Professorship for Contemporary Art

Organisational unit: Professoship

Organisation profile

Research and teaching at the Professorship of Contemporary Art focuses on art from the 1960s to the present. We understand art as a material and an intellectual practice, which requires an intensive engagement with artistic processes as well as a reflection on theories of art and culture and socio-political discussions. The emphasis of the professorship is placed on the transcultural interconnections of art, decoloniality, gender issues, art theory, and art criticism.

Topics

Contemporary art is characterized in particular by dissolving traditional genres, questioning the formation of canons, inventing new genres and formats, critically examining its own conditions of production, and intervening in social processes. Thus, in addition to analyzing artworks and exploring artistic objects, thinking about the socio-political horizon of art is also an essential part of the study of contemporary art. In this way, the study of contemporary art not only gives students a good knowledge of contemporary art, artistic thinking, agency, research, and an insight into most recent developments of art historical research and methods, but also enables students to participate in current socio-political debates through the lens of art.

The teaching offered by the Professorship of Contemporary Art has most recently included undergraduate seminars such as Methods of Art Studies, Introduction to Art History as Cultural Studies, Transcultural Art History, as well as seminars on topics such as Ownership and Property in Art and Cultural Theory, Critique of Subjectivity in Contemporary Art, Documenta 15 - Artist Collectives, Production/Reproduction - Female Labor in Art and Cinema, Curating Video Art, Forms of Documentary Film, Canon/Canon Criticism, Photography and Feminism, Science Fiction, Visual Culture and the Afterlife of Colonialism, and many more.

Leuphana University is one of the few universities that has its own artistic project space: The Kunstraum, with its archive of more than thirty years of exhibition practice. Working with artists is an essential part of studying contemporary art at Leuphana. In exchanges with artists and curators, in project seminars and excursions, students deal intensively with artistic processes and participate in the production of exhibitions. In this way, students get to know professional fields of practice. 

The Archipelago Lab also regularly invites contemporary artists and cultural producers.

The Halle für Kunst in Lüneburg offers students further opportunities to engage intensively with contemporary art.

With the Leuphana Institute of Advanced Studies in Culture and Society, the university established its own Artists-in-Residence program, where international contemporary artists are invited to develop new work. Their activities will become visible in public presentations, participation in seminars, and exhibitions at the Kunstraum.

  1. 2024
  2. Published

    Maintenance-(Art)Work als Kunst der Gegenwart. Oder: die Mitarbeit am eigenen Bild

    Kuhn, E., 12.2024, In: Zeitschrift für Kunstgeschichte. 87, 4, 25 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  3. Published

    Desecularising Culture in Method: Five Theses on Syncretism

    Eduardo Dávila, S., 18.07.2024, Berlin : Forum Transregionale Studien e.V.

    Research output: other publicationsArticles in scientific forums or blogsResearchpeer-review

  4. Published

    Edgar Calels "Skulpturale Erdarbeit" Umkreisen, Überfliegen und sich Danebenlegen

    Eduardo Dávila, S., 06.2024, In: Texte zur Kunst. 134, p. 149-160 12 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  5. Published

    Border plants: globalisation as shown to us by the women living at its leading edge

    Kuhn, E., 25.01.2024, Coercion and Wage Labour: Exploring Work Relations through History and Art. Batista, A., Müller, V. F. & Peres, C. (eds.). London: UCL Press, p. 225-245 21 p. 10. (Work around the world: studies in global labour history).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  6. In preparation

    Der Avantgardefilm. Filmgeschichte kompakt

    Kuhn, E., 2024, (In preparation) München: edition text+kritik. (Filmgeschichte kompakt)

    Research output: Books and anthologiesMonographsResearch

  7. In preparation

    Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles

    Kuhn, E. & Glasenapp, J. (ed.), 2024, (In preparation) edition text+kritik. (Film|Lektüren)

    Research output: Books and anthologiesMonographsResearch

  8. 2023
  9. Published

    The Anamnesis of Matter: Lyotard and the Immatériaux

    Broeckmann, A., 04.12.2023, Therapie der Dinge?: Materialität und Psychoanalyse in Literatur, Film und bildender Kunst. Danebrock, F. & Bartelmus, M. (eds.). Bielefeld: transcript Verlag, p. 49-59 11 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  10. Published

    Feministische Ökonomien und Zeitlichkeit

    Kuhn, E. (ed.), 04.10.2023, Berlin : AvivA Verlag. 200 p. (Frauen und Film; no. 71)

    Research output: Books and anthologiesSpecial Journal issueResearch

  11. Published

    Editorial

    Kuhn, E., 01.10.2023, In: Frauen und Film. 71, p. 5-6 2 p.

    Research output: Journal contributionsOther (editorial matter etc.)Research

  12. Published

    Mit Film- und Hausarbeit gegen die Kapitalisierung von Zeit (Jeanne Dielman und Fannie Drayton)

    Kuhn, E., 01.10.2023, In: Frauen und Film. 71, p. 7-24 18 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

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