Browse by research area

  1. Lasst den Vorhang herunter! Die Kunst beginnt... zu gemalten Bildervorhängen bei Rembrandt und seinen Schülern.

    Kemp, W. K., 2016, Hinter dem Vorhang : Verhüllung und Enthüllung seit der Renaissance - von Tizian bis Christo . Blümle, C. & Wismer, B. (eds.). München: Hirmer, p. 56-64 8 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesEducationpeer-review

  2. Leben mit Bildern, Leben in Bildern

    Söntgen, B. E., 2016, Sprezzatura: Geschichte und Geschichtserzählung zwischen Fakt und Fiktion. Burkart, L., von Müller, C. & von Müller, J. (eds.). Göttingen : Wallstein Verlag, p. 71-76 6 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  3. Léger, Fernand

    Mordhorst, S., 2016, Das große Tanz Lexikon: Tanzkulturen, Epochen, Personen, Werke. Hartmann, A. & Woitas, M. (eds.). Laaber: Laaber Verlag, p. 343-344 2 p.

    Research output: Contributions to collected editions/worksArticles for encyclopediaResearch

  4. Mon masque appartient à tous: Die selbstdarstellerischen Praktiken Gustave Courbets

    Marchal, S., 2016, Hermeneutik des Gesichts: Das Bildnis im Blick aktueller Forschung. Fleckner, U. & Hensel, T. (eds.). Berlin: Walter de Gruyter, p. 391-410 20 p. (Schriften des Internationalen Warburg Kollegs; vol. 5).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  5. Nom Kommentar zur Bildkritik. Goethes Erzählung «Die guten Frauen, als Gegenbilder der bösen Weiber»

    Schütz, A. C., 2016, In: Goethe Jahrbuch. 133, p. 31-39 9 p.

    Research output: Journal contributionsScientific review articlesResearch

  6. Ökologien des Machens: Zur allgemein-ökologischen Kritik der Welterzeugung bei Tim Ingold

    Hörl, E. H., 2016, +ultra. gestaltung schafft wissen. Doll, N., Bredekamp, H. & Schäffner, W. (eds.). 1 ed. Leipzig: E.A. Seemann, p. 49-58 10 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  7. Pabst, Peter

    Mordhorst, S., 2016, Das große Tanz Lexikon: Tanzkulturen, Epochen, Personen, Werke. Hartmann, A. & Woitas, M. (eds.). Laaber: Laaber Verlag, p. 447 - 448 2 p.

    Research output: Contributions to collected editions/worksArticles for encyclopediaResearch

  8. Parallelworlds. On Joseph Beuys and Alice Channer

    Kölmel, M.-J., 2016, Wer Nicht Denken Will Fliegt Raus: Handlungsanweisungen nach Beuys. Kleve: Museum Kurhaus Kleve, p. 17-20 3 p. (Schriftenreihe Museum Kurhaus Kleve - Ewald-Mataré-Sammlung ; vol. 73).

    Research output: Contributions to collected editions/worksOtherTransfer

  9. Rózsa Farkas: Post-Internet? Deine Mudda! Ein Gespräch von Clemens Apprich

    Apprich, C., 2016, In: Kunstforum international. 242, p. 132 - 141 10 p.

    Research output: Journal contributionsJournal articlesTransferpeer-review

  10. Rysowanie nicią. Międzynarodowe konteksty teatru plastycznego”

    Breimaier, A., 2016, Krzysztof Jung. Przemiana (Ausst.Kat. Galleri SalonAkademii, : Academy of Fine Arts in Warsaw, 22.10.-30.11.2016) Warschau 2016. Warschau: Academy of Fine Arts, Warsaw, p. 135-149 15 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesTransfer

  11. Schichten und der Zwischenraum: Über Ästhetik und Funktion von Scheiben im 3D-Film am Beispiel von Martin Scorseses HUGO

    Kuhn, E., 2016, Scheiben: Medien der Durchsicht und Reflexion. Göttel, D. & Krautkrämer, F. (eds.). Bielefeld: transcript Verlag, p. 89-103 15 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  12. Tactical Media

    Apprich, C., 2016, In: Kritische Berichte. 44, 1, p. 50-53 4 p.

