Professorship for Provenance Studies
Organisational unit: Professoship
Organisation profile
Research and teaching in Provenance Studies at Leuphana cover the areas of provenance, restitution, and critical museum and art market studies. In addition to examining the past, present, and future of provenance and its production, we focus primarily on the institutional frameworks in which art is collected and exhibited. Here, we are particularly interested in the role of museums in the acquisition, archiving, display, and circulation of objects. To answer these questions, we also use digital tools and explore their relevance for provenance research and art history.
- 2024
- Published
- Published
History of the Collection
Koss, M., 10.2024, where paintings live: A Portrait of the Leimgruber Schenk Collection of Works by Angela Lyn with a Text by Max Koss. Koss, M. & Lyn, A. (eds.). St. Gallen/Berlin: Vexer Verlag, p. 118-120Research output: Contributions to collected editions/works › Chapter
- Published
where paintings live: A Portrait of the Leimgruber Schenk Collection of Works by Angela Lyn with a Text by Max Koss
Koss, M. & Lyn, A., 10.2024, St. Gallen/Berlin: Vexer Verlag. 128 p.Research output: Books and anthologies › Book
- Published
Where Paintings Live
Koss, M., 10.2024, where paintings live: A Portrait of the Leimgruber Schenk Collection of Works by Angela Lyn. Koss, M. & Lyn, A. (eds.). St. Gallen/Berlin, p. 112-117Research output: Contributions to collected editions/works › Chapter
- E-pub ahead of print
OpenCitations Meta
Massari, A., Mariani, F., Heibi, I., Peroni, S. & Shotton, D., 01.12.2024, In: Quantitative Science Studies. 5, 1, p. 50-75 26 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Interpreting Strings, Weaving Threads: Structuring Provenance Data with AI
Rother, L., Mariani, F. & Koss, M., 31.01.2024, Sammlungsforschung im digitalen Zeitalter: Chancen, Herausforderungen und Grenzen. Günther, K. & Alschner, S. (eds.). Göttingen: Wallstein Verlag, p. 93-103 11 p. ( Kulturen des Sammelns. Akteure, Objekte, Medien; vol. 5).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Auf dem Weg zu einer emanzipierten Provenienzforschung
Rother, L., 2024, Entzug, Transfer, Transit: Menschen, Objekte, Orte und Ereignisse: 20 Jahre Arbeitskreis Provenienzforschung : anlässlich der Jubiläumstagung, 19.-20. April 2021 in Hamburg. A. P. E. V. (ed.). Heidelberg: arthistoricum.net, p. 158-165 8 p.Research output: Contributions to collected editions/works › Article in conference proceedings › Research
- 2023
- Published
Teaching Provenance to AI: An Annotation Scheme for Museum Data
Mariani, F., Rother, L. & Koss, M., 27.12.2023, AI in Museums: Reflections, Perspectives and Applications. Thiel, S. & Bernhardt, J. (eds.). Bielefeld: transcript Verlag, p. 163-172 10 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Hidden Value: Provenance as a Source for Economic and Social History
Rother, L., Mariani, F. & Koss, M., 25.05.2023, In: Jahrbuch fur Wirtschaftsgeschichte. 64, 1, p. 111-142 32 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Institutionalisierte Institutionskritik: Lynn Rother über ,Wege der Kunst’ im Museum Rietberg, Zürich, sowie ,Zerrissene Moderne’ und ,Der Sammler Curt Glaser’ im Kunstmuseum Basel
Rother, L., 2023, In: Texte zur Kunst. 131, p. 214-219 5 p.Research output: Journal contributions › Journal articles › Research