Institute of Culture and Aesthetics of Digital Media

Organisational unit: Institute

Organisation profile

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.

Main research areas

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation. 

The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana. 

  1. Published

    Böses auf Erden? Versuch über den Diskurs der Gewalt

    Spreen, D., 2003, In: Plurale : Zeitschrift für Denkversionen. 3, p. 231-241 10 p.

    Research output: Journal contributionsJournal articlesResearch

  2. Published

    Kulturelle Funktionen der Science Fiction

    Spreen, D., 2008, Technik und Gesellschaft in der Science Fiction. Fuhse, J. A. (ed.). Berlin: LIT Verlag, p. 19-33 14 p. (Kultur und Technik; vol. 9).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  3. Published

    Biofaktizität und Cyborgisierung

    Spreen, D., 2006, In: Erwägen, Wissen, Ethik. 17, 4, p. 602-604 3 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  4. Published

    Architektur einer Geschlechterkonstruktion: Der Potsdamer Platz aus der Perspektive der Gender Studies

    Bublitz, H. & Spreen, D., 2004, Potsdamer Platz: Soziologische Theorien zu einem Ort der Moderne. Fischer, J. & Makropoulos, M. (eds.). München: Wilhelm Fink Verlag, p. 139-157 18 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  5. Published

    [Rezension] Franke, Jürgen: Wie integriert ist die Bundeswehr? Eine Untersuchung zur Integrationssituation der Bundeswehr als Verteidigungs- und Einsatzarmee. Baden-Baden 2012

    Spreen, D., 2013, Jahrbuch Innere Führung 2013: Wissenschaften und ihre Relevanz für die Bundeswehr als Armee im Einsatz. Hartmann, U. & von Rosen, C. (eds.). Berlin: Miles-Verlag, p. 392-396 5 p.

    Research output: Contributions to collected editions/worksCritical ReviewsResearch

  6. Published

    After Occupy

    Hui, Y., 10.11.2013, In: Contemporary Art Journal. 15, 4, p. 71-76 6 p.

    Research output: Journal contributionsJournal articlesResearch

  7. Published

    Zur Einleitung: Die Macht der Gefühle

    Beyes, T. & Metelmann, J., 2012, Die Macht der Gefühle: Emotionen in Management, Organisation und Kultur. Metelmann, J. & Beyes, T. (eds.). Berlin: Berlin University Press, p. 7-22 16 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  8. Published

    Medien(t)räume: Einleitung zu dem Sammelband »Soziologie der Hypermoderne«, Neu-Paderborn 2153

    Spreen, D., 2013, Das Medium meiner Träume: Hartmut Winkler zum 60. Geburtstag. Adelmann, R. & Bergermann, U. (eds.). Berlin: Verbrecher Verlag, p. 207-216 9 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  9. Published
  10. Published