Institute of Culture and Aesthetics of Digital Media

Organisational unit: Institute

Organisation profile

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.

Main research areas

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation. 

The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana. 

  1. 2013
  2. Accepted/In press

    Kulturfreie Bilder: Erfindungen der Voraussetzungslosigkeit

    Pias, C. (Editor), 29.05.2013, (Accepted/In press) 1 ed. Berlin: Kulturverlag Kadmos . 215 p. (Copyrights; no. 19)

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  3. Published

    Creative Network Communities in the Translocal Space of Digital Networks

    Smite, R., 05.2013, In: Human Technology. 9, 1, p. 4-21 18 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  4. Published

    Lautsprecher. Medienaufführungen: Vom kulturellen Wandel eines Übertragungsmediums

    Großmann, R., 05.2013, In: Positionen. 95, Mai 2013 "Oberflächen", p. 18-20 3 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  5. Published

    As You Like It: Critique in the Era of an Affirmative Discourse

    Bunz, M., 04.2013, Unlike Us Reader: Social Media Monopolies and Their Alternatives. Lovink, G. & Rasch, M. (eds.). Amsterdam: Institute of Network Cultures, Vol. 8. p. 137-145 (Inc Reader).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  6. Published

    303, MPC, A/D: Popmusik und die Ästhetik digitaler Gestaltung

    Großmann, R., 2013, Performativität und Medialität Populärer Kulturen: Theorien, Ästhetiken, Praktiken. Kleiner, M. & Wilke, T. (eds.). Wiesbaden: Springer Verlag, p. 299-319 20 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  7. Published

    Bewegte Spiele: Zur Verschiebung des Verhältnisses von Spiel und Alltagswelt durch mobile Games

    Schrape, N. & Fuchs, M., 2013, In: Sprache und Literatur. 44, 1, p. 69-83 15 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  8. Published

    Blöde Sklaven oder lebhafte Artefakte ? Eine Debatte der 1960er

    Müggenburg, J. & Pias, C., 2013, Automatismen - Selbst-Technologien. Bublitz, H., Kaldrack, I., Röhle, T. & Zeman, M. (eds.). Paderborn: Wilhelm Fink Verlag, p. 45-69 24 p. (Schriftenreihe des Graduiertenkollegs "Automatismen").

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  9. Published

    »Chop that record up!«: Zum Sampling als performative Medienpraxis

    Pelleter, M., 2013, Performativität und Medialität populärer Kulturen: Theorien – Ästhetiken – Praktiken. Kleiner, M. S. & Wilke, T. (eds.). Wiesbaden: VS Verlag für Sozialwissenschaften, p. 391-414 21 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  10. Published
  11. Published

    Databases as citadels in the web 2.0

    Warnke, M., 2013, Unlike Us Reader: Social Media Monopolies and the Their Alternatives. Lovink, G. & Rasch, M. (eds.). Amsterdam: Institute of Network Cultures, p. 76-89 13 p. (INC Reader; no. 8).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch