Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
- 2014
- Published
Versuch einer Phänomenologie des Buchstabens
Förster-Beuthan, Y., 2014, Buchstaben der Welt - Welt der Buchstaben. Ohashi, R. & Roussel, M. (eds.). Paderborn: Wilhelm Fink Verlag, p. 193-205 13 p. (Morphomata; vol. 12).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
- Published
Wilhelm Worringer: Schriften - Band 1
Söntgen, B. (Editor), Grebing, H. (Editor) & Böhringer, H. (Editor), 2014, 1 ed. München: Wilhelm Fink Verlag. 1504 p.Research output: Books and anthologies › Collected editions and anthologies › Research
- 2013
- Published
Monströse Körper: Kulturwissenschaftliche Perspektiven auf historische Deutungsmuster
Stammberger, B., 23.12.2013, In: Aus Politik und Zeitgeschichte. 63, 52, p. 18-25 8 p.Research output: Journal contributions › Journal articles › Transfer › peer-review
- Published
From the precariat to the multitude
Trott, B., 12.2013, In: Global Discourse: An Interdisciplinary Journal of Current Affairs and Applied Contemporary Thought. 3, 3-4, p. 406-425 20 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Feministisches Maschinendenken. Subjektphilosophische und wissenschaftskritische Perspektiven
Stammberger, B., 11.2013, In: Freiburger Zeitschrift für Geschlechterstudien. 19, 2, p. 89-108 20 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Komplizen des Kapitals: Kunst, Stiere, Abstraktionen
Kuhn, H. & Loichinger, H. C., 10.2013, Das Beste vom Besten: Vom riskanten Geschäft der Kunst. Hafner, H.-J. (ed.). Düsseldorf: Kunstverein für die Rheinlande und Westfalen, p. 65-71 80 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
The well- and unwell-being of a child
Schües, C. & Rehmann-Sutter , C., 10.2013, In: Topoi. An International Review of Philosophy. 32, 2, p. 197-205 9 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
"And in the end my street will not be the same": The art project 2-3 Streets and its link to (un)sustainability, creative urban development and modernization
Grigoleit, A., Hahn, J. & Brocchi, D., 01.09.2013, In: City, Culture, and Society. 4, 3, p. 173-185 13 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Globalismus/Globalism
Leeb, S. (Editor), Lochner, O. (Editor), Raether, J. P. (Editor) & Stakemeier, K. (Editor), 09.2013, Berlin: TEXTE ZUR KUNST Verlag. 256 p. (Texte zur Kunst; vol. 25, no. 91)Research output: Books and anthologies › Special Journal issue › Research