Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
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Humanität und Billigkeit
Schües, C., 2013, Mythos – Geist – Kultur: Festschrift zum 60. Geburtstag von Christoph Jamme. Andermann, K. & Jürgens , A. (eds.). München : Wilhelm Fink Verlag, p. 253-266 14 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Ian White – Cinema as a Live Art / Becoming Object
Breimaier, A. (Editor), 03.2019, Berlin: Edition Living Archive. 63 p.Research output: Books and anthologies › Exhibition catalogues › Transfer
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"Ich leide, also bin ich": Selbstverfügter Schmerz als äußerstes Mittel politischer Kunst
Söntgen, B. E., 2016, Ulay: Life-Sized. Ulrich, M. (ed.). Leipzig: Spector Books, p. 111-117 6 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Ich nicht: Ein Interviewbuch für Fans
Leeb, S. A., 2002, In: Texte zur Kunst. 12, 45, p. 181-185 5 p.Research output: Journal contributions › Critical reviews › Research
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"Ich zeige dir, was du nicht siehst.": Francesca Woodmans Kraft
Söntgen, B., 2014, Francesca Woodman: Werke aus der Sammlung Verbund. Schor, G. & Bronfen, E. (eds.). Köln: Verlag der Buchhandlung Walther König, p. 63-72 10 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review
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Idiome: Die kleinen ks der Kunst
Leeb, S., 03.2017, In: Texte zur Kunst. 108, p. 33-56 24 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Idioms: The Minor ‘A’s of Art
Leeb, S., 12.2017, In: Texte zur Kunst. 27, 108, p. 32-56 25 p.Research output: Journal contributions › Journal articles › Transfer › peer-review
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Idioms – Languages of Art, Thematic issue of Texte zur Kunst, Nr. 108
Leeb, S. (Editor) & Thomann, M. (Editor), 12.2017, Berlin: TEXTE ZUR KUNST Verlag. 263 p. (Texte zur Kunst; vol. 27, no. 108)Research output: Books and anthologies › Special Journal issue › Research
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Ieva Astahovska et al. (eds) Revisiting Footnotes. Footprints of the Recent Past in the Post‐Socialist Region. Riga: Latvian Centre for Contemporary Art, 2015.
Gerhardt, U., 06.2016, In: Journal of Soviet and Post- Soviet Politics and Society. 2, 1, p. 266-269 4 p.Research output: Journal contributions › Critical reviews › Research
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“IF I BROKE DOWN THE WALL OF FLESH”: Blurring the Human/Animal Distinction in the Slaughterhouse through Ivano Ferrari’s Poetry
Stefanoni, C., 12.11.2024, Violence and Harm in the Animal Industrial Complex: Human-Animal Entanglements. Hunnicutt, G., Twine, R. & Mentor, K. (eds.). Taylor and Francis Inc., p. 236-248 13 p.Research output: Contributions to collected editions/works › Chapter › peer-review