Professorship for Art History

Organisational unit: Professoship

Organisation profile

Research and teaching at the Professorship for Art History focuses on the history and theory of art from the Renaissance through Modernism and Postmodernism to the contemporary period. The art of the 20th and 21st centuries is in the foreground. Beyond the classical objects of art history – painting, graphics, sculpture – diverse forms of visual culture are also the subject of study, such as object art, arts and crafts, design, photography, video, installation, performance and new media.

Topics

Die Professur für Kunstgeschichte beschäftigt sich mit Kunst des 18.-21. Jahrhunderts, vor allem französische und deutsche Malerei des 18. und 19. Jahrhunderts sowie zeitgenössische Kunst, Theorie und Kulturgeschichte des Bildes, Rezeptionsästhetik, Geschichte und Theorie der Wahrnehmung und der Affekte, Kunsttheorie der Moderne sowie Geschichte, Theorie und Praxis der Kunstkrititk.

  1. 2020
  2. Published

    Critical Stances: An Introduction to The Stakes of Form.

    Khatib, S., Kuhn, H., Lochner, O., Mehl, I. & Söntgen, B., 23.06.2020, Critique: The Stakes of Form. Khatib, S., Kuhn, H., Lochner, O., Mehl, I. & Söntgen, B. (eds.). Zürich/Berlin: Diaphanes Verlag, p. 7-36 30 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  3. Published
  4. Published

    Dramaturgies of Theatrical Imagination: Spectatorial Agency in Lessing and Kleist

    Woisnitza, M., 01.01.2020, Baden-Baden: Rombach Wissenschaft Verlag. 289 p. (Scenae; vol. 21)

    Research output: Books and anthologiesMonographsResearchpeer-review

  5. Published

    Decorating Charleston Farmhouse: Bloomsbury's Experiments in Forms of Life, Work, and Art

    Söntgen, B., 2020, Critique: The Stakes of Form. Khatib, S., Kuhn, H., Lochner, O., Mehl, I. & Söntgen, B. (eds.). Zürich: Diaphanes Verlag, p. 139-176 38 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  6. Published

    The Stakes of the Stage: Piscator's Scenography as a Practice of Critique and Benjamin's Discontent with the "Zeittheater"

    Woisnitza, M., 2020, Critique: The Stakes of Form. Khatib, S., Kuhn, H., Lochner, O., Mehl, I. & Söntgen, B. (eds.). Zürich: Diaphanes Verlag, p. 297-324 28 p. (Critical stances).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  7. 2019
  8. Published
  9. Published

    Bruderpaar der Literatur: Die populäre Rezeption Heinrich Manns und Thomas Manns in den 1920er Jahren

    Klinkenbusch, I. L., 2019, In: Thomas Mann Jahrbuch. 32, p. 109-123 15 p.

    Research output: Journal contributionsJournal articlesResearch

  10. Published

    Diderot, or The Power of Critique

    Söntgen, B. E., 2019, The Value of Critique: Exploring the Interrelations of Value, Critique, and Artistic Labour . Graw, I. & Menke, C. (eds.). 1. ed. Frankfurt am Main : Campus Verlag, p. 53-72 20 p. (Normative Orders; vol. 26).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  11. Published

    Die Mutter: Pieter de Hooch

    Söntgen, B. E., 2019, In: Diaphanes. 6/7, p. 112-126 14 p.

    Research output: Journal contributionsJournal articlesTransferpeer-review

  12. Published

    Pia und die Dinge

    Söntgen, B. E., 2019, Pia Stadtbäumer. Psycho-Aktiv: 1989-2019.. Heynen, J. (ed.). 1. ed. Berlin: Distanz Verlag, p. 259-268 9 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesTransferpeer-review

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