Professorship for Art History
Organisational unit: Professoship
Organisation profile
Research and teaching at the Professorship for Art History focuses on the history and theory of art from the Renaissance through Modernism and Postmodernism to the contemporary period. The art of the 20th and 21st centuries is in the foreground. Beyond the classical objects of art history – painting, graphics, sculpture – diverse forms of visual culture are also the subject of study, such as object art, arts and crafts, design, photography, video, installation, performance and new media.
Main research areas
In addition to the historical classification and the art-scientifically based interpretation of these various arts, media and creative spaces of action, there is a special focus on the contexts of use of artistic design. This includes in particular thinking about the social interconnections of artistic practices, institutions and actors under specific political and economic conditions. Central to this is the connection between historical research and current issues. In this way, the Professorship for Art History opens up participation in contemporary social debates in which art and visual cultures develop their meaning and function.
The connection to concrete projects, such as the university's Kunstraum, and the direct work in front of originals in the context of excursions are an important part of the studies. Through the exchange with artists and curators and the transfer of the place of study into institutional spaces of action of the arts, professional fields of practice are to be tested and developed.
- 2025
- In preparation
Toward a New Aesthetics: Institutional Criticism in Art Education from 1900 to Today
Neugärtner, S. (Editor), Buchloh, B., Holert, T., Capper, E. R., Saletnik, J., Sprowl, R., Foster, N., Sadka, N., Leam, S., Watts, J., Kindsfather, E., Akoi-Jackson, B., Nogueira, I., Bruhn, K. & Schoel, M.-C., 04.2025, (In preparation) Boston/Leiden: Brill. 300 p. (Doing Arts Thinking: Arts Practice, Research and Education; vol. 18)Research output: Books and anthologies › Collected editions and anthologies › Research
- 2024
- Published
Aktivierungen des Archivs und der Ausstellung. Zum Verhältnis von Deponieren und Exponieren im digitalen Museum
Neugärtner, S., 10.2024, Wandlungen des Sammelns: Praktiken, Wissen, Anordnungen - Ein Reader. Friedrich, S., Mangold, J. & Rau, S. (eds.). Bielefeld: transcript Verlag, p. 303-311 9 p. (Edition Kulturwissenschaft; vol. 301).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
HGB Leipzig, Schiffbauerdamm, Ostkreuz: die Wende der ‚freien‘ Fotografie
Neugärtner, S., 10.2024, Die Fotografie und ihre Institutionen: von der Lehrsammlung zum Bundesinstitut. Schürmann, A. & Yacavone, K. (eds.). Berlin: Reimer Verlag, p. 131–147 17 p.Research output: Contributions to collected editions/works › Article in conference proceedings › Research › peer-review
- Published
Die Okkupation des Raumes: Materialitäten und Performativitäten bei Sophie Taeuber-Arp
Neugärtner, S., 04.06.2024, Geschlecht und Materialität: Historische Perspektiven auf Erziehung, Bildung und Sozialisation von der Antike bis zur Gegenwart. Antenhofer, C. & Leitner, U. (eds.). 1 ed. Bielefeld: transcript Verlag, p. 279–301 23 p. (Historische Geschlechterforschung; vol. 8).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
art thinking doing art: Artistic Practices in Educational Contexts from 1900 to Today
Neugärtner, S., 01.03.2024, e-flux Index. MacBeth, G. (ed.). New York: e-flux, p. 157–165 9 p. (e-flux index; vol. 1).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review
- Published
Im Aquarium: Oder: Das Schweigen der Malerei aus der Sicht einer Schriftstellerin
Söntgen, B., 2024, Einlässliche Lektüren: Über Offenheit, Bezogensein und Genauigkeit im Umgang mit Literatur. Grubner, B., Kitzmann, J., Millutat, M., Regeler, L. N. & Welsh, C. (eds.). Bielefeld: Aisthesis Verlag, p. 123-129Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- 2023
- Published
Omega: Beziehungsgefüge und Organisationsformen einer künstlerischen Formation im frühen 20. Jahrhundert
Söntgen, B., 01.12.2023, In: Paragrana. 32, 2, p. 160-176 17 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Haunted Memories. Landscapes of the Mind: Parallele Bildverfahren im Werk von Erna Rosenstein und Aubrey Williams
Kipke, A., 09.2023, In: Kunstforum international. 291, p. 78-85 8 p.Research output: Journal contributions › Journal articles › Transfer
- Published
Im Gespräch bleiben: Notizen zur Kunstkritik
Söntgen, B., 31.05.2023, Ins Bild kommen: Spielräume der Kunstkritik. Hosseini, A., Kipke, A., Kuhn, H. & Woisnitza, M. (eds.). Paderborn: Brill | Fink, p. 3-14 12 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Seth Price. Decimating Digital Data
Neugärtner, S., 28.03.2023, Productive Image Interference. Sigmar Polke and Current Perspectives. Anna Polke-Stiftung (ed.). Berlin: Distanz Verlag, p. 59-74 16 p.Research output: Contributions to collected editions/works › Contribution of Exihibition catalogues › Research