Professorship for Art History
Organisational unit: Professoship
Organisation profile
Research and teaching at the Professorship for Art History focuses on the history and theory of art from the Renaissance through Modernism and Postmodernism to the contemporary period. The art of the 20th and 21st centuries is in the foreground. Beyond the classical objects of art history – painting, graphics, sculpture – diverse forms of visual culture are also the subject of study, such as object art, arts and crafts, design, photography, video, installation, performance and new media.
Main research areas
In addition to the historical classification and the art-scientifically based interpretation of these various arts, media and creative spaces of action, there is a special focus on the contexts of use of artistic design. This includes in particular thinking about the social interconnections of artistic practices, institutions and actors under specific political and economic conditions. Central to this is the connection between historical research and current issues. In this way, the Professorship for Art History opens up participation in contemporary social debates in which art and visual cultures develop their meaning and function.
The connection to concrete projects, such as the university's Kunstraum, and the direct work in front of originals in the context of excursions are an important part of the studies. Through the exchange with artists and curators and the transfer of the place of study into institutional spaces of action of the arts, professional fields of practice are to be tested and developed.
- 2017
- Published
„Ein äusserst seltener Erfolg.“: Der Literaturzirkel um Peter Hacks
Klinkenbusch, I. L., 2017, Hacks Jahrbuch 2017. Köhler, K. (ed.). Berlin: Aurora Verlag, p. 45-56 12 p. (Peter Hacks Jahrbuch).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Ein Bild vom Bild. Toulouse-Lautrecs Plakate und die Tänzerfotografie im ausgehenden 19. Jahrhundert.
Mordhorst, S., 2017, In: Fotogeschichte: Beiträge zur Geschichte und Ästhetik der Fotografie. 37, 145, p. 65-67 2 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Einführung: Der Kunstschriftsteller Julius Meier-Graefe – Konturen seiner kunstkritischen Praxis
Marchal, S., 2017, Julius Meier-Graefe - Grenzgänger der Künste. Marchal, S. & Becker, I. (eds.). Berlin: Deutscher Kunstverlag, p. 9-31 23 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Ge-/Beschriebenes Gesicht: Zwischen Poetisierung, Physiognomik und Ausdruck
Wälchli, T. & Woisnitza, M., 2017, Das Gesicht: Bilder, Medien, Formate. Weigel, S. (ed.). 1 ed. Göttingen : Wallstein Verlag, p. 40-46 6 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Hans von Marées als entwicklungsgeschichtlicher Gipfelpunkt moderner Malerei? Zum Bildverständnis von Julius Meier-Graefe
Marchal, S., 2017, Julius Meier-Graefe: Grenzgänger der Künste. Becker, I. & Marchal, S. (eds.). Berlin: Deutscher Kunstverlag, p. 149-161 13 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Interieur
Söntgen, B. E., 2017, Matisse - Bonnard: Es lebe die Malerei! . Krämer, F. & Museum, S. (eds.). München: Prestel Verlag, p. 81-87 7 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer
- Published
Schlemmer, Oskar
Mordhorst, S., 2017, Das große Tanzlexikon: Tanzkulturen, Epochen, Personen, Werke. Hartmann, A. & Woitas, M. (eds.). 2 ed. Laaber: Laaber Verlag, p. 543-544 2 p.Research output: Contributions to collected editions/works › Articles for encyclopedia › Research
- Published
Veronique Doisneau: Tanzstück
Mordhorst, S., 2017, Das große Tanzlexikon: Tanzkulturen, Epochen, Personen, Werke. Hartmann, A. & Woitas, M. (eds.). 2 ed. Laaber: Laaber Verlag, p. 661-662 2 p.Research output: Contributions to collected editions/works › Articles for encyclopedia › Research
- Published
Visualisierte Empfindung und verkörperte Wahrnehmung. Julius Meier-Graefe und die anthropologischen Konturen seiner kunstkritischen Praxis
Marchal, S., 2017, Anthropologie der Wahrnehmung. Schlette, M., Fuchs, T. & Kirchner, A. M. (eds.). Heidelberg: Winter Universitätsverlag, p. 505-522 18 p. (Schriften des Marsilius-Kollegs Heidelberg).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- 2016
- Published
Formen der Kunstrezeption in der Moderne: Übertragung (Diderot) und Reflexion (Greenberg)
Söntgen, B. E., 03.2016, Handbuch Sprache in der Kunstkommunikation. Hausendorf, H. & Müller, M. (eds.). Berlin: Walter de Gruyter GmbH, p. 135-152 18 p. (Handbücher Sprachwissen; vol. 16).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research