Professorship for Provenance Studies

Organisational unit: Section

Organisation profile

Research and teaching in Provenance Studies at Leuphana cover the areas of provenance, restitution, and critical museum and art market studies. In addition to examining the past, present, and future of provenance and its production, we focus primarily on the institutional frameworks in which art is collected and exhibited. Here, we are particularly interested in the role of museums in the acquisition, archiving, display, and circulation of objects. To answer these questions, we also use digital tools and explore their relevance for provenance research and art history.

  1. 2023
  2. Accepted/In press

    Teaching Provenance to AI: An Annotation Scheme for Museum Data

    Mariani, F., Rother, L. & Koss, M., 27.12.2023, (Accepted/In press) AI in Museums: Reflections, Perspectives and Applications. Thiel, S. & Bernhardt, J. (eds.). Bielefeld: transcript Verlag, p. 167-176 10 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  3. Published

    Hidden Value: Provenance as a Source for Economic and Social History

    Rother, L., Mariani, F. & Koss, M., 25.05.2023, In: Jahrbuch fur Wirtschaftsgeschichte. 64, 1, p. 111-142 32 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  4. Accepted/In press

    Introducing VISU: Vagueness, Incompleteness, Subjectivity, and Uncertainty in Art Provenance Data

    Mariani, F., 2023, (Accepted/In press) Proceedings of the Workshop on Computational Methods in the Humanities 2022.

    Research output: Contributions to collected editions/worksArticle in conference proceedingsResearchpeer-review

  5. 2022
  6. Published

    Taking Care of History: Toward a Politics of Provenance Linked Open Data in Museums

    Rother, L., Koss, M. & Mariani, F., 19.12.2022, Perspectives on Data. Lew Fry, E. & Canning, E. (eds.). Chicago: Art Institute of Chicago, 31 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  7. Published

    Uncanny Provenance: Art History and its Double

    Rother, L., 12.2022, In: Texte zur Kunst. 2022, 128, p. 84-97 14 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  8. Published

    "Oh, You are a Scientist!" Elsa Glaser and Art History

    Rother, L. & Koss, M., 11.2022, The Collector Curt Glaser: From Champion of Modernism to Refugee. Haldemann, A. & Rauser, J. (eds.). Berlin: Deutscher Kunstverlag, p. 14-19 6 p.

    Research output: Contributions to collected editions/worksContribution of Exihibition cataloguesResearch

  9. Accepted/In press

    Auf dem Weg zu einer emanzipierten Provenienzforschung

    Rother, L., 2022, (Accepted/In press) Entzug, Transfer, Transit – Menschen, Objekte, Orte und Ereignisse. Heidelberg University Publishing

    Research output: Contributions to collected editions/worksArticle in conference proceedingsResearch

  10. Published

    Looking at the World With You

    Koss, M., 2022, On the Edge of Time. Lyn, A. & Bird, R. (eds.). St. Gallen; Berlin: Vexer Verlag

    Research output: Contributions to collected editions/worksOtherTransfer

  11. Published

    Von echten Geschenken, falschen Verkäufen und realen Verlusten

    Rother, L., 2022, Seismografen und Orientierungsspiegel: Bilder der Welt in kurzen Kunstgeschichten. Crasemann, L., Fellmann, B. & Hadjinicolaou, Y. (eds.). 1 ed. Walter de Gruyter GmbH, p. 292-297 6 p.

    Research output: Contributions to collected editions/worksChapter

  12. 2020
  13. Published

    On the Question of the Restoration of Wall Paintings

    Koss, M. & Riegl, A., 01.09.2020, In: West 86th. 27, 2, p. 250-269 20 p.

    Research output: Journal contributionsJournal articlesResearch

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