Professorship for Art History

Organisational unit: Professoship

Organisation profile

Research and teaching at the Professorship for Art History focuses on the history and theory of art from the Renaissance through Modernism and Postmodernism to the contemporary period. The art of the 20th and 21st centuries is in the foreground. Beyond the classical objects of art history – painting, graphics, sculpture – diverse forms of visual culture are also the subject of study, such as object art, arts and crafts, design, photography, video, installation, performance and new media.

Main research areas

In addition to the historical classification and the art-scientifically based interpretation of these various arts, media and creative spaces of action, there is a special focus on the contexts of use of artistic design. This includes in particular thinking about the social interconnections of artistic practices, institutions and actors under specific political and economic conditions. Central to this is the connection between historical research and current issues. In this way, the Professorship for Art History opens up participation in contemporary social debates in which art and visual cultures develop their meaning and function.

The connection to concrete projects, such as the university's Kunstraum, and the direct work in front of originals in the context of excursions are an important part of the studies. Through the exchange with artists and curators and the transfer of the place of study into institutional spaces of action of the arts, professional fields of practice are to be tested and developed.

  1. 2019
  2. Published
  3. 2018
  4. Published

    Between re-production and re-presentation: The implementation of photographic art reproduction in the documentation of museum collections online

    Kreiseler, S., 10.09.2018, In: Open Library of Humanities. 4, 2, p. 1-35 35 p., 10.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  5. Published

    „Wie kämpft man gegen Väter?“ Briefe zwischen Peter Hacks, Alfred Kurella und Bernt von Kügelgen 1961/62

    Klinkenbusch, I. L., 03.2018, Auslaufmodell »DDR-Literatur«.: Essays und Dokumente. Berbig, R. (ed.). Berlin: Ch. Links Verlag, p. 246–257 12 p. (Forschung zur DDR-Gesellschaft).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  6. Published

    Humanitäres Theater in unmenschlicher Zeit: Zur Situiertheit von Max Reinhardts Il Mercante di Venezia in Venedig, 1934

    Woisnitza, M., 2018, Performativity - Life, Stage, Screen: Reflections on a transdisciplinary concept. Weber, D. A. (ed.). Wien: LIT Verlag, p. 41-70 30 p. (Kulturwissenschaft; vol. 57).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  7. Published

    Im Gespräch bleiben. Notizen zur Kunstkritik

    Söntgen, B. E., 2018, In: Regards Croisés. 8, p. 98-108 11 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  8. Published

    Immer wieder Thérèse. Balthus' Mädchenbilder.

    Söntgen, B. E., 2018, Balthus. Bouvier, R. (ed.). 1 ed. Berlin: Hatje Cantz Verlag, p. 131-141 10 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  9. Published
  10. Published

    "ultraleichte Geste für…" ("ultra-light Gesture for…"): Ernst Caramelle's Art of Deception

    Söntgen, B. E., 2018, Ernst Caramelle: A Résumé. Folie, S. (ed.). 1. Auflage ed. Köln: Verlag der Buchhandlung Walther König, p. 128-136 9 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesTransferpeer-review

  11. 2017
  12. Published

    Tracing exploratory modes in digital collections of museum Web sites using reverse information architecture

    Kreiseler, S., Brüggemann, V. & Dörk, M., 03.04.2017, In: First Monday. 22, 4, 17 p., 1p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  13. Published

    Der literarische Agent. Peter Hacks’ publizistische Netzwerke

    Klinkenbusch, I. L., 2017, Auslaufmodell »DDR-Literatur«.: Essays und Dokumente. Berbig, R. (ed.). Berlin: Ch. Links Verlag, p. 71–80 10 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

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