    Research output: Journal contributionsJournal articlesResearch

  13. The Body as a Historiographic Writing Tool in ŽemAt’s Video Work “Imagining the Absence” (2014)

    Gerhardt, U., 2016, In: Acta Academiae Artium Vilnensis, Vilnius: Vilnius Academy of Arts. 2016, 80-81, p. 169-178 10 p.

    Research output: Journal contributionsConference article in journalResearchpeer-review

  14. Vision als Aufgabe: Das Leibniz-Universum im 21. Jahrhundert

    Woisnitza, M. (Editor), Grötschel, M. (Editor), Knobloch, E. (Editor), Schifffers, J. (Editor) & Ziegler, G. M. (Editor), 2016, Berlin: Berlin-Brandenburgische Akademie der Wissenschaften. 320 p.

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  15. Wie verändert sich Kunst, wenn sie zur Tätigkeit ohne Werk wird

    Nigro, R., 2016, Wie verändert sich Kunst, wenn man sie als Forschung versteht?. Siegmund, J. (ed.). Bielefeld: transcript Verlag, p. 199-214 16 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesTransferpeer-review

  16. The Body as Medium: Fashion as Art

    Förster-Beuthan, Y., 18.12.2015, From Humanism to Meta-, Post and Transhumanism?. Deretic, I. & Sorgner, S. L. (eds.). Frankfurt: Peter Lang Verlag, Vol. 8. p. 321-332 12 p. (Beyond humanism; vol. 8).

    Research output: Contributions to collected editions/worksChapterpeer-review

  17. Studien zu einer Ethik der Enttäuschung: Gedanken zu Gerrit Frohne-Brinkmanns und Philip Pichlers Installation „Drop A, Drop B“ (2012) im Kunstverein Harburger Bahnhof

    Gerhardt, U., 12.2015, Is This Where It Ends?: Kunstverein Harburger Bahnhof 2011-2014. Solte, F. & Busch, I. (eds.). Hamburg: Textem Verlag, p. 53-55 3 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  18. Ull Hohn: Foregrounds, Distances

    Loichinger, H. C. (Editor) & Schäfer, M. (Editor), 12.2015, Berlin: Sternberg Press. 332 p.

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  19. Interiors and Interiority

    Söntgen, B. (Editor) & Lajer-Burcharth, E. (Editor), 13.11.2015, Berlin/New York: Walter de Gruyter. 488 p.

    Research output: Books and anthologiesMonographsResearchpeer-review

  20. Introduction: Interiors and interiority

    Lajer-Burcharth, E. & Söntgen, B., 13.11.2015, Interiors and Interiority. Lajer-Burcharth, E. & Söntgen, B. (eds.). 1 ed. Berlin, Boston: Walter de Gruyter, p. 1-13 13 p.

    Research output: Contributions to collected editions/worksArticle in conference proceedingsResearch

  21. Inner and Outer Realms: Opaque Windows in Vilhelm Hammershøi's Interior Paintings

    Hemkendreis, A., 11.2015, Interiors and Interiority. Lajer-Burcharth, E. & Söntgen, B. (eds.). Berlin: Walter de Gruyter, p. 297-312 16 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  22. Katalogeinträge

    Troeller, J., 22.09.2015, Corita Kent and the Language of Pop: Harvard Art Museums 2016. Dackerman, S. (ed.). Yale Universtiy Press, (Harvard Art Museums Series (YUP)).

    Research output: Contributions to collected editions/worksContribution of Exihibition cataloguesResearch

  23. Gods of tomorrow?

    Peldszus, R., 15.08.2015, In: New Scientist. 227, 3034, p. 42-43 2 p.

    Research output: Journal contributionsOther (editorial matter etc.)Research

  24. The Conjoined Twin Sisters Helen and Judith (1701-1723) and Their Pictorial Impact in Later 18th-Century Science

    Van Der Weiden, R. M. F. & Clausberg, K., 08.2015, In: Twin Research and Human Genetics. 18, 4, p. 419-424 6 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  25. Alisa Baremboym between the Corporeal and the Digital

    Kölmel, M.-J., 07.2015, In: DIE NADEL - Kulturwissenschaftliche Zeitschrift für Kunst und Medien. 3/2015, p. 87-115 30 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  26. Schönheit im ästhetischen Kapitalismus

    Wuggenig, U., 07.2015, In: Art Education Research. 6, 10, p. 1-6 6 p.

