Institute of Culture and Aesthetics of Digital Media

Organisational unit: Institute

Organisation profile

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.

Main research areas

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation. 

The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana. 

  1. 2011
  2. Published

    Rechnende Tiere: Zootechnologien aus dem Ozean

    Müggenburg, J. & Vehlken, S., 2011, In: Zeitschrift für Medienwissenschaft. 3, 4, p. 58-70 13 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  3. Published

    Reproduktionsmusik und Remix-Culture

    Großmann, R., 2011, Mind the Gap!: Medienkonstellationen zwischen zeitgenössischer Musik und Klangkunst. Saxer, M. (ed.). Saarbrücken: Pfau Verlag, p. 116-127 12 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  4. Published
  5. Published

    Schriftlichkeiten

    Großmann, R., 2011, In: Positionen. 86, p. 8-9 2 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  6. Published

    Souveräne Bindungen: Zeitliche Bezüge in Medienrepertoires und Kommunikationsmodi

    Hölig, S., Domeyer, H. & Hasebrink, U., 2011, Rezeption und Wirkung in zeitlicher Perspektive. Suckfüll, M., Schramm, H. & Wünsch, C. (eds.). 2011 ed. Baden-Baden: Nomos Verlagsgesellschaft mbH & Co. KG, Vol. 22. p. 71-88 18 p. (Rezeptionsforschung; vol. 22).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  7. Published

    Störung als Normalfall

    Pias, C., 2011, Störfälle. Koch, L., Petersen, C. & Vogi, J. (eds.). 2 ed. Bielefeld: transcript Verlag, p. 27 - 43 17 p. (Zeitschrift für Kulturwissenschaften).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  8. Published

    The Game Player's Duty: The User as the Gestalt of Ports

    Pias, C., 2011, Media Archaeology: approaches, applications, and implications. Huhtamo, E. & Parikka, J. (eds.). Berkeley: University of California Press, p. 164-183 20 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  9. Published

    Theorien des Internet zur Einführung

    Warnke, M., 2011, Hamburg: Junius Verlag . 192 p.

    Research output: Books and anthologiesMonographsResearch

  10. Published

    Verunsicherungen als Forschungs- und Lehrkonzept

    Hennig, I., Kruse, M.-M., Hobuß, S. & Thomas, T., 2011, Dekonstruktion und Evidenz: Ver(un)sicherungen in Medienkulturen. Thomas, T., Hobuß, S., Hennig, I. & Kruse, M.-M. (eds.). Königstein/Taunus: Ulrike Helmer Verlag, p. 8-21

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  11. Published

    Was waren Medien?

    Pias, C. (Editor), 2011, 1. Aufl. ed. Zürich: Diaphanes Verlag. 128 p.

    Research output: Books and anthologiesCollected editions and anthologiesResearch