Professorship for Provenance Studies
Organisational unit: Section
Organisation profile
Research and teaching in Provenance Studies at Leuphana cover the areas of provenance, restitution, and critical museum and art market studies. In addition to examining the past, present, and future of provenance and its production, we focus primarily on the institutional frameworks in which art is collected and exhibited. Here, we are particularly interested in the role of museums in the acquisition, archiving, display, and circulation of objects. To answer these questions, we also use digital tools and explore their relevance for provenance research and art history.
- 2019
Court of Arbitration for Art (External organisation)
Lynn Rother (Member)
11.2019 → …Activity: Membership › Learned societies and special interest organisations › Transfer
Pan's papers
Max Koss (Speaker)
04.10.2019Activity: Talk or presentation › talk or presentation in privat or public events › Research
Linked Art, Provenance and the Use for Scholarship
Lynn Rother (Speaker)
01.10.2019Activity: Talk or presentation › Conference Presentations › Research
Provenance: Can You Bank on It?
Lynn Rother (Speaker)
24.09.2019Activity: Talk or presentation › Guest lectures › Transfer
Due Diligence – do provenances matter more than ever?
Lynn Rother (Speaker)
19.09.2019Activity: Talk or presentation › Conference Presentations › Research
Contemporary Art + Data
Lynn Rother (Speaker)
19.06.2019Activity: Talk or presentation › Guest lectures › Transfer
"Provenance: Can you Bank on it?"
Lynn Rother (Speaker)
02.04.2019Activity: Talk or presentation › Guest lectures › Transfer
Methodology, Resources, Issues, and Challenges in Nazi-Era Provenance Research
Lynn Rother (Speaker)
28.02.2019Activity: Talk or presentation › Guest lectures › Education
Participant of the Panel Discussion in conjunction with the conference "Die Galerie Stern im Kontext des Rheinischen Kunsthandels während des Nationalsozialismus"
Lynn Rother (Speaker)
13.02.2019Activity: Talk or presentation › Guest lectures › Transfer
Crafting Experience: Exemplarity and Reproduction in Pan (1895–1900)
Max Koss (Speaker)
21.01.2019Activity: Talk or presentation › talk or presentation in privat or public events › Research
Linked.Art (External organisation)
Lynn Rother (Member)
01.2019 → …Activity: Membership › Learned societies and special interest organisations › Transfer
Court of Arbitration for Art (External organisation)
Lynn Rother (Member)
2019 → …Activity: Membership › Bodies of public institutions › Transfer
- 2018
Then and Now: The 20th Anniversary of the Washington Conference on Holocaust-Era Assets
Lynn Rother (Speaker)
10.12.2018Activity: Talk or presentation › Conference Presentations › Transfer
Starting from Scratch: Nazi-Era Provenance Research at The Museum of Modern Art
Lynn Rother (Speaker)
06.11.2018Activity: Talk or presentation › Conference Presentations › Research
"Chagall on Loan: Nazi-Era Provenance Research and Art as Collateral"
Lynn Rother (Speaker)
04.10.2018Activity: Talk or presentation › Guest lectures › Transfer
Serial Despite Itself: "Pan" Between Deep and Differentiated Time
Max Koss (Speaker)
09.2018Activity: Talk or presentation › Conference Presentations › Research
Sensing Paper: Print Culture between Pleasure and Scandal in Fin-de-Siècle Germany
Max Koss (Speaker)
06.2018Activity: Talk or presentation › Conference Presentations › Research
Vortrag im Panel “Common Ground: Provenance Research Agendas in Libraries, Archives and Museums”
Lynn Rother (Speaker)
27.02.2018Activity: Talk or presentation › Conference Presentations › Transfer
The intimacy of paper: fin-de-siècle print culture and the politics of the senses
Max Koss (Speaker)
02.2018Activity: Talk or presentation › Conference Presentations › Research
- 2017
Nazi-Era Provenance Research – Starting from Scratch
Lynn Rother (Speaker)
17.05.2017Activity: Talk or presentation › Guest lectures › Education
“Provenance Research at The Museum of Modern Art”
Lynn Rother (Speaker)
06.02.2017Activity: Talk or presentation › Conference Presentations › Transfer
German Lost Art Foundation (Publisher)
Lynn Rother (Reviewer)
2017Activity: Publication peer-review and editorial work › Peer review of publicationen › Transfer
- 2016
Provenance: Can You Bank on It? Art as Collateral
Lynn Rother (Speaker)
15.11.2016Activity: Talk or presentation › Conference Presentations › Research
Menzel's Realism
Max Koss (Speaker)
09.2016Activity: Talk or presentation › talk or presentation in privat or public events › Research
Digitalität und Kunstgeschichte/Provenienzforschung
Lynn Rother (Speaker)
04.07.2016Activity: Talk or presentation › Conference Presentations › Research
The Leveraged Gift – The Making of the David and Alfred Smart Museum at the University of Chicago
Max Koss (Speaker)
05.2016Activity: Talk or presentation › Guest lectures › Research
- 2015
On Deposit? The Berlin Museums and their Acquisitions from the Dresdner Bank 1935
Lynn Rother (Speaker)
08.10.2015Activity: Talk or presentation › Guest lectures › Education
Provenance: Can You Bank on It? Art as Collateral
Lynn Rother (Speaker)
01.06.2015Activity: Talk or presentation › Guest lectures › Research
- 2014
Die Dresdner Bank als »Marchand-Amateur«? Zur Rolle von Banken im NS-Kunstmarkt
Lynn Rother (Speaker)
09.10.2014Activity: Talk or presentation › Conference Presentations › Research
Die Dresdner Bank als Marchand-Amateur im Kunstmarkt der 1930er Jahre?
Lynn Rother (Speaker)
23.05.2014Activity: Talk or presentation › Guest lectures › Transfer
- 2012
Die Dresdner Bank und ihre Kunstgeschäfte
Lynn Rother (Speaker)
06.11.2012Activity: Talk or presentation › Conference Presentations › Research
Große Sammlungen als Phänomen des internationalen Kunstmarktes der 1920er und 1930er Jahre
Lynn Rother (Speaker)
20.10.2012Activity: Talk or presentation › talk or presentation in privat or public events › Research
Konvolut-Erwerbungen als Segen und Fluch für die Provenienzforschung in kunstgewerblichen Sammlungen
Lynn Rother (Speaker)
25.04.2012Activity: Talk or presentation › Conference Presentations › Research
- 2011
Zu groß für Einen. Zum An- und Verkauf großer Privatsammlungen durch Konsortien am Beispiel Figdor
Lynn Rother (Speaker)
25.03.2011Activity: Talk or presentation › Conference Presentations › Research
- 2008
Die Kunstförderung der Deutschen Bank als Mittel oder als Zweck? Das Konzept »Zeitgenössische Kunst am Arbeitsplatz«
Lynn Rother (Speaker)
09.10.2008Activity: Talk or presentation › Conference Presentations › Research