Institute of Culture and Aesthetics of Digital Media

Organisational unit: Institute

Organisation profile

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.

Main research areas

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation. 

The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana. 

  1. 2010
  2. Published

    Bypassing Mathematics: Das Verhältnis von Bild und Zahl in der Geschichte der Meteorologie

    Schrickel, I., 2010, In: Bildwelten des Wissens. 7, 2, p. 9-18 10 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  3. Published

    Cyberspace Battleground: Kriegsvideos auf You Tube

    Virchow, F. & Thomas, T., 2010, Wahrheitsmaschinen: Der Einfluss technischer Innovationen auf die Darstellung und das Bild des Krieges in den Medien und Künsten. Glunz, C. & Schneider, T. F. (eds.). Göttingen: V&R unipress, p. 107-124 18 p. (Krieg und Literatur / War and Literature - International Yearbook on War and Anti-War Literature. Schriften des Erich Maria Remarque Archivs; vol. 15).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  4. Published

    Das digitale Bild des Architekturentwurfs

    Stöcklmayr, N., 2010, UNI*VERS : Junge Forschung in Wissenschaft und Kunst. Bast, G., Bettel, F. & Hollendonner, B. (eds.). Wien: Springer-Verlag Wien, p. 59 - 69 11 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  5. Published

    Das Rauschen der Schwärme

    Vehlken, S., 2010, In: Mare. 78, p. 54-55 2 p.

    Research output: Journal contributionsOther (editorial matter etc.)Transfer

  6. Published

    Den Alltag auffällig machen: Impulse für die Medienkommunikationsforschung

    Röser, J., Thomas, T. & Peil, C., 2010, Alltag in den Medien - Medien im Alltag. Röser, J., Thomas, T. & Peil, C. (eds.). Wiesbaden: VS Verlag für Sozialwissenschaften, p. 7-21 15 p. (Medien - Kultur - Kommunikation).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  7. Published

    Der Cyborg: Diskurse zwischen Körper und Technik

    Spreen, D., 2010, Die Figur des Dritten: Ein kulturwissenschaftliches Paradigma. Eßlinger, E., Schlechtriemen, T., Schweitzer, D. & Zons, A. (eds.). Frankfurt am Main: Suhrkamp Verlag, p. 166-179 13 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  8. Published

    Die Geschichte des Fortbildungszentrums für Neue Musik in Lüneburg: Musikalische Einflüsse und technische Konzeption

    Laabs, E., Erdmann, H. W. (Editor) & Großmann, R. (Editor), 2010, Rimsting, Chiemsee: Paul C.R. Arends Verlag. 121 p.

    Research output: Books and anthologiesMonographsResearch

  9. Published

    Die Konstitutionsfunktion des Krieges: Konstitutionstheoretische Zugänge zum Krieg in der deutschen Gegenwartssoziologie

    Spreen, D., 2010, Forschungsthema: Militär: militärische Organisationen im Spannungsfeld von Krieg, Gesellschaft und soldatischen Subjekten . Apelt, M. (ed.). Wiesbaden: VS Verlag für Sozialwissenschaften, p. 49 - 86 37 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  10. Published

    Die Kunst zwischen Verdacht und Anspruch: Michael Scharang vor und nach dem "literarischen Realismus"

    Schnödl, G., 2010, In: Temeswarer Beiträge zur Germanistik. 7, p. 335-350 16 p.

    Research output: Journal contributionsJournal articlesResearch

  11. Published

    Die Lebewesen und ihre Medien

    Berz, P., 2010, Ambiente: das Leben und seine Räume ; basiert auf dem Symposium "Ambiente: das Leben & Seine Räume", das 2008 im Rahmen des Festivals Paraflows in Wien stattgefunden hat. Brandstetter, T., Harasser, K. & Friesinger, G. (eds.). Wien: Verlag Turia + Kant, p. 23-49 27 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review