Professorship for Contemporary Art

Organisational unit: Professoship

Organisation profile

Research and teaching at the Professorship of Contemporary Art focuses on art from the 1960s to the present. We understand art as a material and an intellectual practice, which requires an intensive engagement with artistic processes as well as a reflection on theories of art and culture and socio-political discussions. The emphasis of the professorship is placed on the transcultural interconnections of art, decoloniality, gender issues, art theory, and art criticism.

Main research areas

Contemporary art is characterized in particular by dissolving traditional genres, questioning the formation of canons, inventing new genres and formats, critically examining its own conditions of production, and intervening in social processes. Thus, in addition to analyzing artworks and exploring artistic objects, thinking about the socio-political horizon of art is also an essential part of the study of contemporary art. In this way, the study of contemporary art not only gives students a good knowledge of contemporary art, artistic thinking, agency, research, and an insight into most recent developments of art historical research and methods, but also enables students to participate in current socio-political debates through the lens of art.

The teaching offered by the Professorship of Contemporary Art has most recently included undergraduate seminars such as Methods of Art Studies, Introduction to Art History as Cultural Studies, Transcultural Art History, as well as seminars on topics such as Ownership and Property in Art and Cultural Theory, Critique of Subjectivity in Contemporary Art, Documenta 15 - Artist Collectives, Production/Reproduction - Female Labor in Art and Cinema, Curating Video Art, Forms of Documentary Film, Canon/Canon Criticism, Photography and Feminism, Science Fiction, Visual Culture and the Afterlife of Colonialism, and many more.

Leuphana University is one of the few universities that has its own artistic project space: The Kunstraum, with its archive of more than thirty years of exhibition practice. Working with artists is an essential part of studying contemporary art at Leuphana. In exchanges with artists and curators, in project seminars and excursions, students deal intensively with artistic processes and participate in the production of exhibitions. In this way, students get to know professional fields of practice. 

The Archipelago Lab also regularly invites contemporary artists and cultural producers.

The Halle für Kunst in Lüneburg offers students further opportunities to engage intensively with contemporary art.

With the Leuphana Institute of Advanced Studies in Culture and Society, the university established its own Artists-in-Residence program, where international contemporary artists are invited to develop new work. Their activities will become visible in public presentations, participation in seminars, and exhibitions at the Kunstraum.

  1. 2022
  2. Published

    The Lawless Vitality of Sculpture, c. 1960-80. Formalism’s Monsters, Cybernetic Breakdowns and the Joys of Deviation

    Nachtigall, J., 01.01.2022, Future Bodies from a Recent Past: Sculpture, Technology, and the Body since the 1950s. Dander, P. & Linhardt, F. (eds.). Berlin: Deutscher Kunstverlag, p. 113-123 11 p.

    Research output: Contributions to collected editions/worksContribution of Exihibition cataloguesResearch

  3. Published

    Recht und Kultur

    Ausberg, I., Welzel, C., Jamme, C., Reimer, F. & Leeb, S. (Contributor), 2022, Rechtsgespräche: Recht im Kontext von Innovation | Entrepreneurship Nachhaltigkeit | Kultur | Europa. Terhechte, J. (ed.). Baden-Baden: Nomos Verlagsgesellschaft, p. 39-62 24 p.

    Research output: Contributions to collected editions/worksArticle in conference proceedingsResearch

  4. 2021
  5. Published

    Art Work as Life Work: Lu Märten’s Feminist “Objectivity”

    Nachtigall, J. & Stakemeier, K., 20.12.2021, In: October. 178, p. 35-54 20 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  6. Published

    Lu Märten: An Introduction to Four Texts

    Nachtigall, J. & Stakemeier, K., 20.12.2021, In: October. 178, p. 3-14 12 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  7. Published

    "Der Tyrann braucht zerbrochene Seelen": Susanne Leeb über Rajkamal Kahlon

    Leeb, S., 09.2021, In: Lerchenfeld. 58, p. 25-28 4 p.

    Research output: Journal contributionsJournal articlesResearch

  8. Published

    Artistic Research on Anonymity

    Silvestrin, D. & Broeckmann, A., 03.04.2021, Book of Anonymity: An edited collection. Collective, A. (ed.). Brooklyn: punctum books, p. 35-67 33 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  9. Published

    Glänzen, Blicken, Flickern. Das Prinzip der Glimpses in AS I WAS MOVING AHEAD OCCASIONALLY I SAW BRIEF GLIMPSES OF BEAUTY

    Kuhn, E., 2021, In: Film-Konzepte. 61, p. 55-70 16 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  10. Published

    Hollis Frampton: ADSVMVS ABSVMVS : In memory of Hollis William Frampton, Sr., 1913–1980 : abest

    Breimaier, A. (Editor) & Gründig, M. (Editor), 2021, Essen: Folkwang Universität der Künste. 196 p. (Folkwang Edition; vol. 007)

    Research output: Books and anthologiesExhibition cataloguesTransfer

  11. 2020
  12. Published

    Hollis Frampton: Photographs

    Breimaier, A., 26.11.2020, 12 p. London : The Burlington Magazine Publication Ltd.

    Research output: other publicationsArticles in scientific forums or blogsTransfer

  13. Published

    PROPERTY / EIGENTUM: Thematic Issue of "Texte zur Kunst", Nr. 117

    Abt, N. (Editor), Graw, I. (Editor), Leeb, S. (Editor) & Stakemeier, K. (Editor), 03.2020, Berlin: TEXTE ZUR KUNST Verlag. 253 p. (Texte zur Kunst; vol. 30, no. 117)

    Research output: Books and anthologiesSpecial Journal issueResearch

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