    Research output: Journal contributionsJournal articlesTransfer

  27. Walter Benjamins Auseinandersetzung mit der Kunstwissenschaft seiner Zeit

    Costa, M. T., 07.2015, In: Weimarer Beiträge. 2015, 3, p. 364-380 17 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  28. Mitya Churikov: Untitled (Alterlaa-AG 1968), 2015

    Gerhardt, U., 06.2015, Destination Wien 2015. Kunsthalle Wien (ed.). Wien: Kunsthalle Wien, p. 118 - 119 2 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  29. Primitivism and humanist teleology in art history around 1900

    Leeb, S. A., 06.2015, In: Journal of Art Historiography. 12, 15 p., 12/SLb1.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  30. New Perspectives on the Socialist Past: Notes on the Potential of Generational Experiences in Dialog

    Bogdanovic, A. & Gerhardt, U., 05.2015, Art in the Periphery of the Center. Behnke, C., Kastelan, C., Knoll, V. & Wuggenig, U. (eds.). Berlin: Sternberg Press, p. 198 - 208 11 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  31. The Museum Experience: Mapping the Experience of Fine Art

    Kirchberg, V. & Tröndle, M., 01.04.2015, In: Curator. 58, 2, p. 169-193 25 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  32. Narratologies: An Introduction

    Falb, D. & Gerhardt, U., 04.2015, Post-Studio Tales. Falb, D., Gerhardt, U., Heckel, F. & Beeson, J. (eds.). Hamburg: Textem Verlag, p. 5 - 18 14 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  33. Post-Studio Tales

    Falb, D. (Editor), Gerhardt, U. (Editor), Heckel, F. (Editor) & Beeson, J. (Editor), 04.2015, Hamburg: Textem Verlag. 183 p.

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  34. Artistic research and climate science: transdisciplinary learning and spaces of possibilities

    Kagan, S., 31.03.2015, In: Journal of Science Communication. 14, 1, p. C07.1-C07.8 8 p., C07.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  35. Mamma Mia: Über Michaela Meise im Künstlerhaus Bethanien, Berlin

    Söntgen, B., 03.2015, In: Texte zur Kunst. 25, 97, p. 237 - 241 5 p.

    Research output: Journal contributionsCritical reviewsResearch

  36. La praktiko de ekologia arto

    Kagan, S., 15.02.2015, Kiosko 8 (2014/2015): libera, skeptica, transkultura. Guenther, W. (ed.). Kassel: Esperanto-Eldoneyo Nula Horo, Vol. 8. p. 90-100 11 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  37. Hannah Wilke: Superstar

    Söntgen, B., 06.02.2015, Feministische Avantgarde: Kunst der 1970er-Jahre aus der SAMMLUNG VERBUND, Wien. Schor, G. (ed.). Wien: Prestel Verlag, p. 157 - 166 10 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  38. Philippe Parreno at Schinkel Pavillon and Esther Schipper

    Troeller, J., 02.2015, In: ARTnews. 2/2015, p. 92 1 p.

    Research output: Journal contributionsJournal articlesResearch

  39. 30 Years After Les Immatériaux: Art Science & Theory

    Broeckmann, A. (Editor) & Hui, Y. (Editor), 2015, 1. ed. Lüneburg: meson press. 245 p.

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  40. Affect, Attachment, and Passion: An Exchange between Christoph Behnke, Cornelia Kastelan, and Ulf Wuggenig

    Behnke, C., Kastelan, C. & Wuggenig, U., 2015, Art in the Periphery of the Center. Behnke, C., Kastelan, C., Knoll, V. & Wuggenig, U. (eds.). Berlin: Sternberg Press, p. 40-55 16 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesTransfer

  41. Art and the Economy of Attention: On the 1% - the 100 Most Expensive Works of Art

    Rudolph, S., 2015, Art in the Periphery of the Center. Behnke, C., Kastelan, C., Knoll, V. & Wuggenig, U. (eds.). 1 ed. Berlin: Sternberg Press, p. 478 - 491 14 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  42. Art, Ecology, and Sustainability - An Exchange between Christoph Behnke, Cornelia Kastelan, and Ulf Wuggenig

    Behnke, C., Kastelan, C. & Wuggenig, U., 2015, Art in the Periphery of the Center. Behnke, C., Kastelan, C., Knoll, V. & Wuggenig, U. (eds.). Berlin: Sternberg Press, p. 280-301 22 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesTransfer

  43. Art in the Periphery of the Center

    Behnke, C. (Editor), Kastelan, C. (Editor), Knoll, V. (Editor) & Wuggenig, U. (Editor), 2015, Berlin: Sternberg Press. 629 p.

