Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
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Popgeschichte im Zeichen des Twist
Großmann, R., 04.2020, In: Musik & Ästhetik. 24, 94, p. 98-105 8 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Heaven and Earth – Cloud and Territory in the Internet
Warnke, M., 01.01.2020, Human-Centric Computing in a Data-Driven Society: 14th IFIP TC 9 International Conference on Human Choice and Computers, HCC14 2020, Tokyo, Japan, September 9–11, 2020, Proceedings. Kreps, D., Komukai, T., Gopal, T. V. & Ishii, K. (eds.). Cham: Springer Schweiz, p. 117-129 13 p. (IFIP Advances in Information and Communication Technology).Research output: Contributions to collected editions/works › Article in conference proceedings › Research › peer-review
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Politics of Reproduction
spheres Editorial Collective, Trott, B., Beverungen, A., Apprich, C., Hille, L. & Heinrichs, R., 03.2020, In: spheres - Journal for Digital Cultures. 2000, #6, p. 1-10 10 p.Research output: Journal contributions › Other (editorial matter etc.) › Research
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From Learning Machines to Learning Humans: How Cybernetic Machine Models Inspired Experimental Pedagogies
Müggenburg, J. K., 02.01.2021, In: History of Education. 50, 1, p. 112-133 22 p.Research output: Journal contributions › Journal articles › Research › peer-review
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The Instrument as Medium: Phonographic Work
Großmann, R., 2020, The Bloomsbury Handbook of Sound Art. Krogh Groth, S. & Schulze, H. (eds.). 1 ed. London: Bloomsbury Academic, p. 436-445 10 p. 23. (Bloomsbury handbooks).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Végétal Cristalline
Bösenberg, E. S., 10.07.2017, (Mit) Pflanzen kartographieren. Loreck, H., A. K. & Lindeborg, S. (eds.). Hamburg: Materialverlag-HFBK Hamburg, p. 148-151 4 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Der Quantencomputer - ein zukünftiger Gegenstand der Medienwissenschaft?
Ernst, C., Schröter, J. & Warnke, M., 2020, In: MEDIENwissenschaft. Rezensionen. Reviews.. 38, 2-3, p. 130-150 21 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Human–learning–machines: introduction to a special section on how cybernetics and constructivism inspired new forms of learning
Hof, B. & Müggenburg, J., 02.01.2021, In: History of Education. 50, 1, p. 89-92 4 p.Research output: Journal contributions › Other (editorial matter etc.) › Research
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Sven Dupre (ed.), Perspective as Practice. Renaissance Cultures of Optics. Turnhout, Belgium: Brepols, 2019, 512 p. ISBN 978-2-503-58107-1
Borrelli, A., 10.09.2020, In: NUNCIUS-JOURNAL OF THE HISTORY OF SCIENCE. 35, 2, p. 444-447 4 p.Research output: Journal contributions › Critical reviews › Research
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Homöostat und Cyborg. Zum Verhältnis von Selbstorganisationsforschung und der frühen Biokybernetik
Müggenburg, J. K., 17.09.2020, Affizierungs- und Teilhabeprozesse zwischen Organismen und Maschinen. Ochsner, B., Nikolow, S. & Stock, R. (eds.). Wiesbaden: Springer VS, p. 25-42 18 p. (Technikzukünfte, Wissenschaft und Gesellschaft / Futures of Technology, Science and Society).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research