Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
- 2014
- Published
La "crisi della rappresentazione" nella filosofia contemporanea della pittura
Jamme, C., 2014, Rappresentanza/rappresentazione: Una questione degli studi culturali. Cometa, M. & Mignano, V. (eds.). Macerata: Quodlibet Studio, p. 95-111 17 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review
- Published
La première œuvre de Gustave Courbet (1819-1877)
Marchal, S., 2014, La première œuvre: Arts et musique (XVe - XXIe siècles). Meyer, V., Cotro, V. & Pujalte-Fraysse, M.-L. (eds.). Rennes: Presses universitaires de Rennes , p. 177-187 11 p. (Collection art & société).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Lassen und Tun: Kulturphilosophische Debatten zum Verhältnis von Gabe und kulturellen Praktiken
Hobuß, S. (Editor) & Tams, N. (Editor), 2014, Bielefeld: transcript Verlag. 264 p.Research output: Books and anthologies › Collected editions and anthologies › Research
- Published
Liquid Gazes (On Contemporary Painting)
Leeb, S. A., 2014, Aesthetics of the flesh. Ensslin, F. & Klink, C. (eds.). Berlin: Sternberg Press, p. 179-202 24 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Literatur – Bilder. Johann Heinrich Ramberg als Buchillustrator der Goethezeit. Hg. Alexander Košenina. Hannover 2013
Schütz, A. C., 2014, In: Das achtzehnte Jahrhundert. Zeitschrift der Deutschen Gesellschaft für die Erforschung des achtzehnten Jahrhunderts. 38, 1, p. 117-119 3 p.Research output: Journal contributions › Critical reviews › Research
- Published
Lo spazio sonoro della traduzione. Note a margine de Il compito del traduttore di Walter Benjamin
Costa, M. T., 2014, In: Rivista Italiana di Filosofia del Linguaggio. 8, 2(2014), p. 59-71Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Nachbarschaft – eine fragile Beziehung
Schües, C., 2014, Gesichter der Gewalt: Beiträge aus phänomenologischer Sicht. Staudigl, M. (ed.). Paderborn : Wilhelm Fink Verlag, p. 333 - 351 19 p. (Übergänge; vol. 65).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Nachhaltigkeitsethik
Oermann, N. O. & Weinert, A., 2014, Nachhaltigkeitswissenschaften. Heinrichs, H. & Michelsen, G. (eds.). Berlin u.a.: Springer Verlag, p. 63-86 24 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Proserpina
Jamme, C., 2014, Lessico mitologico goethiano: Letteratura, cultura visuale, performance. Cometa, M. & Mignano, V. (eds.). Macerata: Quodlibet Studio, p. 79-92 14 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review
- Published
Resonanzräume: ‚Neue‘ Kunstkritik und ‚neues‘ Sammeln um 1900
Marchal, S., 2014, Kunst ohne Geschichte. Ästhetisch motiviertes Sammeln in Europa und Amerika: Symposium in der Sammlung Oskar Reinhart "Am Römerholz", Winterthur 2012, Akten des internationalen Symposiums in der Sammlung Oskar Reinhart »Am Römerholz« am 7. und 8. September 2012.. Reinhard-Felice, M. (ed.). Hirmer, p. 51-58 8 p. (Scripta manent. Schriften zur Sammlung Oskar Reinhart «Am Römerholz»; vol. 1).Research output: Contributions to collected editions/works › Article in conference proceedings › Research