    Research output: Books and anthologiesCollected editions and anthologiesTransfer

  44. Art in the Periphery of the Center

    Behnke, C., Kastelan, C., Knoll, V. & Wuggenig, U., 2015, Art in the Periphery of the Center. Behnke, C., Kastelan, C., Knoll, V. & Wuggenig, U. (eds.). Berlin: Sternberg Press, p. 2-37 36 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesTransfer

  45. Big Drama - Small Spaces: Keren Cytters Theater

    Söntgen, B., 2015, Sowohl als auch dazwischen: Erfahrungsräume der Kunst. Schafaff, J. & Wihstutz, B. (eds.). 1 ed. Wilhelm Fink Verlag, p. 183 - 194 12 p.

    Research output: Contributions to collected editions/worksArticle in conference proceedingsResearchpeer-review

  46. Blättern, wenden, wiegen, zahlen: Mediale Konvertierungen und Konversionen in der Malerei um 1500

    Kuhn, H., 2015, Medien des Heiligen. Balke, F., Siegert, B. & Vogl, J. (eds.). Paderborn: Wilhelm Fink Verlag, p. 97-109 13 p. (Archiv für Mediengeschichte; vol. 15).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  47. Complexity as experience: The contribution of aesthetics to cultures of sustainability

    Kagan, S., 2015, An introduction to sustainability and aesthetics: the arts and design for the environment. Crouch, C., Kaye, N. & Crouch, J. (eds.). Boca Raton, Florida: BrownWalker Press, p. 25-32 8 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  48. Conceptual Dimensions of Embodiment

    Förster, Y., 2015, In: METABODY - Journal of Metacultural Critique. 1, p. 32-33 2 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  49. Das Wahre im Künstlichen: Edgar Degas‘ Die Orchestermusiker

    Mordhorst, S., 2015, Monet und die Geburt des Impressionismus. Krämer, F. (ed.). München, London, New York: Prestel Verlag, p. 169-182 14 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  50. Depot 4.9.

    Schneider, T. & Huzikiewiz, S., 2015, Spaces: Freie Kunsträume in Deutschland. Gärtner, M. (ed.). Berlin, München: Deutscher Kunstverlag GmbH

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesTransferpeer-review

  51. Der explizite Betrachter: zur Rezeption zeitgenössischer Kunst

    Kemp, W. K., 2015, Konstanz : Konstanz University Press. 242 p.

    Research output: Books and anthologiesMonographsEducationpeer-review

  52. Die Kunst der Anderen: "Weltkunst" und die anthropologische Konfiguration der Moderne

    Leeb, S. A., 2015, Berlin: b-books. 320 p. (PoLYpeN)

    Research output: Books and anthologiesMonographsTransferpeer-review

  53. Die leibhaftige Münze: Quentin Massys' Goldwäger und die altniederländische Malerei

    Kuhn, H., 2015, Paderborn: Wilhelm Fink Verlag. 415 p.

    Research output: Books and anthologiesMonographsResearch

  54. Die universale Sprache der vewaltungstechnischen Abstraktion. Zur Darstellung von Kolonialgeschichte in Dierk Schmidts Die Teilung der Erde. Tableaux zu rechtlichen Synopsen der Berliner Afrika-Konferenz (2005-2007)

    Leeb, S. A., 2015, total.: Universalismus und Partikularismus in post_kolonialer Medientheorie. Bergermann, U. & Heidenreich, N. (eds.). Bielefeld: transcript Verlag, p. 269-289 21 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  55. Dokumente avant la lettre: Eine Spurensuche um 1900

    Brons, F., 2015, Wie Bilder Dokumente wurden: Zur Genealogie dokumentarischer Darstellungspraktiken. Wöhrer, R. (ed.). Berlin: Kulturverlag Kadmos , p. 103-119 17 p. ( Kaleidogramme; vol. 119).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  56. Entangled – But How?

