lüneburg: meson press. 352 p.

    Research output: Books and anthologiesBook

  7. 2024
  8. Published

    Maintenance-(Art)Work und die Arbeit am eigenen Bild

    Kuhn, E., 01.12.2024, In: Zeitschrift für Kunstgeschichte. 87, 4, p. 452-472 21 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  9. Published

    Desecularising Culture in Method: Five Theses on Syncretism

    Eduardo Dávila, S., 18.07.2024, Berlin : Forum Transregionale Studien e.V.

    Research output: other publicationsArticles in scientific forums or blogsResearchpeer-review

  10. Published

    Edgar Calels "Skulpturale Erdarbeit" Umkreisen, Überfliegen und sich Danebenlegen

    Eduardo Dávila, S., 06.2024, In: Texte zur Kunst. 134, p. 149-160 12 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  11. Published

    Border plants: globalisation as shown to us by the women living at its leading edge

    Kuhn, E., 25.01.2024, Coercion and Wage Labour: Exploring Work Relations through History and Art. Batista, A., Müller, V. F. & Peres, C. (eds.). London: UCL Press, p. 225-245 21 p. 10. (Work around the world: studies in global labour history).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  12. In preparation

    Der Avantgardefilm. Filmgeschichte kompakt

    Kuhn, E., 2024, (In preparation) München: edition text+kritik. (Filmgeschichte kompakt)

    Research output: Books and anthologiesMonographsResearch

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