Professorship for Art History

Organisational unit: Professoship

Organisation profile

Research and teaching at the Professorship for Art History focuses on the history and theory of art from the Renaissance through Modernism and Postmodernism to the contemporary period. The art of the 20th and 21st centuries is in the foreground. Beyond the classical objects of art history – painting, graphics, sculpture – diverse forms of visual culture are also the subject of study, such as object art, arts and crafts, design, photography, video, installation, performance and new media.

Main research areas

In addition to the historical classification and the art-scientifically based interpretation of these various arts, media and creative spaces of action, there is a special focus on the contexts of use of artistic design. This includes in particular thinking about the social interconnections of artistic practices, institutions and actors under specific political and economic conditions. Central to this is the connection between historical research and current issues. In this way, the Professorship for Art History opens up participation in contemporary social debates in which art and visual cultures develop their meaning and function.

The connection to concrete projects, such as the university's Kunstraum, and the direct work in front of originals in the context of excursions are an important part of the studies. Through the exchange with artists and curators and the transfer of the place of study into institutional spaces of action of the arts, professional fields of practice are to be tested and developed.

  1. 2025
  2. In preparation

    Toward a New Aesthetics: Institutional Criticism in Art Education from 1900 to Today

    Neugärtner, S. (Editor), Buchloh, B., Holert, T., Capper, E. R., Saletnik, J., Sprowl, R., Foster, N., Sadka, N., Leam, S., Watts, J., Kindsfather, E., Akoi-Jackson, B., Nogueira, I., Bruhn, K. & Schoel, M.-C., 04.2025, (In preparation) Boston/Leiden: Brill. 300 p. (Doing Arts Thinking: Arts Practice, Research and Education; vol. 18)

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  3. 2024
  4. Published

    Aktivierungen des Archivs und der Ausstellung. Zum Verhältnis von Deponieren und Exponieren im digitalen Museum

    Neugärtner, S., 10.2024, Wandlungen des Sammelns: Praktiken, Wissen, Anordnungen - Ein Reader. Friedrich, S., Mangold, J. & Rau, S. (eds.). Bielefeld: transcript Verlag, p. 303-311 9 p. (Edition Kulturwissenschaft; vol. 301).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  5. Published

    HGB Leipzig, Schiffbauerdamm, Ostkreuz: die Wende der ‚freien‘ Fotografie

    Neugärtner, S., 10.2024, Die Fotografie und ihre Institutionen: von der Lehrsammlung zum Bundesinstitut. Schürmann, A. & Yacavone, K. (eds.). Berlin: Reimer Verlag, p. 131–147 17 p.

    Research output: Contributions to collected editions/worksArticle in conference proceedingsResearchpeer-review

  6. Published

    Die Okkupation des Raumes: Materialitäten und Performativitäten bei Sophie Taeuber-Arp

    Neugärtner, S., 04.06.2024, Geschlecht und Materialität: Historische Perspektiven auf Erziehung, Bildung und Sozialisation von der Antike bis zur Gegenwart. Antenhofer, C. & Leitner, U. (eds.). 1 ed. Bielefeld: transcript Verlag, p. 279–301 23 p. (Historische Geschlechterforschung; vol. 8).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  7. Published

    art thinking doing art: Artistic Practices in Educational Contexts from 1900 to Today

    Neugärtner, S., 01.03.2024, e-flux Index. MacBeth, G. (ed.). New York: e-flux, p. 157–165 9 p. (e-flux index; vol. 1).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesTransferpeer-review

  8. Published

    Im Aquarium: Oder: Das Schweigen der Malerei aus der Sicht einer Schriftstellerin

    Söntgen, B., 2024, Einlässliche Lektüren: Über Offenheit, Bezogensein und Genauigkeit im Umgang mit Literatur. Grubner, B., Kitzmann, J., Millutat, M., Regeler, L. N. & Welsh, C. (eds.). Bielefeld: Aisthesis Verlag, p. 123-129

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  9. 2023
  10. Published

    Omega: Beziehungsgefüge und Organisationsformen einer künstlerischen Formation im frühen 20. Jahrhundert

    Söntgen, B., 01.12.2023, In: Paragrana. 32, 2, p. 160-176 17 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  11. Published

    Haunted Memories. Landscapes of the Mind: Parallele Bildverfahren im Werk von Erna Rosenstein und Aubrey Williams

    Kipke, A., 09.2023, In: Kunstforum international. 291, p. 78-85 8 p.

    Research output: Journal contributionsJournal articlesTransfer

  12. Published

    Im Gespräch bleiben: Notizen zur Kunstkritik

    Söntgen, B., 31.05.2023, Ins Bild kommen: Spielräume der Kunstkritik. Hosseini, A., Kipke, A., Kuhn, H. & Woisnitza, M. (eds.). Paderborn: Brill | Fink, p. 3-14 12 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  13. Published

    Seth Price. Decimating Digital Data

    Neugärtner, S., 28.03.2023, Productive Image Interference. Sigmar Polke and Current Perspectives. Anna Polke-Stiftung (ed.). Berlin: Distanz Verlag, p. 59-74 16 p.

    Research output: Contributions to collected editions/worksContribution of Exihibition cataloguesResearch

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