    Leeb, S. A., 2015, Art in the Periphery of the Center . Behnke, C., Kastelan, C., Knoll, V. & Wuggenig, U. (eds.). Berlin: Sternberg Press, p. 210-219 10 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  57. Exhibition of a Scarf—Daniel Buren, Hermès Éditeur: Photos-souvenirs au carré

    Knoll, V. & Loichinger, H. C., 2015, Art in the Periphery of the Center. Behnke, C., Kastelan, C., Knoll, V. & Wuggenig, U. (eds.). Berlin: Sternberg Press, p. 514–525 12 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  58. Exposition eines Mediums: Internationale Photographische Ausstellung Dresden 1909

    Brons, F., 2015, München: Wilhelm Fink Verlag. 496 p.

    Research output: Books and anthologiesMonographsResearch

  59. Fabian Nitschkowski & Paul Geisler: Drei Zeichenmaschinen ZM1, ZM2, ZM3

    Zindel, H., 2015, POSITION : Forum / Ausstellung vom 9.10. bis 19.10.2014 in der "Fabrik der Künste. B. H. (ed.). Hamburg: Verlag für permanente Kunst, p. 192–199 8 p. (Position; vol. 2014).

    Research output: Contributions to collected editions/worksContribution of Exihibition cataloguesTransfer

  60. Formen des Kontakts: Auguste Renoirs Nach dem Mittagessen

    Söntgen, B. E., 2015, Monet und die Geburt des Impressionsmus. Krämer, F. (ed.). München: Prestel Verlag, p. 183-193 11 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  61. From Letter to Line: Artistic Experiments with Pseudo-Script in Late Medieval Italian Painting, Preliminary Remarks

    Schulz, V.-S., 2015, The Power of Line. Faietti, M. & Wolf, G. (eds.). München: Hirmer, p. 144–161 18 p. (Linea; vol. 3).

    Research output: Contributions to collected editions/worksArticle in conference proceedingsResearch

  62. From the Household of the Soul to the Economy of Money: What Are Sixteenth-Century Merchants Doing in the Virgin Mary's Interior?

    Kuhn, H., 2015, Interiors and Interiority. Lajer-Burcharth, E. & Söntgen, B. (eds.). Berlin: Walter de Gruyter, p. 229-246 18 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  63. Für eine „Farbenlehre der Worte“. Julius Meier-Graefe und die ‚neue‘ Kunstkritik

    Marchal, S., 2015, Wie Texte und Bilder zusammenfinden : Vom Mittelalter bis zur Gegenwart. Kroll, R., Gramatzki, S. & Karnatz, S. (eds.). Dietrich Reimer Verlag, p. 125-136 12 p.

    Research output: Contributions to collected editions/worksArticle in conference proceedingsResearch

  64. Image Noise

    Brons, F., 2015, The Technical Image : A History of Styles within Scientific Images. Bredekamp, H., Dünkel, V. & Schneider, B. (eds.). 1 ed. Chicago: Chicago University Press, p. 138 - 141 4 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  65. In the Eye of the Beholder: Emanuel Goldberg's Apparatuses at the International Photographic Exhibition Dresden 1909

    Brons, F., 2015, The Technical Image: a history of styles in scientific imagery. Bredekamp, H., V. D. & Schneider, B. (eds.). Chicago: Chicago University Press, p. 102 - 111 10 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  66. Jonas Mekas' Mnemotaktik oder: LOST LOST LOST, ein filmisches Gedächtnis

    Kuhn, E., 2015, Kino und Erinnerung. Schmidt, S., von Keitz, U. & Haake, S. (eds.). Marburg: Schüren Verlag, p. 47-62 16 p. (Augenblick – Konstanzer Hefte zur Medienwissenschaft; vol. 61).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  67. Julius Meier-Graefe -" a laconic art historian"

    Marchal, S., 2015, Silence / Schweigen : Über die stumme Praxis der Kunst. Beyer, A. & Le Bon, L. (eds.). Berlin: Deutscher Kunstverlag, p. 183-194 12 p. (Passagen / Passages; vol. 47).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  68. Konvivialismus als Kunst und Komplexität als Erfahrung

    Kagan, S., 2015, Konvivialismus. Eine Debatte. Adloff, F. & Heins, V. M. (eds.). Bielefeld: transcript Verlag, p. 167-177 11 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  69. Kunstgeschichte als Raumgeschichte. Alois Riegl und die Raumwahrnehmung

