Professorship for Contemporary Art
Organisational unit: Professoship
Organisation profile
Research and teaching at the Professorship of Contemporary Art focuses on art from the 1960s to the present. We understand art as a material and an intellectual practice, which requires an intensive engagement with artistic processes as well as a reflection on theories of art and culture and socio-political discussions. The emphasis of the professorship is placed on the transcultural interconnections of art, decoloniality, gender issues, art theory, and art criticism.
- 2012
- Published
Materialität der Diagramme: Kunst und Theorie
Leeb, S. (ed.), 2012, 1 ed. Berlin: b-books. 272 p.Research output: Books and anthologies › Collected editions and anthologies › Research
- Published
Reflektieren/Transzendieren: Eine Diskussion über die docmenta13 zwischen Christoph Menke, Susanne Leeb, Sven Beckstette
Leeb, S. A., 2012, In: Texte zur Kunst. 87, p. 85-110 26 p.Research output: Journal contributions › Critical reviews › Research
- 2011
- Published
A Line with Variable Direction, which Traces No Contour, and Delimits No Form
Leeb, S. A., 2011, Drawing A Hypothesis: Figures of Thought. Gansterer, N. (ed.). Wien / New York: Springer New York LLC, p. 29-42 14 p. (Edition Angewandte).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
BETWEEN SPECIFITY AND CONTEXT. SOCIAL ART HISTORY REVISITED: INTRODUCTION
Leeb, S. A., 2011, In: Texte zur Kunst. 81, p. 73-75 3 p.Research output: Journal contributions › Other (editorial matter etc.) › Research
- Published
We Are the Art, Whoever We Are
Leeb, S. A., 2011, Under Deconstruction . Castro, L., Ólafsson, Ó. & Blumenstein, E. (eds.). Berlin: Sternberg Press, p. 16-26 11 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- 2010
- Published
Randgänge der Aufzeichnung: Morgan O’Haras Live Transmissions zwischen Kunst und Wissenschaft
Leeb, S. A., 2010, Notationen und choreographisches Denken. Brandstetter, G., Hofmann, F. & Maar, K. (eds.). 1 ed. Rombach Verlag, p. 155-182 28 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
’... the world was becomming numerical.’: Informationsgrafik und Kunst in Dierk Schmidts ‚Die Teilung der Erde’
Leeb, S. A., 2010, Dierk Schmidt. The Division of the Earth: Tableaux on the Legal Synopses of the Berlin Africa Conference. 1 ed. Köln: Verlag der Buchhandlung Walther König, p. 112-121 10 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Zustände der Malerei: Über Thomas Eggerer in der Galerie Daniel Buchholz, Berlin
Leeb, S. A., 2010, In: Texte zur Kunst. 77, p. 219-224 6 p.Research output: Journal contributions › Critical reviews › Research
- 2009
- Published
Abstraktion als internationale Sprache
Leeb, S. A., 2009, Kunst und Kalter Krieg: Deutsche Positionen 1945-1989. Barron, S. & Eckmann, S. (eds.). Köln: DuMont Literatur und Kunst Verlag, p. 118-133 16 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Flucht nach nicht ganz vorn: Geschichte in der Kunst der Gegenwart
Leeb, S. A., 2009, In: Texte zur Kunst. 76, p. 28-44 17 p.Research output: Journal contributions › Journal articles › Research › peer-review