Professorship for Art History
Organisational unit: Professoship
Organisation profile
Research and teaching at the Professorship for Art History focuses on the history and theory of art from the Renaissance through Modernism and Postmodernism to the contemporary period. The art of the 20th and 21st centuries is in the foreground. Beyond the classical objects of art history – painting, graphics, sculpture – diverse forms of visual culture are also the subject of study, such as object art, arts and crafts, design, photography, video, installation, performance and new media.
Topics
In addition to the historical classification and the art-scientifically based interpretation of these various arts, media and creative spaces of action, there is a special focus on the contexts of use of artistic design. This includes in particular thinking about the social interconnections of artistic practices, institutions and actors under specific political and economic conditions. Central to this is the connection between historical research and current issues. In this way, the Professorship for Art History opens up participation in contemporary social debates in which art and visual cultures develop their meaning and function.
The connection to concrete projects, such as the university's Kunstraum, and the direct work in front of originals in the context of excursions are an important part of the studies. Through the exchange with artists and curators and the transfer of the place of study into institutional spaces of action of the arts, professional fields of practice are to be tested and developed.
art thinking doing art: Artistic Practices in Educational Contexts from 1900 to Today
17.11.23
1 Media contribution
Press/Media
Trance, Trauma, Trieb: Beate Söntgen über Emmelyn Butterfield-Rosens Untersuchung der Visualisierung menschlicher Disposition in der Moderne
23.11.22
1 Media contribution
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Trance, Trauma, Drive: Beate Söntgen on Emmelyn Butterfield-Rosen's Study on the Modernist Visualization of the Human Disposition
23.11.22
1 Media contribution
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Ikonen der Aufsässigkeit: Sandra Neugärtner über Sibylle Bergemann in der Berlinischen Galerie
19.08.22
1 Media contribution
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Der Kurator ist nicht allein. Beatrice von Bismarck erkundet das Ausstellen
05.03.21
1 Media contribution
Press/Media