    Costa, M. T., 2015, Mouvement. Bewegung : über die dynamischen Potenziale der Kunst. Beyer, A. & Cassegrain, G. (eds.). Deutscher Kunstverlag GmbH, p. 137-151 15 p. (Passagen = Passages; vol. 51).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  70. Long Live the Immaterial! - Körper und Kunst in Zeiten der Virtualisierung

    Förster-Beuthan, Y., 2015, Das Ende der Kunst als Anfang freier Kunst. Vieweg, K., Iannelli, F. & Vercellone, F. (eds.). Paderborn: Wilhelm Fink Verlag, p. 323-337 15 p. (jena-sophia: Studien und Editionen zum deutschen Idealismus und zur Frühromantik; vol. 13 (Abt. II)).

    Research output: Contributions to collected editions/worksArticle in conference proceedingsTransferpeer-review

  71. Nicht-menschliche Augen schauen zu: Zur Ausweitung des computerisierten Blicks von oben

    Tollmann, V., 2015, In: Springerin : Hefte für Gegenwartskunst. 1, p. 4-6 3 p.

    Research output: Journal contributionsJournal articlesTransfer

  72. Nicht trennen, was nicht zu trennen ist: Über einige jüngere Publikationen zu Otto Mühls Friedrichshof-Kommune

    Leeb, S. A., 2015, In: Texte zur Kunst. 97, p. 164-172 9 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  73. Photographic Premises: Notes on the Exposure of Interiors around 1900

    Brons, F., 2015, Interiors and Interiority. Lajer-Burcharth, E. & Söntgen, B. (eds.). 1 ed. Berlin / Boston : Walter de Gruyter, p. 261-278 18 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  74. Producción y representación comunicativa de espacios transreligiosos glocales en el virreinato Nueva España (1524 - 1547)

    Köhler, R., 2015, Las agencias de lo indígena en la larga era de globalización - : Microperspectivas de su producción y representación desde la época colonial temprana hasta el presente. Köhler, R. & Ebert, A. (eds.). 1 ed. Berlin: Gebrüder Mann Verlag, p. 47-76 30 p.

    Research output: Contributions to collected editions/worksArticle in conference proceedingsResearch

  75. Reliquien des Bösen: Überlegungen zu einer Ding-Phantastik Ivan Turgenevs

    Schulz, V.-S., 2015, Bild - Ding - Kunst. Wolf, G. & Müller, K. (eds.). Berlin: Deutscher Kunstverlag, p. 189–213 25 p. (I Mandorli ; vol. 13).

    Research output: Contributions to collected editions/worksChapter

  76. Scenarios for Encapsulated and Suspended Bodies: Stelarc and the Cybernetic Machine Body

    Broeckmann, A., 2015, Stelarc – Meat, Metal & Code: Contestable Chimeras. Kluszczynski, R. (ed.). 1. ed. Gdansk: Center for Contemporary Art, p. 128-150 20 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  77. Übertragungen: Emotion und Kommunikation bei Chardin

    Söntgen, B., 2015, Von Poussin bis Manet: Die Farben Frankreichs. A.-M. B. R. (ed.). München: Hirmer, p. 47 - 57 11 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  78. VKhUTEMAS at Martin-Gropius-Bau

    Troeller, J., 2015, In: ARTnews. 4/2015, p. 92 1 p.

    Research output: Journal contributionsJournal articlesResearch

  79. Wasting Billions of Dollars for the Arts?

    Behnke, C., 2015, Art in the Periphery of the Center. Behnke, C., Kastelan, C., V. K. & Wuggenig, U. (eds.). Berlin, New York: Sternberg Press, p. 440-456 17 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesTransfer

  80. Wurm aus Glas

    Huber, F., 2015, Wissensdinge: Geschichten aus dem Naturkundemuseum. Berlin, M. F. N., Hermannstädter, A., Heumann, I. & Pannhorst, K. (eds.). Berlin: Nicolai, p. 108-109 2 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesTransfer

  81. Zur Ästhetik des Schaufensters: Expositionen zwischen Abstraktion und Verdinglichung

    Steierwald, U. R., 2015, Der Sturm: Literatur, Musik, Graphik und die Vernetzung in der Zeit des Expressionismus. Herwig, H. & von Hülsen-Esch, A. (eds.). Berlin, Boston: Walter de Gruyter, p. 247-271, Tafeln S. 448-458 24 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  82. Zwischen Tradition und Innovation: Trinkschalen in hellenistischer Zeit

    Picht, L., 2015, Vom Trinken und Bechern: Das antike Gelage im Umbruch. Dickmann, J.-A. & Heinemann, A. (eds.). Freiburg: Albert-Ludwigs-Universität Freiburg, p. 81-90 10 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  83. Subtle Differences: Men and Women and Their Art Reception

    Tröndle, M., Kirchberg, V. & Tschacher, W., 01.12.2014, In: The Journal of Aesthetic Education. 48, 4, p. 65-93 29 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  84. After Dark: The PROVENCE Summer Reader

    Kaspar, T. (Editor) & Loichinger, H. C. (Editor), 12.2014, Paris: Paraguay Press. 184 p.

    Research output: Books and anthologiesCollected editions and anthologiesTransfer

  85. Art World's End: Mara Kölmel über Ryan Trecartin im KW Institute for Contemporary Art, Berlin

    Kölmel, M.-J., 12.2014, In: Texte zur Kunst. 96, p. 199-200 2 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  86. Mit Begriffen handeln

    Loichinger, H. C., 12.2014, In: Texte zur Kunst. 96, p. 64-82 23 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  87. The Gallerists

    Loichinger, H. C. (Editor), Graw, I. (Editor), Magauer, H. (Editor) & Busta, C. (Editor), 12.2014, 96 ed. Berlin: TEXTE ZUR KUNST Verlag. 256 p. (Texte zur Kunst; no. 96/2014)

    Research output: Books and anthologiesSpecial Journal issueResearch

  88. Otto Piene at Neue Nationalgalerie and Deutsche Bank KunstHalle

    Troeller, J., 11.2014, In: ARTnews. 11/2014, p. 125 1 p.

    Research output: Journal contributionsJournal articlesResearch

  89. Is this Art? An Experimental Study on Visitors' Judgement of Contemporary Art

    Tröndle, M., Kirchberg, V. & Tschacher, W., 01.09.2014, In: Cultural Sociology. 8, 3, p. 310-332 23 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  90. Portraits, photographs, and politics in the carpet medium: Iran, the soviet union and beyond

    Schulz, V. S., 09.2014, In: Konsthistorisk Tidskrift. 83, 3, p. 244-265 22 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  91. Von den Altertümern Roms zu den Altertümern der Elbmarschen: Der Altphilologe Sönnich Detlef-Friedrich Detlefsen gründet ein Museum

    Berents-Kemp, C., 20.08.2014, Detlefsen zum 100. Todestag: Ein Colloquium der Detlefsen-Gesellschaft Glückstadt ; 24. September 2011. Christian, B. & Lorenzen-Schmidt, K.-J. (eds.). Norderstedt: Books on Demand GmbH, p. 9-30 22 p.

    Research output: Contributions to collected editions/worksArticle in conference proceedingsResearchpeer-review

  92. The Oligarch A Contribution to the Professional Customer

    Kemp, W., 08.2014, In: Merkur. 68, 8, p. 665-677 13 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  93. Vom Abfall zum Einfall: Systematisch-theologische Überlegungen zu den Transformationen des Mülls

    Mühling, M., 28.04.2014, In: Kunst und Kirche. 77, 1, p. 34–35 2 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  94. Julius Meier-Graefe: Vom „Kampf um“ zur „Sehnsucht nach“ dem Stil

    Marchal, S., 01.04.2014, In: Kritische Berichte. 42, 1, p. 35-46 11 p.

    Research output: Journal contributionsJournal articlesResearch

  95. The practice of ecological art

    Kagan, S., 15.02.2014, In: [plastik]. 4, 6 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  96. Nation and National Museums, a Contested Relationship: An Analysis of US National Museums in the Twenty-first Century

    Drengwitz, B., Elbers, B., Jahn, L. D. & Wrogemann, I., 01.2014, In: Curator. 57, 1, p. 97-106 10 p.

    Research output: Journal contributionsComments / Debate / ReportsResearch

  97. Ästhetik des Digitalen: Das Digitale und die Berechenbarkeit

    Warnke, M., 2014, In: Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft . 59, 2, p. 278-286 9 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

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